A French history of digital animation.

Monograph celebrating the practice of Swedish multidisciplinary artist Johanna Gustafsson Fürst. The publication is a true collaboration between the artist, her publishers, and graphic designer Jonas Williamsson. It includes a series of essays by artists, critics, and curators.

A global and transdiciplinary study on botanics.

Myths of the Marble documents a 2017 group exhibition which reflects upon how the “virtual” has been engaged by contemporary artists as a way to consider the world as a site of possibility and limitation that both permeates physical space and online experience.

This catalogue documents a collective project intitiated by curator Natasha Ginwala entitled The Museum of Rhythm: a speculative institution that engages rhythm as a tool for interrogating the foundations of modernity and the sensual complex of time in daily experience. Deriving from an eponymous exhibition, the publication includes visual documentation of the exhibition as well as essays.

Border Thinking: Disassembling Histories of Racialized Violence aims to question and provide answers to current border issues in Europe. Central to this investigation is a refugee crisis that is primarily a crisis of global Western capitalism and its components: modernization, nationalism, structural racism, dispossession, and social, political, and economic violence.

This compilation features traditional songs that originate from the city of Sanaa, the sheikdom of Lahej, and the port of Aden. The term samar, which is the title of the compilation' second part, describes the delicious, luxury time when people gather for relaxation, refreshment and music. Music performed by the Kawkabani brothers and oudh player Hassan al Zabeede.

First-time release of the tapes that are said to have inspired Manuel Göttsching's classic, Inventions for Electric Guitar. Recorded between 1972 and 1976, these revolutionary tracks by M.A.L. aka Daniel Malempré were made using only an electric guitar Fender Stratocaster 1964, a Wah-Wah pedal, and a reel to reel recorder.

This album by Ultraphallus lead singer is a combination of his different forms of music, from ambient-drone, electro-acoustic, sampling and field recordings to free-jazz. Phil Maggi has invited a few generous collaborators (Oren Bloedow, Maja Jantar, Radwan Ghazi Moumneh, Tom Malmendier, Gabriel Séverin and Ludovic Medery) on these eight tracks inspired by Henry Corbin's writings, Nico, Scott Walker and traditional music.

First monograph: an overview of the artist's career, spanning more than a decade of work.

This leporello artist's book is the last iteration of an ever-mutating project by artist Tanaz Modabber. It reproduces a sixty-meter-long drawing which was also used in the past as a score, and as a referential mapping. The work also refers to the links between poetry, music, architecture, and politics in Iran.

Publication documenting an innovative sustainable social housing project in a small village of south-central France, as part of the “New Patrons” program.

Continuum is a catalogue dedicated to the first group exhibition set in the restored wing “Ala Scaligera” of the Borromeo Castle, on Lake Maggiore. It features an impressive combination of great artists, with Giovanni Anselmo, Vanessa Beecroft, Daniel Buren, Sheila Hicks, Anish Kapoor, Giulio Paolini, and Ettore Spalletti.

An ABC book with which the pianist, composer and improviser recounts his experience of sound (with the score and recording on CD of an unpublished piece).

An improvised musical piece recorded with the friends of Herman de Vries at his 80th birthday's summer party on June 18, 2011, in Eschenau. With liner notes by Herman de Vries and photos of the event on the back sleeve.

This vinyl LP associates a visual project and a musical piece by the multidisciplinary German artist. Müller's interest with Wagner's composition Rheingold forms the basis of the sound piece, which consists of a mix of layers of Rheingold recordings. Vinyl sleeves features facsimiles of four ash-painted postcards from the series Not a bird.

In 1991, German art group The Oval Language built a multimedia artwork exploring the irrational impact of Leipzig's Monument to the Battle of the Nations to German generations throughout the years. This LP reproduces the sound layer of the event and includes a recording of a live performance at the HGB Leipzig. Inner sleeve contains photos of each stage of the project and texts.

Tonaliens investigates the inner dimensions and outer limits of just intonation, exploring the harmonic space with voice, brass, invented instruments, sine waves and live electronics. This record brings together two live performances from 2015 in Amsterdam and Berlin. With liner notes by band tuba Robin Hayward, and detailed photos and screenshots.

This artist's book gathers the 67 photographs that make up the contact sheet #234 of the photographs taken by Jef Geys during the 1969 Tour de France. Year of Eddy Merckx's first victory, the same day as the man's first step on the moon.

