135 poems, calligrams and other visual experiments, spread over 54 years of poetic activity, by one of the major actors of the poetic avant-garde in France.

Fourteen comical, absurd, ironic, moving short novels, by Jean-François Bory, unfaithful successor to Dada and active author of the avant-garde movements of the 1960s/1970s.

A selection of essays that Jean-François Bory devoted to his favorite and somewhat marginal authors, ranging from Nadar to Raoul Hausmann via d'Annunzio.

From “The Left Bank Publisher” to “Miss Fukushima”, 102 portraits of a person or a profession in 10 expressions in the form of an inventory.

From “The Left Bank Publisher” to “Miss Fukushima”, 102 portraits of a person or a profession in 10 expressions in the form of an inventory, with an original and unique artwork.

Reissue of the main publications by Angéline Neveu (1946-2011), a political figure of the poetic underground scene in France.

This publication brings together two new texts by Stéphane Nowak Papantoniou, with an audio link granting access to a recorded version of the publication, accompanied by a composition by sound artist motif_r.

This publication brings together two new texts by Stéphane Nowak Papantoniou. The limited edition includes an original and unique artwork, as well as a CD with a sound declension of the poem, recorded by the author and accompanied by a composition of the sound artist motif_r.

Collection of transcripts of performance poetry by Christian Prigent. This edition comes with a CD including the recordings of these performances, featuring the author and actress Vanda Benes.

A seminal text of Contemporary Mexican poetry, inspired by the Tarahumara and peyote rituals. Included in appendix is the first manifesto of infra-realism, written by Anaya in 1975.

A magazine for visual and experimental poetry and works inspired by Dada and Fluxus, directed by Jean-François Bory.

The historical-memorial narrative in comics, from Art Spiegelman to Marjane Satrapi, as a new form of representation of History, between individual and collective memory.

Two interviews in which Carmelo Bene exposes his working method and his ideas on television, and opens a reflection on the links between artistic avant-gardism and mass diffusion.

New monograph, focusing on the ephemeral sculptures made by French artist Arnaud Vasseux in the context of recent exhibitions, at the end of which the works are destroyed.

The first English translation of Hubert Fichte's investigation on New York's African diaspora in the late 1970s. Contesting the stylistic norms of ethnographic studies, Fichte offers an experimental, poetic, and radical reflection on the living conditions, struggles and cultural heritage of New York Africans.

Prints by Jennifer Bornstein gathers together a body of work encompassing her latest projects in printmaking during a recent fellowship at the Radcliffe Institute for Advanced Study at Harvard University. These works are contextualized by earlier projects in drawing, film, and artist books that span the 1990s to the present.

This first monograph on Aslan Gaisumov borrows its title from a video work focusing on the traumatic aftermaths of post-World War II for the Chechen people under Soviet control. The publication documents in text and images this both historical and intimate project.

Giving Voices features documentation on four of Erkan Özgen's video works dealing with war, violence, and trauma—beyond the boundaries of the political, within the dimension of the private and the human. It includes essays and an interview with the artist lead by Hans Ulrich Obrist and Hilde Teerlinck.

This catalogue accompanies three solo exhibitions in which two threads in Amelia Pica's practice are brought together: communication between humans and exchange between species. It includes a series of essays on animal rights and the artistic practice of the Argentine artist, as well as documents and an iconographic ensemble.

Perhaps It Is High Time for a Xeno-architecture to Match is a Brussels-based curatorial and research project that seeks to examine the possibilities for re-radicalizing architecture. This publication documents a conversation series from January to March 2017 that sums up their reflections.

Artist's book, based on Peter Voigt and Arno Fischer's project developed for the Marx-Engels-Forum in Berlin.

Ascending from the Liquid Horizon focuses on the possibilities and potentials once proposed by speculative narratives about the future, and reflects on the realm that is currently emerging from the intersection of science, corporate interests, and ecology. Vast developments in technology, advancing hand in hand with rapid climate change, predict a situation far more complex than the current one, defined by an environment where technology levels nature and notions of the biological, natural and terrestrial need to be revised.

Published in collaboration with the Nouveau Musée National de Monaco, this book guides the reader through the discovery of Latifa Echakhch's jardin mécanique, her latest exhibition at the Monegasque institution. A collection of visual and written essays, the publication explores the artist's take on the museum's collection of automatons and set models, as well as on the historical representations of the Exotic Garden of Monaco, through the form of a flipbook, translating on the page the motion of the five video works specifically produced for the exhibition.

An exploration of the absence and presence of the (red) color.

This catalogue accompanies the exhibition by Florence Lazar at the Jeu de Paume. It is also her first monograph.

First English translation of Antonin Artaud's writings from his apocalyptic journey to Ireland in 1937.

Revised and expanded edition of the“Color notebooks” published by the National School of Decorative Arts, a synthesis of a series of in-depth studies initiated by Jacques Fillacier on the characteristics of color perception. A reference pictorial manual, for pedagogical as well as professional purposes, for all practitioners of color—painters, architects, designers, stylists, etc.

