A series of essays and visual contributions critically reflecting on the current structures of knowledge within the art world.

A painter and an inventor, Eugène Frey (1863-1930) pioneered techniques of animated sets for the theatre at the same time period as the cinema was invented. While he is contextualized beside the creations of Loie Fuller, Georges Méliès or Lotte Reiniger, he is reinterpreted by the artist João Maria Gusmão. First publication devoted to the work of Eugène Frey, the luxurious catalogue of the exhibition at the New National Museum of Monaco presents texts by Stéphane Tralongo (University of Lausanne) and Laurent Mannoni (Cinémathèque française), as well as a work of fiction by João Maria Gusmão.

The composition Radio Music Extended, performed by Opening Performance Orchestra, draws upon the concept John Cage brought to bear in his piece Radio Music from 1956.

Reissue of a classic example of Masayuki Takayanagi's “non section music” from 1975.

Reissue of a classic example of Masayuki Takayanagi's “non section music” from 1975.

Reissue of a classic example of Masayuki Takayanagi's “non section music” from 1975.

Reference monograph: the most comprehensive introduction to the Korean artist's postcolonial and feminist approach.

It is a form of spiritual revolt that Spanish architect Carlos Martí Arís highlights through a transversal analysis of different artistic expressions that combine to enrich his reflection.

A study on the role of research and knowledge production in today's contemporary art, and the growing relevance of art as conduit of knowledge.

Publication including the films Transformation Scenario, 70.001, and Faux Terrain, as well as a visual essay, a glossary and texts by Heike Geißler, Fanni Fetzer, and Franciska Zólyom.

A comprehensive look at the unique artistic work of German photographer Annette Kelm and the visual idiom she has developed over the course of her career.

Silk Saw's 12th album, blending sweet and bitter in languorous and enigmatic melodies that float on intriguing pounding polyrhythms.

Through “Experimental & Parametric Music 1976-2017,” more than 40 years of Joris de Laet's work are unveiled. We discover here for the first time the great coherence of this work: from “Signalisations” (1976) to “Mnemosyne pour une acousmaman” (2017). The twelve compositions are annotated and explained in detail by the composer, as well as a kind of wild autobiography.

Through “Experimental & Parametric Music 1976-2017,” more than 40 years of Joris de Laet's work are unveiled. We discover here for the first time the great coherence of this work: from “Signalisations” (1976) to “Mnemosyne pour une acousmaman” (2017). The twelve compositions are annotated and explained in detail by the composer, as well as a kind of wild autobiography.

In this book, together with Pierre Chabard, Philippe Vander Maren and Richard Venlet explore and explicit the design process of House D through a set of unpublished work documents such as sketches, scale models, series of annotated plans, collages and pictures.

Recorded at INA GRM and Steamroom, covering a period of thirty years, the gap between the two visits Jim O'Rourke made to the GRM, featuring Eiko Ishibashi on piano, Atsuko Hatano on violin and viola and Eivind Lonning on trumpet, Shutting Down Here is considered by O'Rourke himself as his “most meaningful” release.

Eiko Ishibashi"s first album for Black Truffle, produced for the 'Japan Supernatural' exhibition at The Art Gallery of New South Wales, Sydney, focusing on ghost stories and folklore from the Edo period onwards.

Monograph dedicated to the set of 70 pieces by Arnulf Rainer constituting the Fonds Michel Foëx, of which Rainer Michael Mason presents the first study.

An observation on evolution of material plasticity, a story about plastic whose native land is Mesoamerica (artists' book).

Two pieces that evolve with grace and inspiration in the vast domain of the sound world, each with their own agenda.

The first reissue of Wounds by David Toop and Paul Burwell, originally released in 1980 on Toop's Quartz! label, a representative album of a seminal moment within the British music scene evolved around the London Musicians Collective in the late 1970s and early 1980s.

Thomas Köner's new album, marking the relaunch of the lengendary Mille Plateaux label.

Thomas Köner's new album, marking the relaunch of the lengendary Mille Plateaux label.

Jean-François Bory's travel diary to Japan.

The figure(s) of Cindy Sherman as the plot of a personal narrative by Jean-François Bory.

English translation of Artaud le Mômo, edited in the spatial format Artaud intended, for the first time since its original edition in 1947. Includes eight original drawings by the French poet.

Stefan Banz has brought together and evaluated all the relevant documents and sources relating to Fountain by Richard Mutt alias Marcel Duchamp. At least one thing is certain after reading them: Elsa von Freytag-Loringhoven had definitively nothing to do with the creation of Fountain. In addition, Banz has succeeded in writing a highly inspiring book containing many new and revealing ideas that present this work of the century in a much more differentiated light.

