First monograph.

A project curated by American artist Oscar Tuazon, which explores water as a metaphor, as an element that resists any attempt at shaping, and as an essential medium for artists: a pure mirror.

An overview of Nicolas Deshayes' work over a decade.

This reader brings together artistic and theoretical contributions on the instertitial nature of sound. This issue is addressed through a variety of prisms, such as format, language, politics, or new technologies.

The first major monograph on Swiss-Uruguayan artist Jill Mulleady, whose paintings feature humans and animals enacting their instinctive psychological reactions to ever-present threats of danger.

The first monograph devoted to the Swiss artist's immersive installations of found objects and sound machines.

Superior and Inferior presents a facsimile reprint of Italian abstract artist and feminist Carla Accardi's provocatory publication Superiore e Inferiore and the first ever English translation of the full text.

In Meta Cars, Beni Bischof transforms found images of cars into visual distortions. Through digital manipulation and radical simplification, the original shapes are abstracted—reduced to ghostly and ridiculous silhouettes that feel both familiar and alien.

The Zurich-based artist reinterprets the fear of emptiness from a feminist, psychological and socio-political perspective, through a pictorial reappropriation of the aesthetics of bureaucratic documents.

A series of watercolor house studies by the Swedish artist, printed in risography.

The relationship between quantifiable and experiential knowledge as entanglement of multiple temporalities.

In this anthology of essays, twelve artists explore radically self-reflexive research attitudes integrating embodied experiences within the production of theory.

Drawing together together numerous travesti writers, voices, performers, artists, and historians, this collection amounts to a narrative of survival.

This enchanting convening of texts and images, diaries and epistles celebrates a unique voice and ongoing dialogue around the erotics of art.

PROVENCE UNCONSCIOUS deep dives into the cosmological pool that shapes the collective unconscious and takes a look at the relevance of Jung's ideas in relation to contemporary art and fashion.

The first two albums of the fictional and conceptual girl band comprising Colin Lloyd-Tucker and Simon Fisher Turner.

Andrzej Karałow's piano metamorphoses in the cogs of Jérôme Noetinger's tape recorder, multiplying and playing with its distorted mirror: a journey through imaginary landscapes haunted by a ghostly presence.

A reflection on two essential formats in photographic production: the book and the exhibition space (featuring Christian Aschman, Julien Carreyn, Bertrand Cavalier, Wade Guyton, Pierre Hourquet, Aurélien Mole, Katja Stuke & Oliver Sieber, Batia Suter, Rebecca Topakian, Wolfgang Tillmans, and Ruth Van Beek).

The reproduction / reconstruction of Lautréamont's extremely rare text by artists Vincent Labaume and Jean-Luc Moulène, who, with the help of photocopying, photography and digitization, continue a century-old tradition.

A hundred recipes, almost 500 pages, 27 dinner-locations from 15 years of supper-clubbing and displacement of artistic practice in urban space.

Gilles Aubry's composition "L'Makina" is a haunting soundscape that combines AI-generated sound textures with modular synths. Structured in two parts, the piece explores the spectral possibilities of a virtual sound model developed using a machine learning algorithm, in collaboration with Moroccan musicians Ali Faiq and Idr Basrou.

International curator Cristina Ricupero uses the figure of Frankenstein as a common thread to explore and share her curatorial practice.

A fictional text by Geneva based artist Timothée Calame aka T. Freakson Calame: a collection of short stories that follow the urban wanderings of a protagonist through a series of unlikely events and encounters.

24 transcribed public conversations led by Xavier Le Roy with artists and cultural workers, creating a space where Le Roy's work meets the experiences of his guests.

A Nomadic Book celebrates the first five editions of the Nomadic School. Launched in 2020 by Office for a Human Theatre [OHT], the school takes place each summer at around 2000 meters in the Alps, offering a different pedagogical approach—one that's more open to the mountain's ecosystems and rhythms.

From submerging as emerging: a cross-disciplinary perspective of the medial, aesthetic, and material aspects of submerging, as well as its methodological qualities as a resistant practice and figure of thought.

This anthology presents and discusses current tools, methods, and analytical frameworks to address artistic interventions, taking a multidirectional approach that accounts for the positionality of perspectives and highlights the nondirectional formation of the interventions at hand.

A reflection on the reconstruction of the Berlin Palace and its contradictory use as an ethnological museum.

A narrative of the early modern Indian sculpture known as the Mithuna couple.

A new narrative by Léonora Miano around Mandu Yenu, a throne from the ancient Kingdom of Bamum (present day Cameroon). 

The architecture of disaster: Eyal and Ines Weizman trace the history of the before-and-after image from 19th-century photography to contemporary satellite images.

The posthumous publication of the German philosopher: a major work on the collapse of Western philosophy and on the necessity to rethink the past to build the future.

Artaud's last unpublished work.

An urban investigator has been commissioned by a global corporation to determine how cities worldwide are being engulfed and destroyed by the wastelands that are mysteriously appearing in their heart. They are being "wastelanded," generating turmoil and catastrophic technological meltdown in every global megalopolis.

A publication that directs dialogue and points of exchange among art, science, and environmental justice in the Americas.

A contemporary cabinet of curiosities, comprising the singular collection assembled by Jean Chatelus (1939-2021) over the course of his life: sculptures, installations, paintings, photographs, drawings by the greatest figures of the 20th century, as well as by outsider artists and "enfants terribles", pieces of non-Western art and objects from popular traditions, reflecting diverse aesthetics and voices.

The 2025 Villa Medici residents catalogue.

Jérôme Game, a poet working at the intersection of words, sounds and images, has invited two of his stage partners, Chloé and Jean-Michel Espitallier, to create a duo piece with him for this sound poetry album, between beat inspiration, krautrock motorick and literary glitch.

An artist's book by architect, forester and refuge keeper Wim Cuyvers, examining the changing climate and the very definition of architecture through a photographic investigation of the landscape.

New Environments & Rhythm Studies is a further attempt to re-describe past tropes which laid claims to authentically represent music and sound from beyond the Western world (exotica, ethnomusicology, field recording) as undertakings of the imaginary.

The result of a collective reflection undertaken at the Canadian Center for Architecture, this publication is the second volume of a periodical series wishing to explore urgent issues in today's curatorial practices.

An in-depth look at nearly two decades of artistic output by the Palestinian artist and filmmaker Basma al-Sharif.

A broad survey of the Brazilian artist's work since 2016, dwelling on the recurring motifs and iconographic sources that feed the complex imagery of his painting.