Each of the stories that make up this collection of narratives has as its starting point a phrase that must be taken literally, in its literal sense. The writing then develops its poetic and imaginary potentialities.

Alter Architecture Research Collective's manifesto (contributions by Andreas Rumpfhuber, Tiqqun, Mariapaola Michelotto, Giorgio Agamben and Julian Siravo).

Unlike previous Gerhard Rühm editions on Tochnit Aleph which portrayed his phonetic poetry and longform radio-plays, the pieces on this edition are more conceptual, actionistic and (mostly) sound-based works recorded between 1962 and 1987.

A slice of 1970s Americana in the suburbs of Long Island, from one of the era's most iconic documentarians.

Featuring interviews with Martine Syms, Erica Baum, Billy-Ray Belcourt, Carolyn Lazard, Trenton Doyle Hancock, Nathalie Léger, and Rufus Wainwright.

Frank Bretschneider's most radical work: a self-generating composition for synthesizer modules whose sole sound source is the movement of two VU meter needles. The resulting percussive sounds coalesce into rhythmic combinations—all random, without repetition. A meditation on infinite rhythmic variation.

A clothbound companion to Marina Abramovic's tribute to Maria Callas, a performance that recreates the iconic opera diva's famous onstage death scenes.

Summer issue inclues interviews with Amoako Boafo, Nicolas Party, Brenda Goodman, Odili Donald Odita, Jenny Offill, Craig Taborn, Ricardo Phillips, and Jibz Cameron; poetry by Safia Elhillo and Nathaniel Mackey; prose by Lydia Davis, Marie-Helene Bertino, and Saidiya Hartman; and more.

An exploration of the work of sculpture and conceptual artist Carol Bove, by art critic Martin Herbert.

Vinyl EP from Silk Saw's 12th album, blending sweet and bitter in languorous and enigmatic melodies that float on intriguing pounding polyrhythms.

A series of drawings that retrace a trip to California, where the multiplied and labyrinthine architecture invites the visitor to wander between reality and fiction.

A portrait of Claude Ollier (1922-2014), writer of the Nouveau Roman, where memories, reflections, hypotheses and descriptions are intertwined, with a notebook of photographs composed by Camille Rosset.

The new Tom James Scott record, the first document of his solo work since 2017.

The catalogue of the first exhibition in France of the Japanese performers' collective contact Gonzo.

Texts by / interviews with Chitra Ganesh, Tania Cypriano, Charles Atlas, Netta Yerushalmy, Vi Khi Nao, Amani Al-Thuwaini, Andrea Hasler, Bruce Boone.

The third title in a series of publications dedicated to artists' residencies at Maison Bernard, a masterpiece of organic architecture carried out in the 1970s by Antti Lovag in association with Pierre Bernard. The book documents a site-specific project by photograph Yves Gellie, a work on light and perception.

A previously unreleased concert recording from 1983 by Das Moabiter Duo (Sven-Åke Johansson and Thomas Kapielski). An eclectic improvisation associating drums, electronics and concrete music, offering a snapshot of the experimental Berlin scene of the 1980s.

The catalogue of the duo's exhibition at CAPC, featuring a new site-specific work and a series of performed or filmed actions. A project about situations of reversal, confronting the exogenous realities of the enterprise, the working-class, and the museum.

The 2 volumes of the catalogue documenting the project for the restructuring of the Besançon Museum of Fine Arts and Archeology by Architectures Adelfo Scaranello (special offer).

The two volumes of the publication dedicated to the artist's novel (two-books set special offer).

The crucible of creation: portraits of New York artists in the intimate seclusion of their work spaces.

A clothbound collection of Alexandre de Mortemart’s richly textural black-and-white cityscapes.

Jeremiah Dine's illuminated vision of New York street life.

An intimate audio archive of the British novelist, coupled with a 18-track sonic portrait of Burgess by invited artists and musicians.

A comprehensive documentation on Ruth Ewan's installation at CAPC, a tangible plastic version of the revolutionary calendar.

This new album by the American cellist offers an appreciation of her talents as both a composer and performer, in a unique and elegant style reflecting her many inspirations, from baroque music to Americana and experimental music.

