A manifesto for possible future music.

An essay on the singular universe of the director, scenographer, choreographer, puppeteer and visual artist Gisèle Vienne.

Kassel Jaeger's first solo LP with Shelter Press—a remarkably intimate and forward-thinking aural balm, bristling with complex beauty.

First monograph dedicated to Pierre Leguillon's Museum of Mistakes: a traveling exhibition gathering a collection of mass culture artifacts and craft objects, questioning with humor and subversivity the mechanisms of today's visual culture.

From 1970s to his death in 2000, scientist, artist and art collector Andreas Züst spent time in Greenland, photographing ice in its most diverse forms. This publication gathers a selection from this extensive collection, alongside contextual essays.

A retrospective.

An anonymous and parasite book that disrupts the rules that codify publishing.

The expanded anastatic reprint of the Italian designer's sulphurous catalog of 1973.

Artist's book.

A collection of photographs and drawings retracing the founding Californian experience of the artist.

This project is a cooperation with The Narbonnaise regional park in south France where Enrique Ramírez developped a project related to the rising of the sea level and climate change. All tracks are made from field recordings Ramírez did under the water and in different areas of the nature reserve in the regional park.

The new project of Hervé Zenouda (Stinky Toys): a sophisticated and rustling electronic music.

A series of essays and visual contributions critically reflecting on the current structures of knowledge within the art world.

The interdependence of artistic production and social class.

First monograph.

A writing project around the English poet and playwright Aphra Behn (1640-1689), an avant-garde feminist and protest figure who was one of the first writers to make a living from her pen and establish herself on the London theater scene.

In her third poetic collection, Rosalie Bribes deepens the themes tackled in the two previous volumes: criticism of consumer society, illusions, pretences; search for a truth that can give meaning to human existence.

A study attempting to put the authorship of God back into perspective with the help of new sources and to explain why this is actually a work by Morton L. Schamberg.

Artist's book.

The first major monograph dedicated to Michael Schmidt (1945-2014), a central figure in contemporary German photography.

A collection of contributions from art history, history, literature, gender studies and ethnology to rethink the Enlightenment in Switzerland.

A collection of contributions from art history, history, literature, gender studies and ethnology to rethink the Enlightenment in Switzerland.

Catalogue of Ambera Wellmann's first monographic exhibition in a public institution, presenting a set of about ten recent paintings, several of which were created for the occasion.

"Alter-" is Automatisme's reaction to altermodernism in sound art.

The notion of “form” in architecture.

Michel Beretti, author, Jérôme Lamy, sociologist, and Élise Parré, artist, joined in a yearlong research project initiated by the Observatoire de l'Espace (the cultural laboratory of the French Space Agency) around the birth of the French space technology and its first spaceport in Hammaguir, Algeria.

The first published edition of Germaine Dulac's What is Cinema?, almost 75 years after its creation, illuminates the vital role of this pioneer of the 1920s French avant-garde, as an innovator of modern cinematic thought, who was reflecting, early on, in a sustained and analytical way about what cinema is.

A presentation of the key figures and the basic concepts of Lettrist cinema, which prefigured the breakthroughs of the nouvelle vague and the experiments of expanded cinema.

Six American artists share their invaluable perspectives on the decisive work of Martin Barré, a major figure in French Abstraction of the late 20th century.

Reference monograph, collecting the past 10 years of Marcos Lutyens' research and career, with two essays and detailed introductory texts for each project.

Frank Bretschneider's most radical work: a self-generating composition for synthesizer modules whose sole sound source is the movement of two VU meter needles. The resulting percussive sounds coalesce into rhythmic combinations—all random, without repetition. A meditation on infinite rhythmic variation.

An extended drone work performed on organ, building from a peaceful single note to a harmonically rich and subtile combination of tones.

Between 2017 and 2020, researchers in the fields of art, design, computer science, psychology, sociology, digital humanities and mathematics explored the historical publication of the artist Paul Klee, which appeared in 1925 at the Bauhaus. The research work led to the project being part of a logic of patrimonialisation and transmission of knowledge based on digital technologies.

The latest instalment in Mads Emil Nielsen's sequence of graphic scores and recordings, including the Danish composer's own subjective translations of visual materials and sound pieces accompanied by visual notations: published as a limited edition art print folder, Framework 3 consists of risographed scores and recordings on 10" vinyl and CD—with recordings by Nielsen, along with graphic scores by Katja Gretzinger and contributions by Nicola Ratti.

A clothbound companion to Marina Abramovic's tribute to Maria Callas, a performance that recreates the iconic opera diva's famous onstage death scenes.

Salmon: A Red Herring questions what colours we expect in our "natural" environment. It asks us to examine how our perception of colour is changing as much as we are changing the planet. Adapted into the eponymous Turner Prize-nominated exhibition at Tate Britain, this book launched an international campaign against salmon farming.

Theorists, historians, and artists address the precarious futurity of the notion of the future itself.

Drawing on original documents, photographs and detainee artwork, this book offers a unique insight into the experience of immigration detention in the UK.

A study on the role of research and knowledge production in today's contemporary art, and the growing relevance of art as conduit of knowledge.

A comprehensive look at the unique artistic work of German photographer Annette Kelm and the visual idiom she has developed over the course of her career.

This catalogue stems from an exhibition program which investigated the heritage of the 1968 project The Model, for which Stockholm's Moderna Museet was transformed into an adventure playground for children.

Through “Experimental & Parametric Music 1976-2017,” more than 40 years of Joris de Laet's work are unveiled. We discover here for the first time the great coherence of this work: from “Signalisations” (1976) to “Mnemosyne pour une acousmaman” (2017). The twelve compositions are annotated and explained in detail by the composer, as well as a kind of wild autobiography.

The composition Radio Music Extended, performed by Opening Performance Orchestra, draws upon the concept John Cage brought to bear in his piece Radio Music from 1956.

Silk Saw's 12th album, blending sweet and bitter in languorous and enigmatic melodies that float on intriguing pounding polyrhythms.

A painter and an inventor, Eugène Frey (1863-1930) pioneered techniques of animated sets for the theatre at the same time period as the cinema was invented. While he is contextualized beside the creations of Loie Fuller, Georges Méliès or Lotte Reiniger, he is reinterpreted by the artist João Maria Gusmão. First publication devoted to the work of Eugène Frey, the luxurious catalogue of the exhibition at the New National Museum of Monaco presents texts by Stéphane Tralongo (University of Lausanne) and Laurent Mannoni (Cinémathèque française), as well as a work of fiction by João Maria Gusmão.