Painting

Reissue of CoBrA co-founder's masterpiece of musique concrete.

Dorothy Iannone tells her Fluxus Story in a Berlin recording from 1979.

Tracing the Parisian exile of Korean modernists painters Lee Ungno and Han Mook, this catalogue highlights the work and life of two artists who built an innovative work at the crossroads of Western and Eastern traditions.

An examination of the relationship between Antoine Bourdelle and Alberto Giacometti, thus also exploring the more general history of heritage and artistic education under modernity.

Foregrounds, Distances aims not only to offer the first comprehensive overview of Hohn's work, but also to contribute to a history of painting-based practices, which occupy a marginal place in the established narratives of the art of the 1980s and 1990s.

A series of paintings reproduced on different scales as if to emphasize the random dynamics and impenetrability at the core of the artist's pictorial practice.

In more than two hundred artworks, the American artist's reference monograph focuses on the fundamentals of her painting, strongly impregnated by notions of time, profusion, systemising and commitment.

New monograph.

An historical and ethnographic investigation into the popular origin and environment of Cubist innovations.

A portrait of painter Max Schoendorff through a long-lenght interview, a collection of writings and paintings, and a sketchbook.

A luxurious artist book by Michael Manning gathering a selection of 100 digital drawings, each from four distinct series of paintings.

Reality Bites is the first monograph dedicated to the work of Fredrik Værslev, analyzed through rich visual content and texts by Matias Faldbakken, Alberto Salvadori and Caroline Soyez-Petithomme, as well as a conversation between the artist and Josh Smith.

41 watercolors and two installations' views by Francesco Clemente created after the poem Omeros by Derek Walcott—for which he received the Nobel Price—including excerpts from the poem.

Fourth and final volume of the anthology (1975-2000), focusing on painting, sculpture, installation, and architecture.

New monograph, with thirty emblematic paintings, a text by the artist, and an essay by Francesco Manacorda.

The journal/catalogue conceived by Daniel Buren for his retrospective at BOZAR.

The Florentine mannerist painter Jacopo da Pontormo, who was busy producing a series of frescoes for the choir of the San Lorenzo basilica in Florence, holds from 1554 to 1556 a strikingly remarkable diary.

An unpublished novel by one of the great figures of Land art.

In over 40 years, Sue Williams' art has continuously explored and challenged the fantasies of feminism, sexuality, gender, and culture. This first comprehensive monograph dedicated to the American artist follows her work from the early 1980s to her most recent paintings.

Armleder's new series of works inspired by large scale anatomical models from the 19th & 20th centuries.

Publication based on the eponymous series of works (“The Catalan painting lesson”, a devious and ironic presentation of traditional standards of academic painting), with an interview and commissioned essays by Brigitte Léal and Pierre Restany.

A series of photographs by Martin Widmer, taken in Jonathan Binet's exhibition at CAN, Neuchâtel. Widmer's over-exposure disrupts the traditional contours of the artwork and questions the notions of authority and subject.

This book offers several thematic gateways to Alain Huck's work showing the persistence of the same autobiographic, environmental, historic and linguistic issues in a variety of mediums.

The story of an iconic work by Claude Rutault.

A selected survey of Liam Gillick's groundbreaking projects, installations, methods, and practices, which challenged the orthodox presentation and reception of art through the 1990's.

A documentation on the development and reception of Daniel Buren's monumental in situ work in the gardens of the Sacred Heart Church of Casablanca.

Reference monograph dedicated to Marc-Antoine Fehr's paintings whose strangeness recall the absurd universes of Beckett and Kafka.

Alex Hubbard's first comprehensive monograph, Eat Your Friends is also an artist's book.

The Four Seasons Forever is the catalogue of Sam Falls' one year show which presents 13 sun-printed photograms of vinyls on colored textiles exhibited in a dramatic stage-like atmosphere, with parts of Vivaldi's masterpiece playing according to the season (artist's book, the first in a series published in limited editions by Flash Art).

This monumental first retrospective monograph dedicated to Louis Michel Eilshemius brings together works from over 70 institutions and private collections, providing the reader with a profound insight into the oeuvre of this unusual artist. In an expansive essay, Stefan Banz examines for the first time the questions of whether and to what extent Eilshemius influenced Duchamp's artistic thinking.

A new series of oil paintings by Swiss artist which unveils the strange and wonderful aspects of common life.

Inspired by Persian tapestry, Kour Pour's paintings are highlighting the artist's interest in the cyclic life of images, shifted back-and-forth between the online realm and the material world. This first monograph includes images of all the paintings on display, some installation views and a photographic documentation of the art work's making process, along with an essay by the curator Nicola Ricciardi.

First monograph: an overview of the evolution of New York-based artist Michael Williams' work.

Three art historians offer perspectives and analyses on Monkman's work that address history and genre painting, the queered Romantic landscape, the shifting and unfixed subject, race, sexuality, conquest and sovereignty, and modern versus discontinuous temporality.

This reference monograph on New York artist Lisa Beck, who develops since more than 30 years an abstract language which is as playful and discreet as it is effective and sharp, presents a significant body of work ranging from the 1980s to the present, and also offers to revisit Beck' recent solo exhibitions (with essays by Samuel Gross and Bob Nickas).

An anthology of texts on the work of Sigmar Polke written between 1973 and 2000.

New monograph.

Drawings as diary.

A retrospective retracing in pictures fifty years of creation.

An overview of Koka Ramishvili's work from 1988 to 2015, between photography, painting and video.

Albert Oehlen's collages (artist's book): a spatial and temporal journey into the tradition of artistic representations of domestic interiors, from the great names of art history to the artist's own works.

The subject of Vertiginous Parallels is landscape, and more precisely, the relationships between its mapping and visual or artistic (especially cinematographic and pictorial) adventures.

Michael Tedja's Aquaholism is an exhibition catalogue, a published oeuvre, an artistic treatise, a poetry collection, a visual essay, an artist's book. It is a polyphonic collage of text and image. More than seventeen years of artistic output unfold between the first and last pages. With its thoroughness, density, and associative power, the book embodies Tedja's artistic essence: voluminous, interrelated, and in continuous motion.

The first art-historical survey on the multidimensional work of Senegalese artist, curator, and cultural activist El Hadji Sy.

New monograph, with essays by Michel Pastoureau and Jean-Marc Huitorel, reproduction of the “anti-dictionary” that accompanies Pierre Mabille's painted work, a selection of recent paintings, and stained glass windows conceived for a church in Chalonnes-sur-Loire, and a documented biography.

The catalogue raisonné of Claude Rutault's books and prints.

A social history of socialist realism imagery in the former East Germany.

Catalogue gathering the early paintings of Charline von Heyl.

The work of Corinne Wasmuht calls into question painting's status in the digital age. Her panorama-like pictures depict futuristic science-fictional landscapes and structures the artist refers to as mirages. This catalogue features beautiful reproductions of Wasmuht's new and recent paintings, installation views and a conversation with Sabine Eckmann.