Abstract painting

A selection of works on paper by Swiss visionary outsider artist and healer Emma Kunz (1892-1963), close to geometric abstraction.

A series of “Outrenoirs” produced by Pierre Soulages between 1986 and 2018.

Julia Rommel's eponymous monograph gathers a decade of her painterly obsessions, with texts by the artist and writer Rebecca Bengal.

Reference monograph.

Retrospective catalogue spanning Morris's early years, covering the 1960s and 1970s through a selection of works, historical essays, interviews with collaborators, and texts by the artist.

A wide-ranging collection of texts on contemporary painting, by one of its most finest observer today.

Catalogue of the exhibition gathering a set of eighty works, on canvas or paper, in small and very large formats, that Anna-Eva Bergman created in the wake of her two travels to northern Norway, in 1950 and 1964, from which emerges a plastic language that signs the whole of his future work.

Recipes from all over the world: an illustrated cookbook by Anna-Eva Bergman, published for the first time.

This catalogue traces a comprehensive itinerary within the artist's rigorous and appealing body of work. A research where austere geometric forms, shaped in tones of white and black, become the alphabet of an open reflection on the world. The publication includes an interview with Balliano by curator Chrissie Iles, a critical essay by Luigi Fassi, and a rich collection of images.

This publication provides an in-depth exploration of the artists joint project Olt, focusing on a 1967 promotional campaign by the French oil company Elf. The book highlights Mosset and Sauvage's common interest in graphic design and roadside art, and features a text by Jill Gasparina on the circle as a symbol of visual modernity, as well as an interview with the two artists.

Luxurious bilingual monograph dedicated to Hans Hartung, bringing together numerous works from 1922 to 1989. Directed by Matthieu Poirier, the richly documented publication features a full-color central section with reproductions of Hartung's paintings. Appendix includes a text by Jean Clay and an interview with Pierre Soulages by Pierre Encrevé, in which the painter discusses his friendship with Hartung.

A twenty-year survey of works by Julie Mehretu, considered as one of the foremost painters of her generation.

First retrospective catalogue devoted to Dutch painter Peter Schuyff, a prominent member of the Neo-Geo movement, Has Been presents a selection of works produced between 1981 and 1991 in New York. The publication reveals the many paths taken by the artist and exposes the myriad forms which pictorial abstraction can take. Two critical essays, historical reviews, as well as a text written by Peter Schuyff in 1991, shed light on the artist's work of this period and on the complexity of its referential relationships.

This artist's book compiles true propaganda photographs of the Third Reich with stills from actors playing Nazis in Hollywood movies: a radical commentary on our alarming present condition, in which the lines between populist and fascistic politics are increasingly blurring.

This catalogue traces the trajectory of Warhol's influence on the work of Wool and Guyton. The innovative print processes deployed by the artists operate as conceptual fibers unifying the diversity of paintings oscillating between abstraction and representation. With an essay by Glenn O'Brien.

A special summer edition dedicated to American artist Sterling Ruby—also guest editor.

A comprehensive monograph, including preparatory documents and two essays by Jens Hoffmann and Alessandro Rabottini to better understand the delicate paintings of Dutch artist Maaike Schoorel.

Devoted to the graphic practice of the artist, Giorgio Griffa – Works on Paper points up the singularity and importance of drawing in Griffa's creative process while introducing a rare selection of drawings and watercolours.

This catalogue documents the first Italian retrospective on the photographic activity of Twombly held at the American Academy in Rome.

Over the past twenty years, Italian-born artist Rudolf Stingel has been expanding and redefining the scope of painting through innovative and radical processes. This catalogue features works from the pivotal Styrofoam and Celotex series and includes an essay by curator Francesco Bonami.

Noël Dolla's iconoclastic artistic approach defies categories. This book seeks to explore the heterogeneity of Dolla's works to better demonstrate the singular common thread between them.

This monograph aims to highlight the very diverse features and extraordinary richness of Arte Povera painter Giorgio Griffa. With a selection of the artist's writings and comprehensive chronology.

A tribute to François Ristori (new monograph).

Twenty-one collage works by Swedish artist Malin Gabriella Nordin, between painting and sculpture (artist's book).

This catalogue investigates the multi-faceted work of one of Italy's greatest artists of the interwar and postwar periods. The book is illustrated by a large selection of archival documents, some of which never seen before.

First monograph.

A comprehensive look at the public artworks that Daniel Buren has made using ephemeral materials.

The Zurich works.

Christopher Wool's stained glass windows for the Prieuré of La Charité sur Loire, France.

Monograph based on Swedish artist's project for the Nordic Pavilion at the 54th Venice Biennale.

Reference monograph (available in English edition).

First monograph: Charline von Heyl's paintings chronologically presented, each vis-à-vis a detail view manipulated by the artist, with four texts that shed light on the evolution of her work and contextualize her practice regarding the question of the renewal of contemporary painting.

A set of 83 previously unpublished historical works from the 60's (artist's books with collages, drawings, watercolors and paintings), with an essay by Pierre Péju: early works that, under a minimalist and fragile appearance, announce most of the major themes developed in Kiefer's later grandiose oeuvre.

The catalogue raisonné of Marcia Hafif's works during the Italian period, with about 500 paintings and drawings from the 70's, with a long interview and an essay by Eric de Chassey: an indispensable tool for anyone who, today, wishes to understand the evolution of occidental abstraction, through this woman painter figure, emblematic of the era's mutations.

Reference retrospective monograph: a complete overview of Lynda Benglis' work and life from the late 1960s to the present day, with more than 350 illustrations, about 20 historical or commissioned essays, an interview, famous and unseen archival material, and a complete chronology.

Reference retrospective monograph (available in English edition).

An artist's book in which Falke Pisano demonstrates her ability to reconcile form and knowledge, both visual and textual.

Chronological catalogue with 100 major works and an essay by Bernadette Walter.

A conversation betwen the painter and the art critic and curator.

Essays and interviews on 20th century avant-gardes in France (from Dada to sound poetry, avant-garde reviews, happenings and events, Fluxus, Raymond Hains, Jacques Villeglé, Gil J. Wolman, Camille Bryen...).

Reference monograph and source book on the post-Pop scatter artist.

A series of 32 artist books in a boxset (John Armleder, Philippe Decrauzat, Vidya Gastaldon, Kim Gordon, Christian Marclay, John Miller, Olivier Mosset, Genesis P-Orridge, John Tremblay...) in the comic book format, conceived in tribute to the late Steven Parrino. 250 copies limited edition.

Illustrated catalogue of the exhibition Hartung in China, on the relations between calligraphy and Western painting, taking Hans Hartung's work as starting point.

Monograph / catalogue documenting recent, actual and future exhibitions dedicated to Mosset's latest works or to a whole radical and minimalist œuvre.

10 new perspectives on the artist, his oeuvre and its reception (also available in English edition).

A original approach to the life and work of Hans Hartung through its relationship with the space of his houses and workshops, in Menorca, Paris, and Antibes.

First monograph and luxurious four-color album with additional fluorescent colors, conceived and realized by the German artist.

Super 8 films of the Ecart group, founded by John Armleder, Patrick Lucchini, and Claude Rychner.

Olivier Mosset's writings and discussions.

This small monograph shows the realization of Liam Gillick's designs in conference rooms, corridors, and offices of a bank, coinciding with his sustained interest in the negotiation of a middle ground between corporate culture and contemporary art. The volume is accompanied by an artist's essay discussing the dissolution of the public/private dichotomy into a grey zone of semi-public/semi-private spheres.