Denzil Forrester, Sophie Calle, "The Imaginary Institution of India", PST ART, Bill Viola...

The best of 2024: a renowned group of critics, artists, and curators from around the world take stock of the year in art.

30 Fluxus pieces, new and old, live and studio, finished pieces and scores to be performed, acoustic and classical, solos and pieces for ensemble, using classical and special instruments, with new essays and articles, original photos and other documentation.

Three electroacoustic pieces recorded by Moroccan contemporary music composer Ahmed Essyad in the early 1970s, released in Sub Rosa's Early Electronic series.

All the destructive mood of Mark Pauline's Survival Research Laboratories shows: from "Classical" music to intense destructuration, a new form of Avant-garde.

Clara Levy perofms Giacinto Scelsi, Kaija Saariaho, Erika Vega and Eva-Maria Houben.

Studio Manuel Raeder's 2025 sticker calendar.

Residencies Reflected looks at international artist residencies with a societal and ecological mind shift.

Elisa Caldana's The Falcon of Karachi investigates stories of the laggar falcon, a species endemic to Pakistan, India, and Myanmar that is slowly disappearing in the wild.

An overview of the vast production of the Romanian artist Radu Comșa.

73 images by Swedish photographer Louise Enhörning, including new works as well as some significant past pieces never before exhibited, emphasizing the concept of "lost time."

A monograph developing an iconographic apparatus that casts a light on the relationships between Italy and Louis Fratino's oeuvre, with newly commissioned essays and contributions by scholars of art and queer theory.

The very first monograph dedicated to the work of Bruno Pélassy (1966–2002), featuring all his works, installation views, and a vast range of materials from his unpublished personal archive.

First monograph.

A publication about twelve women artists in Tuscany and their alternative ways of making art, departing from dominant, male-centered models to embrace regenerative practices and transformative imaginaries.

A publication tracing the itinerary of Fiamma Montezemolo's anthropological and artistic research, across Italy, Mexico, and the United States.

A limited-edition box containing a booklet poem, a photo plate and a pocket mirror.

An invitation to think collectively about the ideas and forms of repurposing materials and objects from our everyday lives, confronted with formal and cultural ambitions that are more firmly rooted in the history, present and future of architecture.

An experience of introspection, an epistemological reflection and an act of resistance in the face of depersonalization, around the question of the name.

Artistic expressions of mourning.

An essay by Yoann Sarrat on two works by Jean-François Bory and Kathy Acker.

Benjamin H. D. Buchloh and Hal Foster's Exit Interview, Ade Darmawan and Timoteus Anggawan Kusno, Manifesta 15, Lee Ufan...

A tribute to Derek Jarman manifold and vital practice.

The fifth issue of the Catalogue Perpétuel documents the exhibitions, projects and concerts at the Consortium Museum from July 2021 to May 2022.

Camille Henrot, Meriem Bennani, Matt Copson, Diego Marcon, Caroline Poggi & Jonathan Vinel, David Douard, P. Staff, Anne Imhof, Luca Guadagnino...

Shu Lea Cheang, Martin Herbert, Adelita Husni-Bey, Karimah Ashadu, Byung-Chul Han, Anthony Huberman, Sohrab Mohebbi...

Comprehensive documentation on 43 outstanding socially committed artistic projects over the past twenty years.

The first attempt at a philological reconstruction of the seminal exhibition Materializzazione del linguaggio, curated in 1978 by Mirella Bentivoglio within an edition of the Biennale di Venezia, and dedicated to the verbo-visual explorations of eighty international women artists.

Over 200 drawings and paintings to explore the visionary, obsessive, and hypnotic qualities of Jacopo Pagin's work.

The Dream Academy publication explores art education policy in Northern Norway, with the establishment of the Art Academy in Tromsø in 2007 as a pivot point.

A chorus of voices on notions of Black social life, public communion and humanities of the Indian Ocean.

The Forgive Us Our Trespasses Reader explores radical and emancipatory significations and fabulations of trespassing, turning towards practices that transgress and reshape the boundaries of, among other dimensions, currency, governance, religion, spirituality, language, and artificial intelligence.

Monograph based a project across multiple mediums, finding its primary reference in the Majnoon oil field of southern Iraq.

Contested Landscapes is dedicated to different rural regions—their landscapes, their producers, and their work. The paths of the family of the artist Sandra Schäfer and those of the famous German photographer August Sander cross in the Westerwald, a rural area in Germany shaped by farming and mining.

A rereading of Kurt Schwitters' Dada sound poetry by vocalist, singer and composer Anna Clementi and sound researcher, producer and multi-instrumentalist Thomas Stern (Mona Mur / Einstürzende Neubauten).

The Place of the Symbolic brings together Reiner Schürmann's essays on the nexus between art and politics.

A revelatory conversation that, grounded in lived experience, traces the racist structures of the discourse landscape and offers alternative ways of understanding solidarity.

Conceived as a catalogue and an artist's book, the publication offers a deeper insight into the eponymous 2022 exhibition staged at Indipendenza Roma, and explores tensions that can be generated between artworks and their surrounding architectural context, raising questions of taste, value, function and decoration.

Futuring Spaces of Possibility explores how contemporary art and architecture address urban, social and ecological challenges and create new possibilities for the future city. It invites urban theorists, curators, artists and architects to use Bruges, a UNESCO World Heritage Site, as a testbed for new spatial imaginaries.

An essay on historical thinking through an examination of the unstudied minor genre of the newspaper weather map.

Christina Kubisch's Stromsänger finds this legendary sound artist at the top of her game mixing electromagnetic wave recordings with a score for six voices, creating powerful results. Stromsänger is based on a collaboration with the Norwegian vocal ensemble Trondheim Voices and on a special experience while researching and recording electromagnetic waves in the city of Trondheim.

The first ever vinyl reissue of the seminal "New Music for Electronic and Recorded Media", from 1977, arguably the most important feminist statement in the history of experimental music, illuminating the work of Johanna M. Beyer, Annea Lockwood, Pauline Oliveros, Laurie Spiegel, Megan Robert, Ruth Anderson, and Laurie Anderson.

The first ever vinyl release to attend to James Tenney's legendary "Postal Pieces", marking the first ever appearance of five of the suite's works on vinyl, drawing upon recordings made in 2003, by the Amsterdam based ensemble, The Barton Workshop, under the direction of James Fulkerson.