Part of The New Sanctuary, the Satellite Programme 12 devised by Laura Herman, The Arcadia Center is published in conjunction with the exhibition of work by Ben Thorp Brown, which calls for an architectural experience inspired by ancient mythology and the fields of psychology and neuroscience.

Focusing on the American South, Andrew Moore's "Blue Alabama" depicts the economic, social and cultural divisions that characterize the South and the love of history, tradition and land that binds its citizens.

The debut release of Alasdair Roberts, Debbie Armour, Frankie Armstrong and Benjamin Webb's vocal project is an intimate collection of traditional and newly composed songs.

The debut release of Alasdair Roberts, Debbie Armour, Frankie Armstrong and Benjamin Webb's vocal project is an intimate collection of traditional and newly composed songs.

Yvan Etienne's new sound composition (Serge Modular, field recording).

An album conceived by Carlos Casas from the sound materials recorded during the making of his film Cemetery (about the last journey of an elephant in the Sri Lankan jungle, a meditative and hallucinatory oeuvre between animist documentary, adventure film and experimental cinema), extending the immersive experience of the film.

An album conceived by Carlos Casas from the sound materials recorded during the making of his film Cemetery (about the last journey of an elephant in the Sri Lankan jungle, a meditative and hallucinatory oeuvre between animist documentary, adventure film and experimental cinema), extending the immersive experience of the film. This artist's edition includes a hand numbered bonus LP, an art print and a dowload code for an exclusive 99' bonus track.

Interviews with Young Joon Kwak, Kazuo Hara, Bill Jenkins, Ligia Lewis, William Basinski, Titus Kaphar, José Roberto Cea, and Barry Lopez.

This album contains seven compositions, created by the Opening Performance Orchestra, Blixa Bargeld, Luciano Chessa and Fred Möpert. All the pieces relate to the theme of Futurism and employ intonarumori, instruments invented and used more than a century ago by the Italian Futurists in their noise compositions.

A 5-disc overview of exploratory works written between 2005 and 2018, including long-form ensemble pieces, idiosyncratic trio combinations and a collection of 10 solos investigating various potential in teractions between instrument and tape.

Archival and live recordings from Australia's premiere prepared acoustic improvising trio.

Two pieces of electroacoustic music and musique concrète, Music Promenade (1964-1969, permanent version for four stand-alone tape recorder) and Unheimlich Schön (made in 1971 in the studios of the Südwestfunk in Baden-Baden).

Pascal Dusapin's complete work for viola, performed by Vincent Royer (alto), and Brigitte Krömmelbein (violin). A unique artist, Pascal Dusapin continues his musical journey, formal and yet never dogmatic, offering his fiercely emotional music through a great range of diverse forms.

The two books by Matali Crasset published by Shelter Press (special offer).

The second title in a series of publications dedicated to artists' residencies at Maison Bernard, a masterpiece of organic architecture carried out in the 1970s by Antti Lovag in association with Pierre Bernard. The book documents a site-specific project by Emma Dusong, an artist who works with her own voice.

Since the 1990s, artist Rainer Ganahl has been inspired by Karl Marx's writings. In over 700 pages, this publication brings together essays, photographs and other documentation from dozens of Ganahl's projects adapted from Marx's theories.

Piano always had a central role in the discography of French composer Sylvain Chauveau. This selection of unreleased and out-of-print short pieces—mostly soundtracks—showcases what might be Chauveau's musical signature: quietness, slow pace, long resonances, a close as possible to silence. Music to be played at night.

Third chapter in the Sufi Word's series by Belgian composer Jean-Luc Fafchamps, featuring Ensemble Musiques Nouvelles and Centre Henri Pousseur, conducted by Jean-Paul Dessy.

Belgian composer Gobert presents a chisselled and chaotic form of “Chamber Electronic Music”, for piano and laptop, in duos with pianist Nao Momitani and his [KNAPP] bandmate, Gilles Doneux, for Sub Rosa: a subtle mix of electronic composition and contemporary touches.

A previously unheard masterpiece of Israeli multimedia artist Ami Shavit, inspired by the Yom Kippur war, in Sub Rosa's Early Electronic Music series.

New monograph: a retrospective of Cécile Bart's main projects since fifteen years, from the multiple configurations of her painting/screen to her most recent immersive works, with three interviews.

A composition for improvising sextet by Austrian double bassist, composer and improviser Werner Dafeldecker, providing a structure that doesn't curtail the qualities of the musicians, yet forces them to listen very closely to each other and make focused decisions about parameters that are often overlooked in completely free improvisation.

Part of The New Sanctuary, the Satellite Programme 12 devised by Laura Herman for the Jeu de Paume and the CAPC, Anna & the Jester in Window of Opportunity is published in conjunction with the exhibition of work by Julie Béna, which takes the form of an architectural tale.

Interviews with Oscar Tuazon, Jaque Fragua & Brad Kahlhamer, Ruth Cuthand, Janaina Tschäpe (by Francesco Clemente), Jessica Grindstaff (Phantom Limb Company), Tomoko Sauvage, Cecilia Vicuña, Alicia Kopf; portfolios by Ragna Robertsdottir / Monique Verdin & Raymond Jackson; fictions by Eliva Wilkan and Laura van den Berg; essay by Stefan Helmreich…

Singing songs while playing ding dongs, Charlemagne Palestine's solo voice over the bells of his studio carillon is a premiere in his recorded works, and possibly the first voice/carillon record in musical history. All the little shamanic stuffed deities inhabiting the carillon added their souls to the spirit of the reverberating songs, including a song in memory of Mika Vainio.

