Previously unreleased music by Otto Sidharta, pioneer of Indonesian electronic music, inspired by Indonesia's multifarious styles of traditional music.

Limited green vinyl version of the latest album by Iranian-American electronic music producer Sote is an all electronic affair, harmonically maximalist, predominantly symphonic-synthetic, requiring active listening.

This artist's book is the achievement of the Ka Kualmaku project conducted in 2018 during a residency of Marc Buchy in Colombia, in Lugar A Dudas, during which the artist began to learn Namtrik, said to be a disappearing language. The book restores this learning as a Namtrik-French language guide.

This comprehensive publication focuses on the artwork and activism of Helsinki-based visual artist and researcher of Swiss and Haitian heritage Sasha Huber.

Yves Klein may be one of the first European artists to have taken an explicit interest in Aboriginal visual art. This catalog offers a poetic and completely new approach to his work, placed in perspective with the works of twelve Aboriginal artists.

A new revised version of the notebook of the legendary American dancer, artist and choreographer Simone Forti in which she shares her poetry as well as her thoughts on dance, the body, writing, the state of the world.

The first monograph of Alice de Montparnasse, an instinctive photographer, mixing self-portraits on the razor's edge, concrete cityscapes, and portraits of intimates where dirt becomes a wonder. Alice de Montparnasse's work remains in the vein of the artistic life of her great-great cousin Kiki de Montparnasse.

Véronique Béland, Nicolas Darrot, Éléonore Geissler, Romain Pellas, Romain Sein, Stéphane Thidet, Keen Souhlal, Chloé Silbano...

First monograph.

The first two volumes of the series of publications by the collective Wages For Wages Against, acting for better work conditions in the visual arts and against all forms of discrimination.

Costumes, the second book of images produced from the plates in isdaT's old books collection, focuses on the representation of clothing and ornaments. With a 21st century perspective, the edition explores an exceptional public heritage.

1st time on vinyl for the Eno-produced ambient classic "The Sinking of the Titanic", Gavin Bryars' first major composition written between 1969 and 1972, inspired by the tragic event of the British passenger liner's cross-Atlantic maiden voyage.

A two-part musique concrète piece by Canedicoda (Ottaven) and Renato Grieco (kNN).

This first monograph on Swiss artist Louisa Gagliardi introduces her specific voice within the landscape of contemporary painting.

A multidisciplinary and polyphonic portrait of Kiwanga's practice and thinking.

A multidisciplinary and polyphonic portrait of Kiwanga's practice and thinking.

The Stoneware Jug is a collection of poem-comics by Stefan Lorenzutti (words) and John Porcellino (pictures), in which American comix legend Porcellino (King-Cat, Thoreau at Walden) "pours" the adapted poems into his pen-and-ink panels, as if into a handmade vessel. 

Sibyl's Mouths is the most recent in a series of publications by Pure Fiction, a writing and performance group with shifting members active since 2011.

An analysis of Caribbean film production.

Listening as a creative and critical force, relational capacity, philosophical, political and ecological proposition, and research method.

A sketch history of the 1980s American home-taping and electronic music scene through the career of sound artist, field recordist, percussionist, and visual artist Jeph Jerman.

Interviews with a group of pioneering artists' book publishers: Simon Cutts, Hansjörg Mayer, and Leif Eriksson.

Interviews with ten pioneering artists' book publishers: Simon Cutts, herman de vries, Michel Durand-Dessert, Leif Eriksson, Guy Jungblut, Yvon Lambert, Irmeline Lebeer-Hossmann, Hansjörg Mayer, Maurizio Nannucci, Maurizio Spatola.

Matthias Groebel's machine paintings from 1989 to 2001

This book explores, through the eyes of six young researchers, issues of normativity in architecture during the twentieth century, questioning the ability of architects to circumvent or even transgress them.

From Concrete to Liquid to Spoken Worlds to the Word explores the emancipation of language through historical and contemporary positions, from the earliest typographic and sound works of concrete poets to poetic experiments in the digital era, revealing the porosity between art and poetry.

The second volume of a new series of publications by the collective Wages For Wages Against, acting for better work conditions in the visual arts and against all forms of discrimination.

138 records of artist’s books, catalogues, posters, invitation cards and ephemera (with an essay by Jan Meissner).

Maurizio Nannucci's "auto(biblio)biography" (artist's book).

Claudia Comte's "autobiography" (artist's book).

The book begins with one single verse of poetry on "Abdallāh - The Slain" (Abdallāh al Qateel), a poet who was killed by the last thing he saw: the columns of the castle as palm trees. The rest of the book is footnotes on each word in this verse, and on the works of this poet, who only exists on the margins of the arabic literary canon.

The book begins with one single verse of poetry on "Abdallāh - The Slain" (Abdallāh al Qateel), a poet who was killed by the last thing he saw: the columns of the castle as palm trees. The rest of the book is footnotes on each word in this verse, and on the works of this poet, who only exists on the margins of the arabic literary canon.

The emancipatory pamphlet by a young feminist against the misogyny of the father of anarchism.

This publication features a selection of photographs by Lisetta Carmi, documenting the social transformations of Genoa during the 1960s. Carmi witnessed the economic boom of the city, but also its everyday life, including her famous photo series of transvestites which caused a scandal at the time (new edition).

Alice Anderson dialogues with the objects of the Fontevraud Museum of Modern Art, by placing her own works in the spaces of the permanent collections.

The reprint of a document containing the script of Skip Norman's film On Africa (1970).

Natascha Sadr Haghighian charts modes of strategic ignorance and recognition that operate in structural racism.

Morton Feldman's last composition, performed by dissonArt Ensemble.

The most accessible introduction to the life and work of James Lovelock (1919-2022), and a guide to address today's "polycrisis."

A new series of very large-format drawings, the ideal entry point into the world of Mad Meg.

Madhusree Dutta writes on hierarchy and exclusion in cinematic practices.

Madhusree Dutta writes on hierarchy and exclusion in cinematic practices.

A plunge into the colorful world of designer Laureline Galliot.

A sonic time capsule translating the web-based project joyfully-waiting.ch into a tactile medium.

This project is a musical composition that employs the technique of deriving and expanding upon the fragmentary. It is an investigation that is, in advance, lost in the midst of stories that come back again and again, told in disorder, illuminated from other angles or revealed by new links.

After a previous focus on questions of historiography and the archive, In Medias Res #2: Architecture in Motion continues Fluentum's ongoing investigation into the history of its grounds with a focus on its architecture and surrounding material culture, both past and present.