The possibility of concrete truth as a working hypothesis, for an art that not only represents and documents, but engages in specific political and social situations—and for an activism that searches for intelligent, creative means of self-empowerment.

Monograph / catalogue of two parallel exhibitions.

Performing the Sentence brings into dialogue the ways that “performative thinking” has developed in different national and institutional contexts, within different disciplines in the arts, and the conditions under which it has developed in experimental art schools.

A monographic book presenting the cumulative result of a three-partite project by Daniel Gustav Cramer and Haris Epaminonda.

A selection of writings by artist, poet and political activist Jimmie Durham, one of the most influential figures of recent decades: essays and conferences on art and society, critical reflections on “Eurasia”, the history of US-American Indian relations, and observations on the city and nature. A recurrent theme is his interrogation of the ideological complicity between monumental architecture and scripture – “architexture”– as the foundation of Eurocentric belief and tool of others' disenfranchisement.

Carl Andre's poems (retrospective monograph).

Retrospective monograph.

The first-ever comprehensive publication dedicated to the prints of Richard Tuttle (retrospective monograph).

This book excavates the notion of forensis (Latin for “pertaining to the forum”) to designate the role of material forensics in articulating new notions of public truth. The condition of forensis is one in which aesthetic practices, new technologies, and architectural research methodologies bear upon the legal implications of political struggle, violent conflict, and climate change.

Speculative Drawing presents fifteen books—from monographs and translations to collections of essays—that emerged from the research platform Speculative Poetics, conceived by Armen Avanessian in 2011.

A series of essays and close readings of Steyerl's films from the past ten years.

The second issue in the “Poetic Series”, initiated by Keren Cytter, takes its title Peacocks with Hiccups from the poetry of Berlin-based artist Karl Holmqvist, whose work is featured alongside American poet Catherine Wagner and emerging Spanish writer Luna Miguel, with artwork by Koo Jeong-A.

Somewhere between Hieronymus Bosch and Roald Dahl, Amandine Urruty's frescoes picture a particularly rich wonderland inhabited by anthropomorphic animals. A graphite virtuoso, Urruty uses sfumato technique with abundant details to form her baroque & bubblegum universe.

Artist's book.

Artist's book.

Twenty-five years of design.

A long-term trans-regional research initiative working between art, research, media, and educational contexts in Europe, the Middle East, western and central Asia, Latin America, and northern Africa, on the theme of the stories and spirits of a parallel avant-garde.

New monograph.

Jacopo Benassi's collection of eroticized slippers (artist's edition—10 booklets in a handmade wood box set).

Twenty-six serigraphs by the Dutch graphic designer.

Reference monograph.

The first Luigi Russolo's intonarumori complete reconstruction ever attempted. Some of the Russolo instruments have been reconstructed here for the first time.

Historically important pieces documenting John Cage's early electronic and tape practice.

Historically important pieces documenting John Cage's early electronic and tape practice.

This record highlights Leo Kupper's earliest unique compositions produced during the 1960's when he was ardently seeking out structures distinctly applicable to purely electronic sounds.

Artist's book: a deconstruction of a 16 mm film shot by Haris Epaminonda in Cyprus, embarking on a new set of associations between image and subject, source and information, meaning and abstraction.

A series of surgical experiments on creatures with genetic disorders resulting from a hypothetical interbreeding between aliens and humans: a crude transhumanist nightmare by Wataru Kasahara.

Capture is such a productive fictitious rock band, that nobody can consume everything. It produces new music, words, images, videos and derived products every hour. Capture reverses the consumerism ideology and the relation between desire and objects. This publication documents the project.

In thirty-two pages, Pierre Cecile tells his (fictional?) discovery of Sonic Youth's music.

A collection of essays on contemporary art, literature, landscape, aesthetics, and cultural history.

Ten texts written by Peter Wächtler between 2011 and 2013.

A collection of texts by Voltairine de Cleyre and Emma Goldman, two visionary anarchist women at the turn of the twentieth century.

Artist's book based on the eponymous work by Franco-Algerian artist Mohamed Bourouissa, a series of photographs and a video made with the help of a prisoner from the jail in which he is held, an exchange via SMS and MMS using a mobile phone smuggled into the prison establishment.

Recording of Wolf Vostell's happening / Fluxus Concert “Sara-Jevo”, realised September 9th, 1994 at Fundació Pilar i Joan Miró in Mallorca, Spain.

The logbook and review of the first two years of the journey of the mobile contemporary art museum for children: 32 000 kilometers in 5 countries to meet 40 000 children, with 250 educational and cultural partner structures...

Reference monograph dedicated to Romanian artist Geta Brătescu, one of the most remarkable personalities of the Eastern European postwar avant-garde.

Artist Stéphane Blanquet re-draws a collection of (mostly) vintage pornographic pictures. These disturbing diptychs constitute an essential catalog of sexual fantasies and oddities.

First major publication on Ed Atkins' work.

The first survey of Ariel Pink's lyrics.

A series of provocative projects by the architectural collective Decolonizing Architecture Art Residency (DAAR) that try to imagine “the morning after revolution.”

A collection of essays in which Chantal Pontbriand examines themes of being-in-common in today's world and their relation to the development of art practices.

In his influential 1986 text, now translated into English for the first time, Swiss artist Rémy Zaugg (1943–2005) laid out fundamental ideas on the art museum. For him, the museum is an everyday tool that enables the encounter between viewer and work—raising the question of the kind of architecture appropriate for such a space.

A collection of 80 images, selected by eight artists and eight curators, dedicated to the identification and construction of a personal and collective imaginary, in tribute to Aby Warburg's lecture on Serpent Ritual.

Luis Camnitzer plays the Drawing Room Confessions.