After the long acclaimed Nova Sodomia opus (Une indécence française), S.E. Otto is back with this oversized book (A3 format) Colossale finesse (Colossal Fineness – The women of cockaigne). Otto pays hereby a thundering tribute to all things fleshy, ample, in a single word: to abundance.

An odyssey into sex, death and terror: the sleaziest and scariest pulp comics ever created.

A highly personal and sensitive exploration of motherhood.

Following a thread, from string figures though algorithms.

The portfolio of the exhibition at the Jeu de Paume.

The complete Landscape Paintings.

The complete Horizon Paintings.

The complete Sun Paintings.

This book is a reinterpretation of the classic children's picture book by English Author and Illustrator John Burningham from 1979, illustrating the preference game “Would you rather”… With enchanting drawings made out of sand by Carolina Cerbaro.

Since 1953, the Kulturkreis der deutschen Wirtschaft has awarded the Ars viva Prize to young artists living in Germany. The 2018 edition goes to Anna-Sophie Berger, Oscar Enberg, and Zac Langdon-Pole.

In this treatise, Jalal Toufic investigates the arts as the privileged site of thinking and confronts his thoughts with texts taken from the traditional religions and mystics of the past.

This unique, small format companion to the exhibition “Revolution Every Day” is inspired by the tradition of Soviet tear-off calendars. The book has 365 calendar pages with daily entries featuring a range of images and texts drawn from primary and archival source materials that explore the historical and experiential dimensions of revolution. It presents short essays and original contributions from curators, artists, and scholars, and illustrations of all of the works in the exhibition.

Artist Michael Fliri investigates concepts such as metamorphosis, mutation and disguise: the protagonists in his work—often Fliri himself—time and again undergo a process of change or transformation. This catalogue offers an extended overview of his practice and underscores his significance on the international art scene.

An overview of American artist Amy Sillman's most recent bodies of work, including diagrams, drawings, animations, sculpture, and large-scale abstractions that combine painting with digital prints on canvas, shown serially in panoramic installations. Layering and dynamic movement pervades these works, whose concerns shift between the tragic-comic and the vexed histories and techniques of painting.

Illustrated catalogue published in conjunction of the first comprehensive overview of Qiu Zhijie, one of the most important Chinese artists of his generation. The publication directly addresses the challenges of conveying the complexity of Qiu Zhijie's practice in the European context. It features essays by Andrea Bellini, Davide Quadrio, and Francesca Girelli, an extensive interview with the artist by Liu Jingjing, and descriptions of the exhibited works.

A reflection on the relationship between language and photography.

A collection of transdisciplinary essays considering the recently renewed interest for the concept of density in both architecture and artistic research.

The first monograph dedicated to Nicolas Milhé highlights the aesthetic and political concerns of his work through two series of works that question the formal and symbolic vocabularies of the Republic. With texts by historian Olivier Christin, architect Eric Lapierre, and musician Julien Perez.

These recordings are the outcome of sound experiments performed at the wind tunnel laboratory at Zurich University of the Arts. Accompanied by photographs and a video project by Yan Junjie.

This artist's book presents a set of photographs made by Belgian artist Sophie Nys during her stay in Zurich. It features each of the modernist fountains produced by designer Alfred Aebersold in the 1970s and scattered throughout the Swiss city. The images are associated with amusing and clever captions written by Leila Peacock, a Scottish artist living in Zurich.

This new edition of “Panorama” celebrates the 20th anniversary of Le Fresnoy. Showcasing the various works produced by students and invited artists-professors, the program is curated this year by Jean de Loisy. In this catalogue, writer-in-residence Yannick Haenel draws a narrative thread through the fifty works exhibited, like a novel.

Since 2012, Mathieu Copeland et Philippe Decrauzat produce videos stemming from “a desire to film sound, record places, and dive into the process of a material construction and destruction.” This publication—between artist's book and critical essay—considers all films produced until then by the art critic and the artist, and offers a basis for reflexion and work for those to come.

The first monograph on Riccardo Baruzzi, containing a selection of images of works made from 2010 to the present and writings by Alessandro Rabottini, Davide Ferri and Luca Bertolo. A perfect introduction to the italian artist's practice, which explores the notion of the unfinished and the provisional by way of an aesthetic investigation of drawing through the body of the painting.

An extraordinary publication gathering a selection of stock images and original photographs drawn from the myriad ads for drug sales on the dark web designed to catch the consumer's eye. These photographs are invisible under normal light: printed in invisible ink, they can only be viewed under ultraviolet light (the publication includes a mini flashlight).

