Issue 37 of Palais de Tokyo magazine addresses the relationships between mental health, contemporary creation, and art and culture venues, in particular through the prism of institutional psychotherapy, a set of practices aimed at disalienating institutions—initially psychiatric ones.

The result of a collaboration in the fields of architecture and photography, Glasraum explores the deliberate ambiguities embedded in a seemingly aloof approach to the construction of both space and image.

A visual, experimental research on the architectonic potential of the horizontal surface in building processes in the format of a folded manifesto. Drawings, images and texts by Jan Kinsbergen, Neven Kostic and David Klemmer.

The story/manifesto of an architect's life: a re-reading of Gilles Perraudin's career by himself, enabling us to retrace the path of a thought in perpetual motion.

Jesús María Aparicio Guisado expounds here his conception of architecture by exploring the notion of the wall in four major buildings through drawing and words.

An adventure book, written and drawn, by Luca Merlini that takes us closer to the creative process of the architect and the parallel that can be drawn with literature, highlighting the question of the book and its intimate relationship to architecture.

This collection does not propose a theory of architectural drawing, but brings together seven essays (written over the last fifteen years), which explore the potential of architectural drawing during the 20th century, through seven modes of representation: plan, section, arrow, grid, images, diagram, drawing.

A collection of texts, projects and images by the Parisian architecture studio on the subject of the highway, the most radical public space ever imagined, but also the most divisive and criticized today, questioning our relationship with modernity.

Twelve texts on as many architectural masterpieces: pursuing their project to disseminate the work and thought of Livio Vacchini, Caryatide publish a new edition in French of Capolavori, the small (and immense) milestone, full of meaning and poetry, that the architect from Ticino wrote in 2006 just before his death.

An architectural fiction that takes the form of a photo novel, born from the meeting between an author, Ugo Bienvenu, and the architects of the French Pavilion of the 18th International Architecture Biennale in Venice.

An in-depth study of Peter Märkli's work through an extensive body of 700 drawings by the Swiss architect, with eight essays.

The first collection of writings and speeches in French by Adriano Olivetti (1901-1960), an Italian entrepreneur and publisher who transformed his writing and calculating machine factory into a laboratory for experimenting with a new model of social, political, and cultural life: a model of "concrete utopia" based on the idea of community and centered on the individual, whose instruments of realization are architecture, urbanism, and design.

An iconographic work on the modern architecture of Abidjan which aims to offer a photographic survey of thirty buildings representative of the chosen moment of architecture that followed independence.

Voyages en Sardaigne (Travels in Sardinia) is a collection of unconventional thematic guides on the island in the middle of the Mediterranean. This first part proposes an itinerary through the mining landscapes of Sulcis-Iglesiente, exploring soil, excavations, incisions, mutations, transpositions and silence of this territory marked by an industrial history.

A reflection by the architects of Fagart & Fontana on the renewal of the city from within and more specifically on the processes of transformation and adaptation of existing collective housing to new needs and lifestyles.

The first French edition of the theoretical dialogue of the Italian architect and engraver Giovanni Battista Piranesi (1720-1778), one of the most radical texts in the history of modern architectural theory.

Through a careful reading and etymology of architectural treatises, from Vitruvius to Vittone, Bruno Queysanne reveals a little-known aspect of these "classical" texts, in which architects leave aside their learned and dogmatic rhetoric to give us pragmatic advice about the realization of the architectural work.

A reflection on asceticism in architecture.

The fourth issue of the critical review Dixit, in which the words of the architects Jan Kinsbergen and David Klemmer confront each other, in the format of a dichotomous visual atlas, around the theme of the process.

In this writing, French architect Bernard Quirot carries a reflection on his theoretical foundations and evokes, through his architectural journey, a critical vision of the increasing complexity of the world.

The third issue of the critical review Dixit in which the words of the architectural practice OFFICE Kersten Geers David Van Severen and the Brussels artist Richard Venlet confront each other around the theme of "Still Life".

A reflection on the relationship between architecture, art, philosophy and politics based on the house of Paros by Silvia Gmür and Livio Vacchini, a real "thinking machine" offering a lesson of architecture.

French edition of Valerio Olgiati's and Markus Breitschmid's widely acclaimed manifesto for a new approach in architecture in a world free of ideologies and, therefore, references: a must-read for anyone interested in architecture today.

First French translation of the essay of the Spanish architect José Ignacio Linazasoro.

In an age characterised by the increasing dematerialisation of cultural production and transmission, Database, Network, Interface explores architecture's historical role in representing and organising information and knowledge.

A portrait of the Belgian architecture office BAUKUNST founded by Adrien Verschuere.

Second issue of the critical magazine Dixit in which the words of the architect Yony Santos from the swiss architecture practice TYPICALOFFICE and of Marina Otero Verzier, director of research at Het Nieuwe Instituut (HNI), confront each other around the theme of “A Matter of Data”.

After the first two issues Mineral Pornography and Vegetal Trauma, the 3rd issue of Spectre invites contemporary artists to deliver their interpretation of contemporary ruins.

An anthology.

First publication of the essay of the Spanish architect Elisa Valero Ramos.

First French translation of the seminal essay on type in architecture by Spanish architect Carlos Martí Arís.

First English translation of the seminal essay on type in architecture by Spanish architect Carlos Martí Arís.

First issue of the critical magazine published by Cosa Mentale, in which the words of the architecture practice Bruther and of Laurent Stalder, professor of architecture history at ETH, confront each other around the theme of “hypercomfort.”

Architectural shape is the interface where form and meaning meet and communicate. In this perspective the research addresses the decoding of the shape of buildings, cities and landscapes.

It is a form of spiritual revolt that Spanish architect Carlos Martí Arís highlights through a transversal analysis of different artistic expressions that combine to enrich his reflection.

A rereading of the work of the Swiss architect.

It is a form of spiritual revolt that Spanish architect Carlos Martí Arís highlights through a transversal analysis of different artistic expressions that combine to enrich his reflection.

This unedited issue of Spectre invites contemporary artists to share their interpretation of vegetal trauma.

A collective photographic series focusing on the on the subject of agalmatophilia—the sexual attraction for statues.

This volume looks at a central aspect of Livio Vacchini's research: his drawings. The publication gives an overview of the Swiss architect's work with an unpublished selection of drawings—plans, cross sections, and facades. It also features an essay by architect Roberto Masiero.

A poetic exploration of the mechanisms of thought in the act of building.

Second issue of the theoretical journal of architecture, devoted to the Mediterranean area.

Conversations between Swiss architect Luigi Snozzi and the philosopher Fabio Merlini.

The first issue of Classeur, a theoretical journal of architecture.