Martial Raysse and cinema.

A series of analog and digital photographic collages by Maya Rochat.

Sound (and aural perception) in contemporary art.

Lucie Béguin, Asmaa Betit, Feng Li, Jean-Christophe Marquez, Géraldine Martin & Charlotte Mas / Edwin Fauthoux-Kresser / Violaine Laveaux / Yohann Gozard / Barthélémy Toguo, Frédéric Bruly Bouabré, Mounir Fatmi, Najia Mehadji, Yazid Oulab, Chéri Samba, Malick Sidibé, Pascale Marthine Tayou / Hervé Bréhier / Figure(s) & paysage(s) / Alexandre Atenza / Francisca Martínez, Charuwan Noprumpha, Andrés Donadio.

Based on the findings of an interdisciplinary research project, Transcultural Modernisms maps out the network of encounters, transnational influences, and local appropriations of an architectural modernity manifested in various ways in housing projects in India, Israel, Morocco, and China.

Representation of pain in the art of the twentieth and twenty-first centuries.

A study of two works with which Martial Raysse reinvests traditional techniques of sculpture and draws its iconography in ancient texts.

An audio-visual project about the impossibility of a film on the Deir Yassin massacre, exploring the complex ramifications of the place (2 volumes artist's book).

In about 600 selected letters, this correspondence documents the biography, activities, career and work of the art historian Leo Rosenthal (1870-1932).

A study of social utopias (of European origin, mainly French) in Latin America in the 19th century: a contribution to the defense of utopia as a driving force of human progress, against all forms of utilitarianism and pragmatism.

The first release in the “Mind Travels” Series, Je vous dis is a melancholic and sometimes terrifying record. Resembling the soundtrack of a situationist film, it is a true work of the mind, complex, poetic, and elegant, even in its darkest moments.

The first release in the “Mind Travels” Series, Je vous dis is a melancholic and sometimes terrifying record. Resembling the soundtrack of a situationist film, it is a true work of the mind, complex, poetic, and elegant, even in its darkest moments.

Twenty-six serigraphs by the Dutch graphic designer.

Reference monograph.

Jacopo Benassi's collection of eroticized slippers (artist's edition—10 booklets in a handmade wood box set).

New monograph.

A long-term trans-regional research initiative working between art, research, media, and educational contexts in Europe, the Middle East, western and central Asia, Latin America, and northern Africa, on the theme of the stories and spirits of a parallel avant-garde.

3rd issue of the sound arts and experimental music annual review, devoted to the question of sound space.

Luxurious box set including 4 catalogues and a double vinyl of the concert by Damo Suzuki and The Fume (a live performance by the ex-singer of CAN, in the continuity of the krautrock movement), prolonging one year of evolving exhibitions and performances at Centre d'Art de Neuchâtel.

This richly illustrated catalogue presents the work of Florence Louise Petetin in all its variety: paintings, drawings, graphic works, performances, texts, video, etc. In appendix, a selection of texts and poems by the artist.

This first monograph devoted to the work of the Japanese artist Tomoaki Suzuki approaches the artist's sculptural work in all its distinctive aspects and numerous details. These are put into perspective by two essays and an interview, at a time when urban signs are suffering from immediate ageing, marked by “whatever singularity” in the age of social networks.

Maurizio Nannucci documents, in the form of an artist's book, a collective action with his family and friends around the world, from Athens to Sydney through Beijing, that literally puts the art in question to better assert its omnipresence while providing a wide range of social interaction.

Capture is such a productive fictitious rock band, that nobody can consume everything. It produces new music, words, images, videos and derived products every hour. Capture reverses the consumerism ideology and the relation between desire and objects. This publication documents the project.

Artist's book: a deconstruction of a 16 mm film shot by Haris Epaminonda in Cyprus, embarking on a new set of associations between image and subject, source and information, meaning and abstraction.

An innovative examination of Jeff Wall's photography.

The collaborative construction process of the “wood log tower” designed by Tadashi Kawamata in Ittingen Charterhouse, a former Carthusian monastery in Switzerland, developed with the architect Christopher Scheidegger.

