First monograph.

The Canadian artist's second album features two immersive pieces that explore ideas of compositional drift: The Nonsuch is inspired by nocturnal hallucinations while In Praise of Blandness builds on sinologist François Jullien's concept of “blandness”.

Revised and expanded edition of the playful fanzine-manifesto for a rebellious art, presenting 66 more or less subversive artistic movements, to become a rebellious artist in less than a year...

Artist and teacher-researcher Marie Preston speaks with Nora Sternfeld and Julie Pellegrin about her practice as a crossroads for art, education and cooperative working.

A previously unreleased concert recording from 1983 by Das Moabiter Duo (Sven-Åke Johansson and Thomas Kapielski). An eclectic improvisation associating drums, electronics and concrete music, offering a snapshot of the experimental Berlin scene of the 1980s.

An anthology of texts on contemporary art during the second decade of the twenty-first century.

Olivier Mosset's reference monograph offers a complete panorama of the work of one of the central figures in post-war abstract painting, and a pivotal reference for generations of European and American painters, covering six decades of practice, from the first experiments to the monumental recent works.

A transdisciplinary discussion on the influence of computer-based technologies on the conditions of biological research.

Co-editors: Nicolas Maigret and Maria Roszkowska, intervioews with Špela Petrič, Tega Brain, Joyce Hinterding, Kat Austen, Thomas Thwaites, Melle Smets; The Sound of Disappearance and The Sonic Sublime; reports of ISEA 2019 Lux Aeterna, 58th Venice Biennale and Liechtenstein Brunch, 18th Media Art Biennale WRO “Human Aspect”.

How can we today situate the artist or, more broadly, the act of creation using artificial intelligence?

Frédéric Acquaviva's new record—A QR code record without record limited to 100 copies: a 69 minutes opera for voices (with Joël Hubaut, who also wrote the text, Dorothy Iannone and Loré Lixenberg), dead electronics and video.

A story, between myth and reality, of Caravaggio, by parodic artist Arnaud Labelle-Rojoux.

Limited edition, numbered from 1 to 20, with an original artwork signed by the artist.

Stemming from the Master Fine Arts at the Zurich University of the Arts, this publication promotes the art school as a place for pedagogical, civic and political implications.

Conceived for the 12th Edition of the Bamako Encounters this book captures thoughts and responses of writers, poets, and artists to the curators' proposition to think the practice of photography in Africa and its diaspora through the notion of the “stream of consciousness.”

Retrospective monograph.

Catalogue conceived for the 12th Edition of the Bamako Encounters, the principal event dedicated to contemporary photography and new imagery in Africa.

Vast cross-composition by Jean-Yves Bosseur and Benjamin Bondonneau created for the Bordeaux ensemble le Un. A wild thought towards Claude Lévi-Strauss and his notion of "bricolage".

The research and series of exhibitions that this publication grew out of, is part of an ongoing project exploring the significant work of individuals, collectives and institutions in the field of alternative art and publishing practices, past and present.

A wide-ranging collection of texts on contemporary painting, by one of its most finest observer today.

The new issue of the magazine dedicated to drawing, with height long-length interviews with Linus Bill, Adrien Horni & Joseph Allen Shea, Acacio Ortas, Olivier Lebrun, Éditions Peinture around Saeio, Hélène Bertin, Étienne Périn, Son Ni, Daniel Dewar & Grégory Gicquel.

Diaphanes #8/9 looks into curious loops of reproduced present, the integral of circular I-effects, the other side of the social Möbius strip. Is the self nothing but an echo? An effect without cause? The human being a message, an autoreply in the jargon of social-memes? Who or what massages the backchannel so astoundingly self-similarly, like an invisible hand?

This issue proposes to examine some of the points of contact between music and hacking.

This new album by the American cellist offers an appreciation of her talents as both a composer and performer, in a unique and elegant style reflecting her many inspirations, from baroque music to Americana and experimental music.

Artist's book.

A 4-hour work recorded at Steamroom (composer's studio) between 2017 and 2018: a hypnotic, multi-faceted, labyrinthine piece which flows as slowly as a river while speeding back through memory, and shows all the talent of Jim O'Rourke.

A collection of colorful paintings inspired by science fiction and classical Antiquity. A prequel to the artist's ongoing Megalith series of publications that acts as a PH sample of his broader painting, collage, and print studio practice.

A platform for discussions between some of today's leading artists, writers, theorists, curators, and historians aimed at questioning the very status of photography today.

A platform for discussions between some of today's leading artists, writers, theorists, curators, and historians aimed at questioning the very status of photography today.

Reference monograph on the singularly radical work of Michel Parmentier—an important addition to the history of painting in the second half of the 20th century.

The seminal tale of Iannone's advocacy for sexual liberation.

The complete writings of an influential figure.

A very subjective and alternative cartography of Luxembourg (a social design, publishing and bottom-up creation project led by Dutch graphic designer Annelys Devet).

Res·o·nant documents the namesake light and sound installation created by conceptual artist Mischa Kuball for the Jewish Museum Berlin. The catalogue comprises contributions by a prestigious ensemble of international thinkers, artists, and writers.

The sixth issue of the magazine for visual and experimental poetry and works inspired by Dada and Fluxus, directed by Jean-François Bory.

The fourth issue of Blank Forms' journal: a kaleidoscopic view of the last fifty years of experimental art and music in the United States and beyond, mining the conceptual, technical, historical, or otherwise marginal details undergirding artists' lives, ideas, and approaches that may otherwise remain buried.

A conversation between painter Pierre Soulages and prehistorian Michel Lorblanchet about parietal art and the origins of art.

This publication reflects upon the exhibition of Stefan Brüggemann's nihilist statements read, sung, and screamed by Punk icon Iggy Pop, sculpting aurally the spaces of a seemingly empty gallery covered in densely painted black paneling paintings.

Pati Hill, Greer Lankton, Lil Picard, Bern Porter, Tomás Cunha Ferreira, Alexandre Estrela, Wade Guyton, Seth Price & Kelley Walker, Merlin James, Carlo Pittore, Anne Turyn, Martin Wong...

For its 50th release, Black Truffle presents the 9th album from one of the label's core ensembles, the power trio of Keiji Haino, Jim O'Rourke and Oren Ambarchi.

The new edition of Marcia Resnick's 1978 iconic book.

44 international artists deliver their vision of the fire of Notre-Dame de Paris.

Art in the Borda psychiatric hospital in Buenos Aires; in the ruins of the Soviet industrial dream in Georgia; the young Martinique artistic scene; Milo Rau and the NTGent theater; La Ribot; Mati Diop; Camille Blatrix; Clément Cogitore; Fanny Taillandier; Baptiste Lanaspeze and Éditions Wildproject...

Jean Laude's writings on art.

Accattone #6 explores a renewed relationship with land, matter, “nature” and localities against the backdrop of the new climatic regime.

An idiosyncratic investigation of curatorial practice.

Diaphanes is conjuring the ghosts of the avant-garde for its Summer 2019 double issue, including a 80-page insert with 155 photos by Antoine d'Agata and an essay by Mehdi Belhaj Kacem.

Fanzine / artist's book.

The second issue of Le Consortium's magazine, documenting L'Almanach 18, as well as the two previous editions of this biennale exhibition.