Learning jazz dance.

Amateur practices in contemporary dance.

Historical and aesthetic approaches of jazz dances.

Publishing as an alternative artistic practice.

Chantier is a collective project with Pascal Battus on found objects, Bertrand Gauguet on saxophone, and Eric La Casa on microphones. The trio's proposal is to develop a sound practice created on building sites, amongst the machines and the builders. The fourth part of this project was recorded on the building site of the Philharmonie in Paris.

From September 20 to November 8, 2013, the artist wrote and sent to his loved ones, day after day, each page of this intriguing short story, punctuated by the epiphore "frappe dans ses mains" ("clap your hands").

Edition of poetic texts, illustrated with original works by Olivier Bringer.

Edition of poetic texts, illustrated with original works by Olivier Bringer.

Field recordings and electromagnetic improvisations by French artist Pali Meursault.

Catalogue / artist's book gathering 137 anonymous works from the 16th century to nowadays coming from the collections of the MUCEM – The Museum of European and Mediterranean Civilisations in Marseille.

First monograph, spanning ten years of work by Senegalese artist Cheikh Ndiaye. This volume focuses more specifically on his installation practice, in particular the artist's Hippocampus project. It also features a text by Mamadou Diouf and an interview with Ndiaye.

The private and personal side of a painter (first monograph / artist's book).

A new series of oil paintings and pastel drawings, with vivid colors and a child-like spirit.

Publication documenting a project by German artist Marlene Maier, the joint recipient of the 2017 Kunsthalle Wien Prize. In her 3-channel video installation Food only exists on pictures, Marlene Maier finds a visual “language” for the blurring and absence resulting from the opaque merging of technological and techno-political processes.

Au dernier voile de sable is a long erotic and learned poem which evoques the Greek mythology, written by Jean-Philippe Pernot, photographer and film maker, illustrated by the reproductions of black and white surrealistic prints which represents bodies and bones, made by the young artist Hélène Damville.

A fiction in which the author-narrator shares his observations on the current art scene as he wanders through Paris.

A crime novel in which the narrator chases a mysterious woman from Paris to Barcelona, via Basel and Bucharest. The text is accompanied by a series of photographs by Felice Varini taken from four walks in Paris, Rome, New York, and Krefeld.

Positioning itself between drawing, sculpture and writing, the work of Gianandrea Poletta is defined by the artist's own life experiences. In his first artist's book, a selection of short stories written in the first person, lo-fi cell phone pictures, and a rich array of ink and marker pen drawings, are brought together in a sequence that overlaps mediums and temporalities.

The artistic development in China from 1998 to 2018.

Catalogue documenting a recent series of works by the Greek American artist, which blends painting, sculpture, and photography. In his practice, Gerasimos Floratos plays with the idea of site-specificity, and is strongly inspired by the Situationist concept of psychogeography.

This first monograph on Paulo Nimer Pjota, profusely illustrated and collecting several essays and a long conversation between the Brazilian artist and Kiki Mazzucchelli, takes stock at Nimer Pjota's signature condensation of pictorial concerns and life lessons. His layered works, like modern, rough palimpsests, are testaments to the artist's collapsing of high with low, society and history with the personal and the marginal, often told through readymade details and objects that Nimer Pjota corrals in front of the wall pieces.

This catalogue documents the performance and visual arts collective's new body of work—a series of sculptures and a four-act theatrical production imagining the potential of an automated machine or software with the ability to compose tragic and dramatic scripts.

This anthology dedicated to spoken-word pioneer Jurczok 1001 compiles a wide selection of typed scripts, ranging from his early raps to pieces inspired by concrete poetry. The volume features a text by writer and performance artist Melinda Nadj Abonji.

The artistic practice of Birdhead associates photography with particular collage skills and mounting technique. The publication is a visual diary of the duo's experimentation in Italy, accompanied with a dual language essay by art historian Maurizio Bortolotti.

An educational investigation on the relationship between design and techniques.

Gender, voice, language, and identity in musical composition and experimental sound practices.

Place.Labour.Capital. takes a reflective look at the first years of the NTU Centre for Contemporary Art Singapore, and serves as a means to review the parameters of its own position in the present globalised art world and knowledge-production economies.