New monograph.

A photographic journey through the city of Genoa, exploring the past of historic buildings, the contemporaneity of the first modern museums, and Franco Albini's interiors.

This book traces the last thirty years of Rita Ackermann's career containing both well-known and previously unpublished works, ranging from painting to drawing, created in a range of media and formats.

An overview of the Pakistani artist's practice over the past 15 years.

A fully-fledged artistic project expanded with writings, poems, and aphorisms by the artist alongside various interviews.

A dive into the world and studio of French artist Adrien Vescovi, whose textile compositions are thought and composed like paintings, both monumental and vulnerable, subject to the natural elements and impregnated with the places where they are exposed.

A presentation of video installations, sculptures, site-specific interventions, performance and works on paper by the duo of Californian artists and choreographers.

This comprehensive publication focuses on the artwork and activism of Helsinki-based visual artist and researcher of Swiss and Haitian heritage Sasha Huber.

Artist's book.

Yves Klein may be one of the first European artists to have taken an explicit interest in Aboriginal visual art. This catalog offers a poetic and completely new approach to his work, placed in perspective with the works of twelve Aboriginal artists.

Thirty-four original collage-poems by the Chicago-based artist Tony Lewis.

First monograph on the work of German artist Ani Schulze, which explores the relationship between the human body and technology through sculpture, painting, drawing, sound and video.

An artist's book gathering reproductions of charcoal drawings of bodies suspended in the empty surface of the paper (limited edition box set).

After a previous focus on questions of historiography and the archive, In Medias Res #2: Architecture in Motion continues Fluentum's ongoing investigation into the history of its grounds with a focus on its architecture and surrounding material culture, both past and present.

Publication based on a project initiated by Dora Budor at Progetto (Lecce, Italy) in 2021 that began with detouring a solo exhibition onto a collaborative course to traverse the itineraries of work, leisure, and consumption in southern Italy.

A new critical reading of key dimensions of the Los Angeles-based French artist's work.

Retrospective monograph of the painter, sculptor and engraver Rubem Valentim (1922-1991), an emblematic figure of the Brazilian art of the 20th century.

First monograph.

The outcome of an examination of the collection of the Kunstmuseum Liechtenstein, and thus the history of the Museum, by four different contemporary artists.

As you go… roads under your feet, towards the new future is a long-term project and research inquiry that reflects on the Belt and Road Initiative and how it will alter the aesthetics and practices of everyday life in different local contexts.

BODIED unites an internationally diverse group of artists who, in positioning the body at the centre of their work, explore how our physical forms are shaped by the social worlds around us.

Over 15 years of subversive installation art from a Copenhagen-based collective.

An overview of the French mixed media artist's work, engaged with historical and found imagery.

Conceived as a monographic reader, theis publication compiles for the first time an extensive, decade-spanning collection of Kirchenbauer's seminal and profoundly perceptive essays, the scripts of her widely celebrated moving image works in conjunction with selected video stills, as well as exhibition views.

A multimedia meditation on time, memory and cultural identity.

Monograph based on Carolyn Lazard's eponymous video installation drawing from the sensorial legacy of flicker films.

Retrospective monograph.

This new monograph aims to highlight the fundamental areas of Pietro Roccasalva's production through fifty works from the late 1990s up to the present day, including new and unpublished works from the artist's studio as well as public and private collections. 

Alien Armpit brings together short texts and images that the artist Vanessa Safavi made between 2013 and 2022.

The first comprehensive publication documenting Israeli artist and experimental cinematographer Ran Slavin's work.

X Museum 2020–2021 is the first chapter in a series of annual publications dedicated to the activity of the newly opened museum in Beijing.

Published in conjunction with the exhibition Uncombed, Unforeseen, Unconstrained, a Collateral Event of the 59th International Art Exhibition | La Biennale di Venezia, 2022, this book documents the deeply thoughtful responses of eleven international contemporary visual artists to the state of the world in the early twenty-first century.

A bilingual text by Alessandro De Francesco that blurs the boundaries between art and poetry.

Fabien Giraud and Raphaël Siboni echo the fictional world of their films and the real world of their objects and sculptures, at the end of an exhibition-series developed over a decade.

An overview of Dawit L. Petros's expansive suite of works reflecting the lingering effects of colonial brutality and revealing the links between the contemporary resurgence of nationalism and a suppressed colonial past.

First monograph.

Fabien Giraud and Raphaël Siboni echo the fictional world of their films and the real world of their objects and sculptures, at the end of an exhibition-series developed over a decade.

First monograph.

First monograph.

An extension of Vladimir Nikolić's project for the Serbian Pavilion at the Venice Biennale 2022, this book explores publishing as an incubator for different forms of editorial, artistic and curatorial practices.

Retrospective monograh of the pioneer of Turkish contemporary and conceptual art, Füsun Onur.

Pilvi Takala's project for the Finnish Pavilion at the 2022 Venice Biennale.

The photographic archives of Roberto Polillo who abundantly documented the concerts of the greatest American jazz musicians in Italy in the years 1960-1970.

The role of masks throughout history, materialized in the works of twenty-one artists: a look into the ongoing radical reshaping of our multiple historical, sociopolitical, sexual and transcendental identities, inquiring about the current processes in which we shape-shift from one to the other.

A resource book for curatorial studies and exhibition history, based on the case of the Göteborg International Biennial for Contemporary Art.

The catalogue of ARS22, the tenth edition in the series of major international contemporary art exhibitions originally launched in 1961 in Helsinki.

New monograph, highlighting the topicality of the issues that run through all of Ericka Beckman's work over some forty years.

This monograph spans two decades of the internationally acclaimed American artist Ellen Gallagher's career, including paintings, works on paper as well as three film installations created in collaboration with Dutch artist Edgar Cleijne.

This richly illustrated volume offers the occasion to discover Tomoo Gokita's latest body of work, featuring his newest large-scale paintings and a number of never-before-seen works made under lockdown during the pandemic.

With this book, Swiss artist Judith Kakon extends her artistic practice by relating her works to her working materials in a nonhierarchical and nonlinear manner.