A tribute to film director Derek Jarman (reissue of the second full-length album by Robin Rimbaud / Scanner on Sub Rosa).

Box set bringing together three books / DVDs devoted to Tadashi Kawamata's wood constructions: Scheiterturm (2014), Collective Folie (2014), and Workshop (2008).

Historically important pieces documenting John Cage's early electronic and tape practice.

Historically important pieces documenting John Cage's early electronic and tape practice.

New monograph.

First photography book by Emmanuelle Bayart, dedicated to memorial issues in the town of Sarcelles, in a “ville nouvelle” sociocultural context.

Seven encounters between artists and young audiences in 2010/2011.

The fourth title in the “Archives” series, which is dedicated to landmark exhibitions and curatorial practices, and provides sources and moving images to the growing field of research of curatorial studies and exhibition history.

A collection of poems dedicated to the Revolutionary Left Movement's struggle against fascism in Chile.

Ten contemporary artists present works thematically related to the exhibition “Ravaged: Art and Culture in Times of Conflict”. This publication explores their oeuvres and reveals their creative processes. This contemporary perspective makes clear that the destruction of cultural heritage remains a very current subject today.

This catalogue documents the theoretical and practical research stemming from a project inspired by the legendary exhibition “Art by Telephone” held at the Museum of Contemporary Art in Chicago in 1969, extending it today with contributions from new artists. The works were first orally conveyed by telephone to then be interpreted, activated, and produced by art students.

Taking as its starting point a pilgrimage that takes place in Italy during the day of the dead, this publication is part of a collective and multidisciplinary project which aims to reflect upon death, to more deeply celebrate life.

A linguistic/fictional journey into questions of authorship, language and institutional rhetorics.

New Africa gives a photographic redefinition of the African territory, influences and cultures. Beyond Afro-pessimism and outdated folklore figures, this publication reveals the multiple identities of the Arab-African human being.

Judith Hopf highlights Hugo von Hofmannsthal's hypothesis of a hidden language that might resolve the impasse produced by a widespread lack of attention regarding artistic practice.

A collective project initiated by Valérie Jouve.

Luc & Brunhild Ferrari's Chantal, Eliane Radigue by Kasper Toeplitz, Yvain Von Stebut, Musique Action festival, filming music, a history of musical destructions by Matthieu Saladin (part 5)...

First monograph.

A project based on a travel to the Nourages scientific research station in French Guiana, situated in the heart of a tropical rainforest. The result is a collection of compositions and phonography characteristic of the zone.

The catalogue of the inaugural exhibition of the Fondation Vincent van Gogh Arles, a thematic van Gogh exhibition with proposals by nine contemporary artists (Bertrand Lavier, Thomas Hirschhorn, Guillaume Bruère, Fritz Hauser, Raphael Hefti, Camille Henrot, Gary Hume, Bethan Huws et Elizabeth Peyton).

A real, potential and fictitious museum by Michel Giroud.

Revisiting the diorama tradition, Souffle d'écho stages a a cartoon-style peep-show of erotic scenes set in a chimeric three-dimensional vaginal cavity. An exhibition booklet and an audio link complete this edition.

A series of surgical experiments on creatures with genetic disorders resulting from a hypothetical interbreeding between aliens and humans: a crude transhumanist nightmare by Wataru Kasahara.

Terry Adkins, Kai Althoff, Art After Art, Art Against the Net, Art and Appropriation, Josh Bitelli & Felix Melia, Elaine Cameron-Weir, Paul Chan, Liz Deschenes, João Enxuto & Erica Love, Hallucination Museum, Alex Olson, Laura Owens & Lisa Williamson, A Pedagogy of Invention, Sean Raspet, Cameron Rowland, Ben Schumacher & Jared Madere, A.L. Steiner, Stylometry, Franz Erhard Walther, The Work of Images in the Age of Digital Reproduction, Worldly Worlding, The Artist as Curator.