various

A selection of recordings made by reductionist composer Ernstalbrecht Stiebler and cellist Tilman Kanitz between 2020 and 2022 and four improvisations with two short pieces by Stiebler.

Two performances from 2020 and a selection of 1980s recordings by Japanese Fluxus artist Takako Saito.

The Parc la Villette, Paris, as told by a series of mobile barriers.

A retrospective of 50 years of creation of the visual artist Bistra Lechevalier.

Two unpublished texts that demonstrate the extent of the writing work that Marcel Alocco has been producing for over half a century.

Jan Jelinek's soundtrack for Seascape – polyptych, an audio-visual software developed in collaboration with Canadian new media artist Clive Holden.

The Well & The Gentle, two of the major works of Pauline Oliveros, are presented here in a first time reissue on double vinyl in a gatefold sleeve with extensive liner notes.

Two works from the same series of compositions, drawn from modular synthesizer recordings which have been reworked, treated and composed in the computer.

First reissue since its initial 1969 release of New York minimalism and drone pioneers La Monte Young and Marian Zazeela's first full-length album, popularly known as "The Black Record" or "The Black Album".

First reissue since its initial 1969 release of New York minimalism and drone pioneers La Monte Young and Marian Zazeela's first full-length album, popularly known as "The Black Record" or "The Black Album".

Swedish drone alchemist Mats Erlandsson is sitting in a fictional room on "Gyttjans Topografi", imagining a virtual chamber orchestra using zithers, tapes, double bass, harmonium, organ, and various synthesisers to draft a treatise on alternative tuning and non-normative harmonic structures. Transcendent material.

First compilation on LP of the sound works of the two Dutch visual artists, demonstrating that sound produced by the Bosch & Simons music machines can also be listened to as autonomous "music".

This 4 CD box edition collects all concert musics by French composer of electroacoustic music Michèle Bokanowski, eleven visionary and avant-garde works composed in 1974 and 2020.

The second part of José Vicente Anaya's poetic trilogy, deeply rooted in the infra-realist movement founded in Mexico City in the 1970s, combining verse and prose, is marked by a formal experimentation anchored in the poet's life and his wanderings from the north to the south of Mexico.

José Vicente Anaya closes his poetic trilogy with a rereading of Mexican political history through the memories of his own wanderings.

Rilke Shake—a humorous variation on the milkshake—summons part of the author's library (Mallarmé, Ezra Pond, Gertrude Stein, etc.) in poetic sketches that are in turn comical, burlesque, and absurd. At once trivial and erudite, this unbridled poetry explodes with images of parties—and the mornings after—, flashes of the street, and reminders of Brazil.

A poetic text fragmented into three parts each generating its own handicap in expressing the economy as alienation from life.

The collection of poems by the Brazilian writer, rewritten in French, in a process that includes translation and re-creation, combines with delicacy, ingenuity and great coherence a research on the relationship between language and Eros, personal reflections, extensive cultural references and philosophical questionings.

Both a conference proceedings and an exhibition catalogue, this publication looks back at the career of Denis Briand, artist and university professor, who died on 23 April 2018.

François Mangeol appropriates Michel Houellebecq's Sérotonine and reduces it to only the letters representing the chemical symbols composing the neurotransmitter linked to the state of happiness (artist's book).

Faitiche presents the album Exq I by Berlin underground techno legends Muellie Messiah & Punk not Punk, mainly known under their 100Records moniker. Weighing in at 36 minutes, the track was recorded in 2010, effortlessly intermingling dub, drone and collage, a blend achieved thanks to the duo's jazz-inspired approach to improvisation.

The concrete, electronic sounds of the Langham Research Centre (here Iain Chambers and Robert Worby) combine with the acoustic qualities of John Butcher's saxophone in an extended improvisation session.

Persistence of Sound celebrates the British composer Richard Orton (1940-2013) with a selection of electroacoustic and computer music from across his career.

The posthumous album of naturalist field recordings from The London Sound Survey: a sound-journey through the dark in East Anglia, roaming across the counties of Norfolk and Suffolk to places whose sounds have a precarious existence outside the crowded realities of modern everyday life.

Two pieces written by Éliane Radigue at the same period (2014-2018), one instrumental (recorded at the Philharmonie de Paris by Ensemble Dedalus) and the other electronic (performed by Ryoko Akama).

The reference book in French on the Global Tools design movement linked to the Italian radical architects of the 1970s.

First monograph of the Kenyan artist.

The third solo release by a prominent pillar of Japanese ambient music, after 11 years of collaborations.

The first issue of the Dongola Architecture Series, dedicated to the most iconic contemporary architects of Arab culture, dives into the transdisciplinary perspective of Jordanian architect, artist and anthropologist Ammar Khammash.

Recordings from two installations/performances by the Berlin-based sound artist that explore the physical presence of sound phenomena, by producing the impact of electronic music but with purely acoustic means.

The immersive sound diary of a trip to Bali.

An autobiographical artist-talk as a performance delivered from the artist's bed over Zoom.

Vannina Maestri is an author associated with the 2020-2021 exhibition season of La Kunsthalle Mulhouse. She immersed herself in the universe of three exhibitions, composed freely around the works and ideas she perceived there.

Laura Vazquez is an author associated with the 2019/2020 exhibition season of La Kunsthalle Mulhouse. She immersed herself in the universe of four exhibitions, composed freely around the works and ideas she perceived there.

A sound and music experience along the Dordogne river, with Le Chant du Moineau and the Ensemble UN orchestra (Pascal Battus, Benjamin Bondonneau, Michel Doneda, Jérôme Noetinger, Mathieu Werchowski...), and a group of invited researchers (with a composition by Lionel Marchetti on CD and a film by Camille Auburtin on DVD).

Curva Cieca Oblio was born out of the collaboration between two artists whose paths have intertwined many times over the course of twenty years. The work of Muna Mussie, who investigates the languages of the visual and performing arts, for this creation on record extends and enters into a fusional dialogue with the rigorous and prismatic sound vision of Massimo Carozzi, also an explorer of the relationships between different languages.

Vernascacadabra is a series of compositions for ocarina as a part of an artistic journey through the history of music routes that Invernomuto has been carrying out for years, starting from the sound and the imagery it generates.

First vinyl edition (remastered) of the Swedish trio's third and most beautiful album (originally released on the Häpna label in 2005), produced by Marcus Schmickler (Pluramon).

A manifesto for the decolonization of art book fairs and publishing.

This artist's book is the achievement of the Ka Kualmaku project conducted in 2018 during a residency of Marc Buchy in Colombia, in Lugar A Dudas, during which the artist began to learn Namtrik, said to be a disappearing language. The book restores this learning as a Namtrik-French language guide.

A semi-digital audio publication by performance artist and musician from Northwestern Quebec Emilie Roby.

Véronique Béland, Nicolas Darrot, Éléonore Geissler, Romain Pellas, Romain Sein, Stéphane Thidet, Keen Souhlal, Chloé Silbano...