Tristan Tzara (1896-1963) is the poet through whom Dada arrived. In Zurich, he animated the Cabaret Voltaire with Hugo Ball; in Paris, he then inspired some surrealists in the making. If he was a great lover of Villon and Rabelais, his poetry is as iconoclastic as the music of Nurse With Wound, who composed for this edition of Minuits pour géants an unpublished piece lasting about ten minutes: On the Edge of the Outside.

Catalogue of the last solo exhibition of Ettore Spalletti (1940-2019).

Oracular Transmissions weaves together three of the most recent collaborative projects Etel Adnan and Lynn Marie Kirby have completed through processes of exchange and translation: Back, Back Again to Paris (2013), The Alhambra (2016), and Transmissions (2017).

This vinyl record brings together three pieces that play mischievously with the voice as a sound source, narrative source or diverted object: "Huellas Entreveradas" (2018), "La Baballe du Chien Chien à la Mé-Mère" (2001) and "Deux Dents Dehors" (2007).

This collection of writings from Bonaventure Soh Bejeng Ndikung presents, for the first time in one volume, essays and proposals edited anew.

The 24th issue of the New York music magazine focuses on the figure of Sun Ra.

The first published collection of the work of playwright and artist Asher Hartman and his Gawdafful National Theater company.

The transcription of a lecture by Fanny Drugeon on three installations by Japanese artist Shimabuku.

This large monograph presents a new set of sculptures by the artist, installed in the lagoon facing the museum designed by Jean Nouvel in Doha, Qatar, and the different stages of their production.

The soundtrack realised by the great Russian composer Edward Artemiev for the Andrey Tarkovsky's masterpiece film Solaris (1972). The box comes with the soundtrack on CD, and an exclusive luxurious photo book with unreleased images of the movie set and essays about music and cinema of the duo Artemiev/Tarkovsky.

Walls of Sounds is a music of sonic sensations. It is a physical and sensual approach to the phenomenon of thick sound worlds. Sound waves become physical objects, four-dimensional sonic sculptures to be experienced, bodily and mentally (works by Alvin Lucier, Phill Niblock, John Cage, John Duncan, James Tenney, Terry Riley, Lee Ranaldo, Philip Glass, Steve Reich, Boris Hegenbart, Ulrich Krieger, Zbigniew Karkowski).

A timeless collection of 9 evocative minimalist soundscapes, available on vinyl again (remastered by Giuseppe Ielasi) after 10 years.

A photographic diary by Giovanna Silva guiding us through the United Nations Office headquarters in Geneva.

Photo documentary set in a deserted Geneva during the G8 counter-summit in 2003. The series stages the abandonment of the urban space and its transformation through the deployment of defense barricades.

This photographic publication documents the ecological and human devastation caused by the construction of the Belo Monte dam in the Amazon.

Monographic catalogue examining the forcefield of relations artist Joyce Campbell has activated between photography, philosophy, ecology, material history, science fiction, and the care and reading of sacred and symbolic landscapes, over the course of her near three-decade career.

A piece of industrial musique concrète composed in the studios of GRM, created from field recordings of a vinyl record pressing plant: a mise en abyme of the record as an object.

Divagations about René Ghil, Jean-François Bory, Lucien Suel: three authors who invented and practised the most diverse forms of “experimental poetry” and who have profoundly transformed the very idea of “poetry”.

52 short poems, written in a nervous prose during periods of trance. A response to the “disease of globalization.”

First monograph by Charlie Engman, the rising star of fashion photography: a vast series of pictures (500 images) of his mother, made over the course of more than a decade. With texts by Rachel Cusk and Miranda July.

A portrait of Claude Ollier (1922-2014), writer of the Nouveau Roman, where memories, reflections, hypotheses and descriptions are intertwined, with a notebook of photographs composed by Camille Rosset.

New edition of an artist's book first published in 2009, gathering essays, short stories and images (leporello ). The publication reflects the artist's long-term critical interrogations on archives, historiography and institutions.

À La Becque is a semi-digital sonorous publication documenting the meeting of three musicians during their brief stay at La Becque, an artist residency in La Tour-de-Peilz (Switzerland). Both a digital album and artist book, the publication comprises 12 pages printed on a risograph, and includes a hyperlink to download seven improvisations (keyboards, voice, synthesizers and objects; 38 minutes).