This small monograph follows the set-up of Robert Barry's artistic programs within the corporate spaces of a bank and the ways he conceived simultaneously his site-specificity and his break away from this framework.

An overview of the Californian art scene from 1990 to the present.

Various documentary approaches of Tadashi Kawamata's work, unpublished films of the artist and archives.

Numbered box set (1-100), with two silkscreens of original drawings by Japanese artist.

First retrospective monograph devoted to the Swiss artist, famous for her soft sculptures and latex molds of architectural fragments or whole spaces.

Exhibition catalogue (Louise Bourgeois, Marlene Dumas, Jim Shaw, Marcel Dzama, Bjarne Melgaard).

Catalog of one of the most important private collections of contemporary art.

The first monograph devoted to these two young American artists.

Humour as a strategy in art, from Dada to Fluxus and contemporary conceptual art.

The first opus in the story of the "paintless painter"'s clandestine pictorial actions.

In Hurting Horses, the artist uses a distinct literary style from one chapter to another, from autobiography to historical essay, from satirical parody to the fantastic, from letter to fiction, from detailed report to visionary daydream. These masterly pieces of literature are haunted by the great American foundation myths and establish a series of crucial links from myth to history, from history to art, from art to nature.

Projects, texts, drawings, photos and interviews.

A dance-theater project initiated by the German artist Antje Majewski in collaboration with the author Ingo Niermann, in a record-size album, featuring the electronic music commissioned for the piece.

Contemporary art French festival catalogue (with Franz Ackermann, Fred Tomaselli, Chloe Piene, David Reed, Siobhan Hapaska, James Rosenquist, Franz West, Jennifer Steinkamp, Jean-Pierre Bertrand, Gerhard Merz, Cindy Sherman, Stephane Calais, Jake & Dinos Chapman, Sigmar Polke, Daniel Schlier, Ger Van Elk, Alice Anderson...).

An inventory of the best products developed within one of the leading European art schools, the Ecole cantonale d'art de Lausanne.

A collection of over 120 propaganda leaflets that have been dropped by the US Army on Afghanistan and Iraq.

When the personal becomes political.

The Swiss Pavilion at World Expo 2005 in Aichi (Japan) in words and images.

First monograph of the futuristic artist / film-maker / documentarist.

First monograph of the artist, presenting her figures of unfired clay, which grotesquely exaggerate the characteristic traits and trademarks of female sexuality.

Extensive monograph with serigraphs.

Mapping collaboration in Swiss art.

John Armleder's book focuses on the origins of his playful use of multiple styles and devaluated decorative effects for a practice claiming to be anchored in the 20th century avant-gardes.

This small monograph follows the set-up of Daniel Buren's artistic programs within the corporate spaces of a bank and the ways he conceived simultaneously his site-specificity and his break away from this framework.

With Shahrzads newest publication, the focus is on the mise-en-scene of contemporary historiography in today's Euroamerica.

The book concentrates on spatial concepts in contemporary painting.

An attempt to make out the backgrounds leading to a turn towards documentation in art.

Turkish: A Dictionary of Delights is a sui generis work and lexical tour de force which uses the dictionary genre to inject polemic into certain forbidden discourses that are currently suppressed both within and around the subjects of Turkish language, politics, sexuality and history, making the book extremely timely in light of contemporary debates around the question of Turkey's entry into the EU. It also introduces the Turkish universe in all its intimacy from the perspective of a personal "Wirkungsgeschichte". The “definitions” are presented with a sense of wit and political incorrectness that one doesn't usually associate with sacred Ottoman subjects such as the hamman and revered political icons such as Ataturk. This explains why initial shipments of the book sent to Istanbul were refused by postal authorities, ironically contributing to the cult status the book quickly acquired in artistic circles of Istanbul, where the book can only be purchased “under the counter” at certain galleries. The authorship and origin of "Turkish: A Dictionary of Delights" are a subject of considerable speculation. There is some question as to whether the dictionary's putative author, Adnan Onart, even exists. The editor is Roger Conover, the well-known art publisher and secret author of a number of books which have been appearing over the years in such hidden contexts and limited print runs that they exist almost more as rumours than publications.

First monograph of the activist-artist.

First monograph of the artist "hacking" the video game imagery..

This small monograph shows the realization of Liam Gillick's designs in conference rooms, corridors, and offices of a bank, coinciding with his sustained interest in the negotiation of a middle ground between corporate culture and contemporary art. The volume is accompanied by an artist's essay discussing the dissolution of the public/private dichotomy into a grey zone of semi-public/semi-private spheres.

Mike Kelley's major interviews and critical essays.

Three interviews with the President for life of the Ouest-Lumière Company.

An assemblage of photographs taken from distinct series. The tensions and correspondences resulting from the editorial choices broaden the scope of images (artist's book).

A selection of photos of the town where lives the artist Francis Alÿs.

A re-edition of the original cult book of well known Swiss photographer.

Conceived by the artist, this book gathers unpublished manuscripts, well-known as well as unshown works from his personal collection, erotic cartoons, fan's photographs, photographs of “white trash” suburbs and studio shots.

A monograph that imitates a jewelry catalogue, dedicated to Kelley's most recent body of works.

John Armleder's 404 Team yellow pages.

An exploration of the body in contemporary culture (artist's book / collection of texts).

A complete documentation on the artist's project at the Whitechapel Art Gallery, London.

DVD-book including all the exhibition films and discussions of 3 workshops at the 2004 International Biennale in Venice, on the theme of sustainable development and urban metamorphoses (a programme of about 2h).

Art and glamour as spaces for transformation of the self.

An anthology of the artist's important essays, published between 1978 and today in the pages of Artforum, Flash Art and Lawson's own magazine Real Life.

The 1990s in eleven "Date Paintings" As one of the most important Conceptual artists, On Kawara features in most of the surveys on post-war art. This book, conceived in close collaboration with On Kawara himself, takes a very intimate form in comparison to many monographs published recently. This seems an appropriate manner in which to discover eleven paintings created over a decade, letting the viewer complete their reading with personal associations, historical events, or academic interpretations. “Perhaps,” writes Thierry Davila in his text, “art is simply a particular way of taking time … So the work, the on-going creation is essentially a question of using time … ” Seen from this perspective On Kawara has invented a simple and striking way to make art, by taking time, taking his time. He found a way to use the calendar to make a kind of “non-individual” art work. In his Date Paintings, time itself has become a piece of art. The work is pure realism, the existence of time put in painting, thus rendering it—up to a certain point—viewable and readable.

First monograph.

First monograph on Irish artist.

Original invitation cards of the independent contemporary art space based in the cultural alternative center Usine in Geneva.

Fully illustrated monograph, with three essays and a chronology.

Documentation of the O-ist religion created by Shaw.