First French translation of a seminal text of media theory, which this edition contextualizes, notably through the debate it provoked with Baudrillard.

A reflection on our present, through a series of portraits of contemporary artists.

French edition of the compelling narrative that goes behind the scenes with the world's most important living artists to humanize and demystify contemporary art.

A collective exploration of the relationship between contemporary art and archeology.

An analysis of the technocritical acts and strategies by artists, hackers and activists in the (post-)digital age.

A collective and transdisciplinary study of the representation of plants and their powers to reflect on the question of animation, cinema, photography and, more broadly, image, in the Anthropocene era and in the context of the "vegetal turn" at work in the human sciences as well as in contemporary art.

An archeology of Swiss experimental film.

A science of sensitive experience prolonged by a theory of atmospheres, at the origins of philosophical aesthetics.

The first English-language anthology of writings by the Slovak critic Tomáš Štrauss.

An essay on art exhibition.

The complex architectures of the new “memory palaces”, from libraries, archives and museums to the IT structures, databases and server farms that feed the flow of data on the network.

An analysis of the relationship between art and literature over the last six decades.

A collective reflection on reciprocal relations between design and the ethics of care, in the areas of health, social innovation, objects, or the environmental issue.

The reconciliation of art and life, at the heart of the reflection and practice of many modern and contemporary movements.

A conversation, accompanied by an introduction by Andrea Soto Calderón, to better understand the crucial role that images occupy in Jacques Rancière's work, and how images are the site of imaginative and reconfiguring operations.

Two texts by New York artist Zoe Beloff, pioneer in the field of “media archeology”, whose works are at the crossroads of avant-garde art, popular cultures and critical theory.

Two interviews in which Carmelo Bene exposes his working method and his ideas on television, and opens a reflection on the links between artistic avant-gardism and mass diffusion.

Interview with one of the great figures of art photography today, in which Sophie Ristelhueber reflects on her own carrer and practice.

Philosopher Ludger Schwarte presents a critical essay against the notion of contemporaneity in art and pleads for a renewed temporality: an art of futurity.

A collection of texts by Soviet avant-garde filmmaker and theoretician Dziga Vertov, including a critical apparatus and visual documents.

20 proposals for the intersection of artistic practice and research in academic milieu.

A history of photography through its accidents.

A philosophy of decolonization that intends to show how, in knowledge and the arts, the past can be passed.