This first monograph on Aslan Gaisumov borrows its title from a video work focusing on the traumatic aftermaths of post-World War II for the Chechen people under Soviet control. The publication documents in text and images this both historical and intimate project.

This catalogue accompanies three solo exhibitions in which two threads in Amelia Pica's practice are brought together: communication between humans and exchange between species. It includes a series of essays on animal rights and the artistic practice of the Argentine artist, as well as documents and an iconographic ensemble.

An exploration of the absence and presence of the (red) color.

The reference monograph deepens, for the first time in an exhaustive way, the pioneering installations created by Fontana since the late 1940s.

An anthology of critical texts and essays on art and literature written and published by Alexandre Mare during the last ten years: Proust, Man Ray, Oppenheim and Crevel; Bataille, Rivière, Oates and Guyotat; Mallet-Stevens and Breuer; Schulz and von Stroheim; Mansour, Hugnet, Caillois and Duprat; Pynchon, Exley, Robbins, Huncke and Kerouac&hellip

A novel.

Notes on the radio.

Since the 1990s, artist Rainer Ganahl has been inspired by Karl Marx's writings. In over 700 pages, this publication brings together essays, photographs and other documentation from dozens of Ganahl's projects adapted from Marx's theories.

Reference monograph.

Chronotopic Traverses brings together unexpected arrangements of Haegue Yang's versatile sculptures of various materials against a backdrop of a panoramic and dramatic wallpaper Incubation and Exhaustion (2018).

The second title in a series of publications dedicated to artists' residencies at Maison Bernard, a masterpiece of organic architecture carried out in the 1970s by Antti Lovag in association with Pierre Bernard. The book documents a site-specific project by Emma Dusong, an artist who works with her own voice.

The first (and the last) concert of mythic Kosmiche Belgian band Kosmose (1973-78): unreleased songs recorded and mixed in March 1975, something undoubtedly cosmic but with a DIY, home-made edge, dirtier than clean, noisier than technology-based.

The first (and the last) concert of mythic Kosmiche Belgian band Kosmose (1973-78): unreleased songs recorded and mixed in March 1975, something undoubtedly cosmic but with a DIY, home-made edge, dirtier than clean, noisier than technology-based.

Recordings made between 2005 and 2014 by the experimental German band.

Designed under the direction of the artist, this monograph is devoted to Danh Vo's in situ installation at the CAPC museum, through which the conceptual artist explores the relationship between individual and collective history, and the notions of power and masculinity.

This monograph provides an exhaustive look at the practice of Yann Gerstberger, a French artist exiled in Mexico, whose work is deeply rooted in Mexican popular culture and pre-Columbian mythologies. The publication gathers series of works (sketches, photocopies, neon paper drawings and collages, tapestries), two essays, and poems by Gabriela Jauregui. The edition features an annex booklet devoted to exhibition views.

Michael Snow's The Last LP is an extraordinary collection of tracks “of rare music derived from threatened, obsolete, or now-extinct cultures from around the world” that although the claiming of being field recordings of ancient musical experiences, are in fact pieces played, conceived and recorded by the artist himself.

Interviews with Cornelia Sollfrank, Lílian Campesato, Hyphen-Labs, Faith Holland, Mary Flanagan, Spideralex, Linda O'Keeff; Sonic Territories, monumental loudspeakers to the people; books, DVDs and CDs reviews...

Jeffrey Weiss, Carolee Schneemann, and Simone Forti on the passing of Robert Morris, editor Lauren O'Neill Butler on the art of fierce pussy, Wayne Koestenbaum on the art of David Gilbert, a special dispatch from Thailand by David Teh, plus exhibition reviews from Paris, Berlin, Prague, Zurich, New York, and more.

A panorama of the world of do-it-yourself fanzines.

Artist's book, based on Peter Voigt and Arno Fischer's project developed for the Marx-Engels-Forum in Berlin.

This catalogue accompanies the exhibition by Florence Lazar at the Jeu de Paume. It is also her first monograph.

Part of The New Sanctuary, the Satellite Programme 12 devised by Laura Herman for the Jeu de Paume and the CAPC, Anna & the Jester in Window of Opportunity is published in conjunction with the exhibition of work by Julie Béna, which takes the form of an architectural tale.

