Banks Violette by Rachel Wetzler, Gulf Institutions by Pablo Larios, Alison Knowles (1933-2025) by Nicole L. Woods, Kochi-Muziris Biennale by Meera Menezes...

British artist James Bloom uses AI to render the human body's movements dysfunctional as he generates them, and records the sequence in the form of a flip book.

Special edition of the book Disegno Astratto, created by Henri Frachon and Antoine Lecharny, that includes the multiple "Boat, house, briefs, plane and sea lion".

Álvaro Urbano by Javier Montes, Togar by Hung Duong, Kerry James Marshall by James Meyer...

A non-relationalist anthropological approach to singularity.

How the right wing is ruining culture, part II; in Sicily, humanitarian flotillas bound for Gaza are on the US Army's radar; Alice Diop and the Black Venus; Iraqi singer Sajda Obeid unites the country; theater according to Sylvain Creuzevault; the British left reveals fascism...

The best of 2025: a renowned group of critics, artists, and curators from around the world take stock of the year in art.

The meeting between Fred Frith's guitar strings and percussionist Karen Stackpole's gongs.

The totally remastered version of the fourth album by Belgian band Univers Zero, recorded in 1984.

The totally remastered version of the fourth album by Belgian band Univers Zero, recorded in 1984.

Universality, multiplication of identities, and disappearance of otherness.

The 2026 wall calendar designed by Studio Manuel Raeder featuring contributions by Martha Hellion, Andreas Sell, Álvaro Urbano & Petrit Halilaj, Heinz Peter Knes, Anna M. Szaflarski, Pablo Schlumberger, Nick Mauss, Cosima zu Knyphausen, Ieva Epnere, Shirin Sabahi, Yoshie Sugito, and Mariana Castillo Deball.

A monumental retrospective spanning over 1,000 pages of the Chinese artist's creative practice from 1996 to 2025, organizing his thirty-year journey into six chapters, each covering a five-year period.

First monograph.

Comprehensive documentation of the Italian artist's latest works, in which he playfully explores the theme of light.

An artist's book composed of fragments of texts from different eras and contexts—literary, science fiction, philosophical, scientific—all centered on the theme of the subterranean.

Released on occasion of his 75th birthday, Edition Telemark presents the first LP since 1986 by German composer and sound artist Ralf Hoyer.

A previously unreleased recording of Sven-Åke Johansson playing a solo set at the legendary Petersen Galerie in West Berlin, 1982.

Rene Matić, Josiane M.H. & Emily Pozi, Olivia Kan-Sperling, Olivia van Kuiken, Tasneem Sarkez, alfatih, Ruoru Mou, Adam Patrick Grant, Siyi Li, Ruofan Chen, Megan Mi-Ai Lee, Tommy Xie, davi de jesus do nascimento, Zora Sicher...

This volume traces the history and the political, cultural, and artistic legacy of the Mamluk Sultanate (1250–1517), one of the great powers of the medieval world, known both for its formidable military force and its flourishing artistic production.

The catalogue of the exhibition for the Cyprus Pavilion at the 60th Venice Biennale.

An artistic and research project focusing on issues of travel, exile, migration, welcome and hospitality in a globalized world.

The legacy and posterity of the Tashkent Festival for Asian, African and Latin American Cinema, which was held between 1968 and 1988 in Uzbekistan.

This collection proposes instituting as a potentially critical methodology in curating, art making and organizing as an unsettling process that produces forms and structures.

An interdisciplinary and critical examination of the role of hope in contemporary art and activism.

An anthropological-acoustic study of the aftermath of war.

First monograph.

Looking at the white gaze on Black life, art, and being, Chipo Chipaziwa's first book explores five years of her past performances without any photographic depictions of her body. Instead, she relies on the written word—with texts penned by herself, as well as by Denise Ferreira da Silva and Olumoroti Soji-George—and on art: paintings, drawings, and prints by Margaret Joba-Woodruff, Sophia Lapres, and David Ezra Wang.

First monograph, featuring the artist's long-term research on the colonial and neo-colonial relations between Italy and Libya through a critical engagement with the Italian "archive of coloniality" and its structural violence.

By the Means at Hand offers a look into Vlatka Horvat's eponymous project, presented at the Pavilion of Croatia at the 60th International Art Exhibition—La Biennale di Venezia in 2024.

A collection of poems by artist Tiziana La Melia.

A book inspired by the artist's research in intersectional environmentalism, deep listening, and decoloniality.

Studies on Squats is an evocative exploration of embodied resistance and political movement that uses the multifaceted posture of the "Asian Squat" as a lens through which broader concepts of migration, illness, and resilience are examined.

The first monographic publication dedicated to the collected works of artist Margherita Moscardini.

German artist Leila Orth deals with the question of what places of remembrance there are and can be.

This publication is part of Farid Rahimi's eponymous multimedia project, the fruit of long-term research into the memory of Afghanistan, the country of origin of the artist's father.

The portfolio of the unique retrospective conceived by the Jeu de Paume reveals the singular vision of photographer Madeleine de Sinéty (1934-2011).

An anthology of responses to Reiner Schürmann's philosophical research, writings, and commentaries.

An album entirely dedicated to the sound composition created by Éric La Casa for Luke Fowler's film A Grammar for Listening, based on recordings (images and sounds) made in Paris and Glasgow. A new stereo version from 2023 interacts with the original mono soundtrack from 2009.

The first monograph of American artist Spencer Lewis.

The first album by the egalitarian and variable-geometry group of musicians/composers created by Hervé Boghossian, combining microtonal electric guitar, Turkish lute, hurdy-gurdy, and church organ.

Focusing on contributions that explore composites as forms of art and design, as research methodologies and practices, and/or as theoretical concepts, issue 60 of the journal Azimuts proposes look at composites as a way of presenting or representing realities.

Yoann Sarrat presents a collection that showcases his practice of performative writing combined with tattooing (with and without ink—which he calls “dermographic poetry”) and dance.

Ayoung Kim, Tom Lloyd, Karimah Ashadu, Photography's Materialities (roundtable and portfolios), Rosemarie Trockel, Amie Siegel...

Morten Søndergaard (co-editor); interviews with panGenerator, Charles Stankievech, Mélia Roger, Adelin Schweitze; articles: Geofónie, Sonic Reorientations; reports: Electric Dreams, The Vinyl Factory: Reverb, Art Must Be Artificial.

The act of translation as a pedagogical tool, a political act, and ultimately a gesture of care in these tense cultural times.

Listening as a means of building community and knowledge.