New monograph.

Anniversary special issue: a return on 25 years of reviews.

Dedicated to the manifestation of sisterhood in art from the 1970s until today, All Men Become Sisters focuses on art that resonated with feminist perspectives on work, production, and reproduction.

In this brilliant intergenerational dialogue curator Camila Marambio and Cecilia Vicuña, one of the most intriguing Indoamerican artists of our times, converse about mestizaje/miscenegation, ecological disaster, eroticism and decolonization in their multilingual, subversive and irreverent humorous slang.

Bringing together an important body of work produced between 1970 and the present, this publication analyzes historical and current issues of feminisms by proposing crossed perspectives on the field of art history and its oft-interrogated construction.

The catalogue of the Italian Pavilion at the 58th Venice Biennale investigates and develops the theme chosen by the curator Milovan Farronato for the exhibition: the labyrinth.

The portfolio of the exhibition at the Jeu de Paume – Château de Tours.

Haiku originated in New York City in 1964, when Beat Generation poet Diane di Prima gave West Coast assemblage artist George Herms a series of seasonal poems that would lead him to create a suite of woodcuts illustrating them.

The Santos Silva / Zetterberg / Lindwall trio's second album takes the musical creation a step further by adding live electronics for real time sound treatment to an unique conceptual approach to composition & improvisation rooted in both free jazz and contemporary classical music.

An eclectic musical journey through Latin American experimentalism.

This manual provides the current state of knowledge on the functioning of nature in an urban environment: its ecology.

This collection assembles key essays of Reiner Schürmann centering on the concepts of anarchy and the singularization to come. Setting out from the question of the status of practical philosophy at the end of metaphysics, these texts track the crucial role of Schürmann's engagement with the work of Michel Foucault between 1983 and 1991.

Surveying the causes championed by feminists in the post-internet era.

Black Zone Magick Chant is the newest moniker from French psych-drone artist Maxime Primault, who debuts on Shelter Press. Consisting of three longform compositions borne from what Primault describes as “a couple of very intense periods, in altered states of consciousness”, Voyage Sacrifice incorporates slowly unfurling drone, murky ambient passages and the reverb-heavy sounds of bells and pitch-shifted vocals.

Recording of a duo that used to perform only once a year at the Plouc festival in Fillols (France), with Pascal Comelade at the piano and toy-piano and the comic artist Alex Barbier singing, in drag, female realist songs from the 1920s.

An album of the electronic music duo whose pieces are composed to be played on the big mechanical organs of the Café des Orgues in Herzeele (Flanders).

Comprehensive documentation of the Portuguese artist's sculptural "Forests", including two interviews.

New monograph: a retrospective of Yan Pei-Ming's paintings and watercolors from 2006 to 2019, structured around the figure of disappearance and violence, and around the confrontation with the works of the masters of the past as well as with modern iconography, with essays by Franck Gautherot, David Liot, Xavier Douroux and Fabian Stech.

This publication brings together the communications material issued at Furkart, an ephemeral art laboratory opened every summer at the Furka Pass in the Swiss Alps between 1983 and 1996. These ephemera edited by Furkart founder Marc Hostettler are printed actual size and provide a chronological account of this unique adventure.

Retrospective monograph, 2007-2018.

The development of photography in its first years of existence: an history of the dissemination of photography as a form of documentation and an instrument of discovering and understanding the world and its people, through a wide selection of historic images taken in the Americas, Africa, the Middle East and Asia, between 1842 and 1896.

The book “Fragments”, designed by Lebanese artist Rayyane Tabet as an installation, coupled with a performance, is inspired by a family legend about Tabet's great-grand-father. The book accompanies an exhibition at the Kunstverein in Hamburg.

Alessandra Eramo's solo album Tracing South is a sonic enchantment through the use of extended vocal techniques, analog electronics and her hypnotic field recording of bagpipe (zampogna) during the Carnival rites in Southern Italy.

A collection of texts, interviews and testimonials about new teaching practices of design.

Eva-Maria Houben's music has somehow always been about perspective. These two new pieces, one for piano and one for organ, are once again prime examples.

A unique example of Amacher's late work.

A total alchemy between the texts declaimed by the New York poet Steve Dalachinsky and the loops subtly arranged by the experimental rock band The Snobs.

Two pieces of electroacoustic music and musique concrète, Music Promenade (1964-1969, permanent version for four stand-alone tape recorder) and Unheimlich Schön (made in 1971 in the studios of the Südwestfunk in Baden-Baden).

Three rare pieces by a composer best known for his work for the stage, dance and theater, a perfect introduction to the work of a fascinating figure of 20th century electroacoustic music.

Persona – Works by Romanian artists questions notions of identity and identification through traditional Romanian motifs, such as the mask. Eight contemporary artists explore how folklore is intrinsically linked to modernity.

A conversation, accompanied by an introduction by Andrea Soto Calderón, to better understand the crucial role that images occupy in Jacques Rancière's work, and how images are the site of imaginative and reconfiguring operations.

A children's book conceived by illustrator Adam Higton. It's small square size was inspired by the Pixi children's books and by the Nupuset series from Petomies.

Catalogue raisonné of paintings realized by Peter Halley between 1980 and 1989.

An exchange between artist Sterling Ruby and fashion designer Raf Simons.

The temporality of curatorial processes and research practices.

Dokoupil's Leopard Paintings.

The richly illustrated memoirs of 1960-1970s jet-set call-girl/muse Susi Wyss: In 800 pages and 1.000 photographs, this publication tells the sulfurous story of Wyss' first forty years. A true tale of sex, drugs, and rock'n'roll, in which the reader will meet a gallery of colorful socialites and artists like Helmut Newton, Kenneth Anger, Iggy Pop, Dennis Hopper, Brion Gysin…

A panorama of the different cultures that have succeeded each other on the territory of the Kingdom of Saudi Arabia from prehistory to the edge of the modern world.

During Spring 2015, Eamon Sprod (Tarab) and Eric La Casa spent one week to record on waste grounds, at the north east of Paris, and along the canal Ourcq. Spaces which are somehow both inside yet apart from the city; waiting spaces from which to listen to the threshold of the city.

Following Skins (1994) and Skins & Punks (2008), hailed as modern classics, Gavin Watson's new monograph is an intimate selection of photographs disrupts the notion of skinheads and council estate residents as problematic figures in an almost endearing manner while still preserving the subversive character of the cult of youth.