This artist's book collects a photo series taken in spring 2017 in Myanmar, one of the Buddhism's sacred places, where one hundred or so temples have been destroyed by a recent earthquake. Now the pagodas affected by the earthquake, covered by thin bamboo structures, have taken original and unexpected forms, hanging between architecture and art, life and destruction. This temporary condition allowed Isola to catalogue, study and also to develop a sort of appropriation.

This publication documents a previously unreleased video project by Canarezza & Coro inspired by poet Eugenio Montale's unusual walk across the Italy-San Marino border to receive a Literature Prize in a context of tensions between the two States. The volume also includes fragments of forty-seven poems by Eugenio Montale, modified by the two artists.

Then architecture student Gabriele Basilico photographs the suburbs of Glasgow on a late summer afternoon of 1969, with its Scottish kids, terrains vagues, and 19th-century industrial archaeology. A photographic baptism for Basilico, who will become one of the main contemporary figures of the medium. The publication of this early series is completed with texts by Umberto Fiori, Pippo Ciorra, and Giovanna Calvenzi.

The troglodyte town of Matera in Southern Italy has fascinated generations of filmmakers since the Post-war area. Documenting the making of the 1953 film She-Wolf by Alberto Lattuada set in Matera, photographer Federico Patellani provides a unique insight of the life of the provincial city in the fifties.

Anniversary monograph celebrating the twenty-year activity of the label Optical Sound and its founder Pierre Beloüin: this anthological publication traces twenty years of activity at the intersection of experimental music and contemporary art, featuring unpublished documents and exhibitions views, an insert, as well as critical texts and interviews.

A music piece based on sound check situations and rehearsals of Amazigh music recorded by Gilles Aubry between 2013 and 2014 in Morocco. Using his microphone as a sound processing device Aubry has transformed further his field recordings in the studio through performative feedback techniques.

Beam Splitter (Audrey Chen and Henrik Munkeby Nørstebø) is a duo for amplified voice and trombone. Its debut album is one part, a timbral collage of carefully extracted sound material and in another, a longer moment taken from an intimate room below the din.

Collective study dedicated to the founder of Lettrism Isidore Isou.

Vitesse Photon Target is a long-running poem combining typographic and syntactic experiments with the theme of space research.

Publication documenting an eponymous video work by the Palestinian artist, in which she follows the matrix of hierarchies and relationships involved in an agricultural transaction of seeds between a Norwegian town the Bekaa Valley in Lebanon. This book includes an essay by historian Shela Sheikh and a text by the artist tracing the reflections that led her to her project.

A series of previously unpublished lectures by American dancer Jerome Andrews, from 1968 to 1980.

Shot in South Africa in 1992, Moyra Davey's Gold Dumps and Ant Hills is a series of black-and-white photographs of mounds left behind by two types of excavation—one human and one animal. For Davey, the pairings of gold dumps and ant hills “invite not only our imagined associations but, as South African landscapes, our received, politically charged associations as well.” The photographs are presented here in book form for the first time.

The monochrome paintings of Stéphane Bordarier are the result of a research based on the quality of the pictorial surface and the founding role of color. This monograph offers an overview of recent works, followed by two interviews with the artist.

A photographic account of the career of Françoise & Dominique Dupuy, French dancers and choreographers, pioneers of modern dance in France.

Weekly tear-off calendar featuring 52 drawings of a cartoon dog in a wide range of situations expressing the feelings and conceptions that our modern society associates with Sundays.

A parallel side story of the steirischer herbst International Art Festival drawn from the back-sides of cut-out articles from the festival's press archives.

This publication documents the first iteration of Belgian artist David Claerbout's project Olympia, a digital simulation of the Olympic Stadium in Berlin.

The fifth publication in the On the Table series, that explore the encounter between food and art, Bon! Bon! uncovers the wonderful world of all things sugary through surprising anecdotes and historical accounts, each accompanied by delectable recipes that are sure to satisfy any sweet tooth.

Celebrating the 100th title in the “L'art en écrit” series, this leporello by Daniel Spoerri plays on the homonyms of the word “cent,” as a tribute to Marx Ernst.

A selection of 175 texts by the writer, art critic and teacher at the school of Fine Arts of Nantes, Pierre Giquel, summerizing for the first time nearly 35 years of an intense and profuse literary activity. This voluminous publication is comprised of a folded poster dust jacket with watercolors by Fabrice Hyber.