This monographic catalogue explores the artistic activity of Virginie Barré over the last ten years, focusing on her video works and their poetic themes from childhood to dreams.

Second full-lenght release by German sound-poet and writer Michael Barthel on Tochnit Aleph. A 60-minute piece recited from memory. Recorded April 2018 straight to tape without overdubs. Raw, unsettling, poetically incorrect.

First ever release of the sound poetry pieces by French lettrist artist Gérard-Philippe Broutin. The remarkable lettrist text-sound pieces contained on this CD were written during the early 1970's and recorded and broadcast at Radio France in September 1976. With introductory texts by Jean-Pierre Gillard.

Recording of a sound performance executed in October 2016 in the exhibition space of Berlin record store Rumpsti Pumsti. Using sanding machines and a hammer, the Mexican artist destroyed one copy of each publication ever released by Tochnit Aleph label. Without an audience present, the action was documented with two dynamic microphones.

A 1971 detective audio play based on a real murder trial from the early 20th century. The court records are read out by two girls, accompanied by narrative background sounds and a piano piece. Liner-notes (in English and German) by Gerhard Rühm.

This catalogue stems from the artist's eponymous video project dedicated to Argentine pianist Margarita Fernández. The publication reproduces two texts from seminars given by Fernández, in which she gives an analysis of the filmic and musical writing taking the example of Robert Bresson's use of Franz Schubert's Sonata in A major.

From Audra Wolowiec's activation through caretaking of Ann Hamilton's Guggenheim show to the collaboratively written fiction of Shelly Oria and Nelly Reifler, Bomb #145 seeks to reconfigure our ideas of authorship, participation, and other willful acts of co-presentation. This issue also has additional features and new literature from J.P. Sniadecki, Las Nietas de Nonó, Sherwin Bitsui, Diana Hamilton, Bomb's 2018 poetry contest winner, Savannah Cooper-Ramsey, and many others.

New compositions for ancient Korean instrument: the Geomungo.

3 vinyl LP edition presenting solely unreleased recordings of Panhuysen's famous long string installations. It documents the period 1982-2012, and includes a posthumous track from 2017. With liner notes by Rolf Sachsse and Stephan Wunderlich, and richly illustrated inner sleeves.

Special offer for the purchase of two volumes dedicated to correspondence of Gustave Courbet.

The ToiletMartin PaperParr wall calendar 2019 features photographs conceived by Martin Parr, Maurizio Cattelan and Pierpaolo Ferrari, a back-to-back of images made in collaboration between the three artists. In a hotly anticipated follow-up to the first ToiletMartin PaperParr magazine, this calendar presents a selection of the best images conceived by the three artists.

Interviews with Chris Martin, Cy Gavin, Tauba Auerbach, Sam Hillmer, Amy Jenkins, Florian Meisenberg, John Akomfrah, Simone Forti, Ottessa Moshfegh, Anna Moschovakis…

Naturalis Historia is the result of an ambitious multimedia research on the history of nature. Taking an encyclopedic approach, artist Pauline Julier explores several nature stories appealing to the arts and sciences to create this vast narrative. The 504-page edition includes a rich iconography, original texts as well as interviews with Philippe Descola and Bruno Latour.

Climate change and land art in the American West; restoring the Lo Manthang temples in Nepal; Museums and the logic of social media; interviews with Torbjørn Rødland, Jason Moran; fashion designer Martin Margiela celebrated in two Parisian exhibitions; on Brazilian women artists; portfolio by photographer Wiktoria Wojciechowska…

This publication examines the role of natural resources in the occupation of the Western Sahara, a territory considered by the United Nations to still be awaiting decolonization. Its liberation from colonial rule has come to a standstill due to Morocco's continued military occupation of a part of the territory. The protracted conflict has dramatic consequences for the Sahrawi people of Western Sahara.

A trilogy on the artistic development in Asia from 1998 to 2018.

Daphné Le Sergent's “Geopolitics of Oblivion” exhibition focuses on the technical language. The catalogue takes the form of a photography-drawing manual built on the notion of separation.

Special offer for the purchase of the two volumes of the retrospective catalogue of Le Consortium contemporary art center.

This album by Ultraphallus lead singer is a combination of his different forms of music, from ambient-drone, electro-acoustic, sampling and field recordings to free-jazz. Phil Maggi has invited a few generous collaborators (Oren Bloedow, Maja Jantar, Radwan Ghazi Moumneh, Tom Malmendier, Gabriel Séverin and Ludovic Medery) on these eight tracks inspired by Henry Corbin's writings, Nico, Scott Walker and traditional music.

This vinyl LP associates a visual project and a musical piece by the multidisciplinary German artist. Müller's interest with Wagner's composition Rheingold forms the basis of the sound piece, which consists of a mix of layers of Rheingold recordings. Vinyl sleeves features facsimiles of four ash-painted postcards from the series Not a bird.

In 1991, German art group The Oval Language built a multimedia artwork exploring the irrational impact of Leipzig's Monument to the Battle of the Nations to German generations throughout the years. This LP reproduces the sound layer of the event and includes a recording of a live performance at the HGB Leipzig. Inner sleeve contains photos of each stage of the project and texts.

Tonaliens investigates the inner dimensions and outer limits of just intonation, exploring the harmonic space with voice, brass, invented instruments, sine waves and live electronics. This record brings together two live performances from 2015 in Amsterdam and Berlin. With liner notes by band tuba Robin Hayward, and detailed photos and screenshots.