Taking as its starting point the 2019 exhibition Migration: Traces in an Art Collection
, which featured more than a hundred works from Malmö Konstmuseum made between 1880 and today, this publication brings to light the radical approach of museum director Ernst Fischer, who in 1945 transformed the museum into a refugee shelter for survivors of German concentration camps. It also highlights the museum's long-forgotten Latvian Collection, comprised of art acquired in solidarity with the young Baltic nation and its exiles. Contrasting works by exiled artists such as Sonia Delaunay-Terk, Lotte Laserstein, Endre Nemes, and Peter Weiss further animate the discussion, as do the geopolitical concerns of Pia Arke, Öyvind Fahlström
, and Charlotte Johannesson. Correspondingly, a conversation with the exhibition's curators foregrounds the ways in which today's artists reflect upon and articulate experiences of migration. Together, these re-readings of the collection
and its potential contribute to an urgent debate on the role of museums in our time.