Interviews with Korakrit Arunanondchai, Antoine Catala and Dan Graham, Atelier Bow-Wow, American Artist, Jeff Bliumis, James N. Kienitz Wilkins, Rion Amilcar Scott, and Carmen Giménez Smith.

A collection of essays and portraits on one of the most influential art critic and curator of today.

Part of The New Sanctuary, the Satellite Programme 12 devised by Laura Herman for the Jeu de Paume and the CAPC, A False Weight is published in conjunction with the exhibition by Daisuke Kosugi, an intimate project on the disabled body, supported by a reflection on the architecture of the home.

Rio, Tokyo, Paris: Oscar Oiwa, Brazilian artist of Japanese origin, draws from these three Olympic cities to which he is personally bound, a matter to question the world of today, inviting us to dive into his half-realistic mid-fantasy universe, where sometimes point humor and nostalgia.

New monograph (works from 2011 to 2019).

The ToiletMartin PaperParr wall calendar 2020 features photographs conceived by Martin Parr, Maurizio Cattelan and Pierpaolo Ferrari, a back-to-back of images made in collaboration between the three artists. In a hotly anticipated follow-up to the first ToiletMartin PaperParr magazine, this calendar presents a selection of the best images conceived by the three artists.

Interviews with Mary Weatherford, Nanfu Wang, Lee Quiñones, Venkatachalam Saravanan, Tyshawn Sorey, Ben Whishaw, Édouard Louis, Geovani Martins, Prageeta Sharma, and James Thomas Stevens.

Part of The New Sanctuary, the Satellite Programme 12 devised by Laura Herman, The Arcadia Center is published in conjunction with the exhibition of work by Ben Thorp Brown, which calls for an architectural experience inspired by ancient mythology and the fields of psychology and neuroscience.

Focusing on the American South, Andrew Moore's "Blue Alabama" depicts the economic, social and cultural divisions that characterize the South and the love of history, tradition and land that binds its citizens.

The debut release of Alasdair Roberts, Debbie Armour, Frankie Armstrong and Benjamin Webb's vocal project is an intimate collection of traditional and newly composed songs.

The debut release of Alasdair Roberts, Debbie Armour, Frankie Armstrong and Benjamin Webb's vocal project is an intimate collection of traditional and newly composed songs.

Yvan Etienne's new sound composition (Serge Modular, field recording).

An essay on Philippe Beck, Jean-Paul Curnier and Michel Surya.

An album conceived by Carlos Casas from the sound materials recorded during the making of his film Cemetery (about the last journey of an elephant in the Sri Lankan jungle, a meditative and hallucinatory oeuvre between animist documentary, adventure film and experimental cinema), extending the immersive experience of the film.

An album conceived by Carlos Casas from the sound materials recorded during the making of his film Cemetery (about the last journey of an elephant in the Sri Lankan jungle, a meditative and hallucinatory oeuvre between animist documentary, adventure film and experimental cinema), extending the immersive experience of the film. This artist's edition includes a hand numbered bonus LP, an art print and a dowload code for an exclusive 99' bonus track.

Interviews with Young Joon Kwak, Kazuo Hara, Bill Jenkins, Ligia Lewis, William Basinski, Titus Kaphar, José Roberto Cea, and Barry Lopez.

A 5-disc overview of exploratory works written between 2005 and 2018, including long-form ensemble pieces, idiosyncratic trio combinations and a collection of 10 solos investigating various potential in teractions between instrument and tape.

Archival and live recordings from Australia's premiere prepared acoustic improvising trio.

Two pieces of electroacoustic music and musique concrète, Music Promenade (1964-1969, permanent version for four stand-alone tape recorder) and Unheimlich Schön (made in 1971 in the studios of the Südwestfunk in Baden-Baden).

The two books by Matali Crasset published by Shelter Press (special offer).

Following Skins (1994) and Skins & Punks (2008), hailed as modern classics, Gavin Watson's new monograph is an intimate selection of photographs disrupts the notion of skinheads and council estate residents as problematic figures in an almost endearing manner while still preserving the subversive character of the cult of youth.

The second title in a series of publications dedicated to artists' residencies at Maison Bernard, a masterpiece of organic architecture carried out in the 1970s by Antti Lovag in association with Pierre Bernard. The book documents a site-specific project by Emma Dusong, an artist who works with her own voice.