A publication conceived by Portugese artist Francisco Tropa in collaboration with writer Thomas Boutoux and graphic designer Pedro Falcão, which adopts the form of magazine one flips  through in bars or in waiting rooms. A true/false weekly style magazine with refined imagery printed on glossy paper, The Mustache Hidden in the Beard is dedicated to cultural and scientific topics, design, life styles but also real estate through a series of cutting, quirky articles, investigations, portraits and reports.

Artist's book with which Lauren Huret looks at the question of erasing images on the Internet.

The first book by Elena Reygadas, Latin America's Best Female Chef, is more than a cookbook.

Spike Art Magazine #58 (“The Magic Issue”) inaugurates a new formula all in English.

The long-awaited facsimile publication of Dorothy Iannone's 1969 cookbook.

Soil Affinities explores the connections of (post)colonial history and the movement of plants for agriculture, from Aubervilliers, a northern suburb of Paris, to formerly French West Africa (Mali and Senegal). This publication and Uriel Orlow's eponymous project retrace the lines and networks of earthly connections between plants and humans through images, maps, texts, and interviews conducted in France, Senegal, and Mali over the span of two years.

A score for 51 human voices intended to mimic the sound of the sea, displayed as loose sheets slipped in PVC sleeve. David Horvitz's hommage to Pauline Oliveros.

One of the most charming and least well-known Italian cities portrayed through the faces of the people who live there today.

A biography of the founder of Pataphysics, by Alastair Brotchie.

An investigation into the artistic and political issues of participatory art since the 1990s.

First monograph dedicated to the artistic freelance photography of industrial photographer and filmmaker Giorgio Wolfensberger (1945-2016). Beginning with the black-and-white documentary photography of his first years, the publication then documents a rich body of colorful photographs depicting with humor, the strangeness of everyday life and its objects.

Recipes from all over the world: an illustrated cookbook by Anna-Eva Bergman, published for the first time.

A sound dialogue between eRikM and Anthony Pateras.

This artist's book assembles 41 titles of literary works, transcribed in homophonic translation. An exercise in concrete poetry, stemming from the Oulipo tradition. To be seen as much as read.

The portfolio of the exhibition at the Jeu de Paume.

Once upon a time, in a coral palace at the bottom of the sea, hidden from human eyes, there lived a princess with a fish's tail. Her parents adored her, and she was engaged to the most tender and beautiful of all the mermen, and she could have been the happiest of all the mermaids. But the little princess was desperately unhappy… (an illustrated philosophy book for children).

In 2006, film director Amos Gitai invited Gabriele Basilico to undertake a journey retracing the locations of the shooting of Gitai's film Free Zone, on the demilitarized zone between Israel and Jordan. This publication follows this unique photographic project.

This publication presents a comic strip made by a 20-year old Nathalie Du Pasquier in remembrance of a six months journey in Gabon. Inspired by a clipping from a Gabonese daily, the cartoon tells the colorful story of a clumsy Don Giovanni. This edition features an introductory text by the artist, the translated strip, and a facsimile of the comic book in original French version.

60 black and white photos taken in Lebanon, accompanied by poems by the artist.

This publication presents a project by Linda Fregni Nagler about the photographic “School of Yokohama”, which emerged during the Meiji era in Japan. Over the past ten years, the artist has collected hand-colored photographs of this period representing Mount Fuji. She re-photographed them, printed them and colored them by hand, according to colorization method of that time.

A contemporary discussion around the use, value and purpose of analogue film.

A visual archive of the Islamic State's destruction of artifacts.

Catalogue of the first international retrospective dedicated to Brazilian-Italian painter Alfredo Volpi: a thorough exploration in words and images of the painter's peculiar life and career—from the bounds and relationships with the Brazilian art community, to his special link to the city of São Paulo and his adopted country, leading to the development of his unique artistic language.

Monograph on the work of Chinese artist Hu Xiaoyuan, featuring an essay by Nicolas Bourriaud and a conversation between Gea Politi and the artist.

Polaroid works.

This catalogue presents an exploration of artistic imaginaries in the age of artificial intelligence. A series of essays examine these new aesthetics through various historical, contemporary and conceptual perspectives. The publication also includes a series of projects by artists such as Ian Cheng, Cécile B. Evans, Avery K Singer, Luca Trevisani…

This catalogue aims to document the creative process behind Zoete's work, starting from preliminary drawings to the completion of his models, sculptures, and architectural constructions. Essays and iconography offer a complete exploration of the Belgian's practice, which builds on the legacies of the German Bauhaus and Russian Constructivism.