Chronotopic Traverses brings together unexpected arrangements of Haegue Yang's versatile sculptures of various materials against a backdrop of a panoramic and dramatic wallpaper Incubation and Exhaustion (2018).

A panorama of the world of do-it-yourself fanzines.

An expanded reflection around the optical principles, the light and the visual perception that constitute the main axes of Flavien Théry's artistic research.

This issue offers various approaches to what the animal point of view can be, through a set of contributions that reflect on this new relational state in which animals can take part in the artistic activity.

10 exhibition reviews (Mike Kelley, Matthew Brannon, « Peindre la nuit », Trisha Donnelly...), 8 interviews (Yan Pei-Ming, Ashley Bickerton, Nathalie Du Pasquier, Arno Brandlhuber, Rob Pruitt, Emily Mae Smith, Ida Tursic & Wilfried Mille...), 9 exhibitions in pictures, some artists special projects, and the chronicles.

Jeffrey Weiss, Carolee Schneemann, and Simone Forti on the passing of Robert Morris, editor Lauren O'Neill Butler on the art of fierce pussy, Wayne Koestenbaum on the art of David Gilbert, a special dispatch from Thailand by David Teh, plus exhibition reviews from Paris, Berlin, Prague, Zurich, New York, and more.

Spike Art Magazine #58 (“The Magic Issue”) inaugurates a new formula all in English.

Interviews with Cornelia Sollfrank, Lílian Campesato, Hyphen-Labs, Faith Holland, Mary Flanagan, Spideralex, Linda O'Keeff; Sonic Territories, monumental loudspeakers to the people; books, DVDs and CDs reviews...

The second title in a series of publications dedicated to artists' residencies at Maison Bernard, a masterpiece of organic architecture carried out in the 1970s by Antti Lovag in association with Pierre Bernard. The book documents a site-specific project by Emma Dusong, an artist who works with her own voice.

Intersubjectivity is a collection of writings on the presence of language in the visual arts: this second volume investigates the relationship between performance, subjectivity, and human agency within a more global reflection on transhumanism.

How did autonomous art become such an effective tool of the capitalist state? A thorough analysis of the connection between contemporary art and modern biopower.

Since the 1990s, artist Rainer Ganahl has been inspired by Karl Marx's writings. In over 700 pages, this publication brings together essays, photographs and other documentation from dozens of Ganahl's projects adapted from Marx's theories.

Catalogue of Francis Alÿs' exhibition at Beirut Art Center.

First major catalogue/monograph on the French artist: an overview of Molinero's dual work, which both reflects on the academic history of sculpture and refers to pop culture, especially science fiction, splatter films, and crime news.

Piano always had a central role in the discography of French composer Sylvain Chauveau. This selection of unreleased and out-of-print short pieces—mostly soundtracks—showcases what might be Chauveau's musical signature: quietness, slow pace, long resonances, a close as possible to silence. Music to be played at night.

Third chapter in the Sufi Word's series by Belgian composer Jean-Luc Fafchamps, featuring Ensemble Musiques Nouvelles and Centre Henri Pousseur, conducted by Jean-Paul Dessy.

Belgian composer Gobert presents a chisselled and chaotic form of “Chamber Electronic Music”, for piano and laptop, in duos with pianist Nao Momitani and his [KNAPP] bandmate, Gilles Doneux, for Sub Rosa: a subtle mix of electronic composition and contemporary touches.

The first (and the last) concert of mythic Kosmiche Belgian band Kosmose (1973-78): unreleased songs recorded and mixed in March 1975, something undoubtedly cosmic but with a DIY, home-made edge, dirtier than clean, noisier than technology-based.

The first (and the last) concert of mythic Kosmiche Belgian band Kosmose (1973-78): unreleased songs recorded and mixed in March 1975, something undoubtedly cosmic but with a DIY, home-made edge, dirtier than clean, noisier than technology-based.

On Elephantine, his new Northern Spy/Sub Rosa album, Cairo-based Maurice Louca guides a 12-piece ensemble through a panoramic 38-minute odyssey, which he describes as his most ambitious project yet. Elements of free improvisation, Sun Ra's cosmic jazz, gorgeous Arabic melody, trancelike African and Yemeni music and minimalism meet in his wholly unique compositional vision. Louca also makes vital contributions on guitar and piano, and inspires stirring performances from a global lineup.

A previously unheard masterpiece of Israeli multimedia artist Ami Shavit, inspired by the Yom Kippur war, in Sub Rosa's Early Electronic Music series.

Designed under the direction of the artist, this monograph is devoted to Danh Vo's in situ installation at the CAPC museum, through which the conceptual artist explores the relationship between individual and collective history, and the notions of power and masculinity.

The first book by Elena Reygadas, Latin America's Best Female Chef, is more than a cookbook.