Painting

An essay that renews the study of Gauguin, highlighting the consistency that connects the entire production of the painter, based on his exploration of the relationship between perception, cognition and imagination, and that connects his interests in psychology, ethnology, history of religion and the natural sciences, not to mention the art of all times and all cultures.

Retrospective monograph of one of the most uncompromising and experimental painters working today (also available in English and Dutch / English editions).

Retrospective monograph of one of the most uncompromising and experimental painters working today.

First monograph by French painter Gaël Davrinche: an exhaustive journey through the artist's young career, punctuated with a photographic reportage in his studio. An interview by P. Nicolas Ledoux and a foreword by Richard Leydier complete this edition.

Retrospective monograph of one of the most uncompromising and experimental painters working today.

First edition of Eugénie Paultre's Nous Verrons Bien. Etel Adnan has created the six drawings for this book.

The ultimate original portfolios conceived by Vasarely himself—some high quality prints made in 1975—and a set of original documents (1963-1975), gathered in an exclusive and luxurious box whose design falls within the vein of the artist's work.

The ultimate original portfolios conceived by Vasarely himself—some high quality prints made in 1971—and a set of original documents (1954-1968), gathered in an exclusive and luxurious box whose design falls within the vein of the artist's work.

The ultimate original portfolios conceived by Vasarely himself—some high quality prints made in 1977—and a set of original documents (1954-2013), gathered in an exclusive and luxurious box whose design falls within the vein of the artist's work.

First translation into French of tghe seminal book of German historian, photographer, and influential theorist and critic of avant-garde film and photography Franz Roh (1890-1965).

Comprehensive monograph.

The first work in a series of portraits of people with Huntington's disease taken as muses, striving to create a radically new understanding of their experience.

Bellamine's poetic painted photographs.

New monograph, dedicated to Jay DeFeo's late work: paintings of the 1980s as well as the exceptional corpus of drawings of the 1980s and her photographic oeuvre of the 1970s.

Artist' book (Andro Wekua's recent works).

Facsimile reprint of the long-unavailable and much sought-after 1974 artist's book by Robert Overby (1935-1993), one of the most fascinating figures of the 1970s Californian art scene.

First monograph dedicated to the dense, abundant and exuberant work of French painter and sculptor Raymond Reynaud (1920-2007), a figure of art brut.

First monographic publication on American artist Mark Barrow.

Herminie Hanin (a figure of art brut, “fou littéraire” with a tendency to paranoia, inventor of the plane trap) inaugurates the series “Les Hétéroclites” (“Heterogeneous”), created by Marc Décimo to explore the relations between literature, art, insanity and creation.

A transdisciplinary set of contributions from art historians, scientists, psychiatrists and psychoanalysts, proposing new interpretations of Gustave Courbet's work from his paintings but also from his life, correspondence and archives relative to his family, for some hitherto unpublished.

Julio Le Parc scratches the various actors of the art world.

Julio Le Parc scratches the various actors of the art world (book accompanied with an original artwork signed by the artist).

An anthology of Fontana's manifestos, texts and interviews.

An anthology of Fontana's manifestos, texts and interviews.

A study of the production and reception of art in the USSR in the years 1920-1930 through the analysis of the work of the Society of Easel Painters (OST)'s members.

Public garden in art between the mid-XIXth and early XXth centuries.

Yves Bélorgey's paintings and drawings, reflecting the central topic of the artist's work: a particular stage of modern architecture and the modern city, which Bélorgey sets out to rediscover, reinvent pictorially and record methodically.

A zine celebrating René Daniëls and his love for New York and music.

Poems by Bei Dao / iPad Drawings by Francesco Clemente, created exclusively for this book.

Drawings by Enzo Cucchi, created exclusively for this book / poems by 10 Italian authors (Dino Garrone, Lucio Piccolo, Sandro Penna, Giorgio Caproni, Antonio Delfini, Umberto Saba, Clemente Rebora, Tano Festa, Dino Campana, Giovanni Comisso).

The facsimile of HR Giger's Alien Diaries, with unpublished material, including drawings, Polaroids, and still shots.

A series of large colorful canvases depicting visions of an alienated humanity.

52 notes on paper documenting the artist's daily life in Berlin between 2010 and 2012, and several reproductions of paintings, sculptures, collages, drawings and silkscreen prints.

Artist's book.

Catalogue / artist's book.

Reference monograph.

Catalogue.

The lecture given by the artist in 1984 at the Centre Georges Pompidou, Paris.

French edition (available in English).

Reference monograph, covering the last ten years of baroque and obsessive creations of French painter, with hundreds of illustrations and two essays.

A series of ink drawings depicting a sordid cast of characters, men, women, “she-male” and demons indulging in debauchery.

Sixty small pencing drawings reproduced at scale 1:1.

First monograph: a survey of British artist Ross Chisholm's work.

Painter Gerhard Richter and filmmaker and writer Alexander Kluge composed a collection of 39 stories in connection with the history of the 20th century and the month of December, illustrated with 39 photographs.

A biographical approach to Gerhard Richter's work.

A biographical approach to Gerhard Richter's work.

Richter's texts, essays, letters, manifestos, and interviews.

Richter's texts, essays, letters, manifestos, and interviews.

First monograph dedicated to Xavier Noiret-Thomé's pictural telescopings, between figuration and abstraction, between iconophilia and iconoclasm, between references to art history and borrowings from contemporary popular culture (with two essays and an interview).