An analysis of new collaborative artistic practices interconnecting artists, designers, graphic designers, architects and researchers with different social and economic backgrounds, outside the strict boundaries of the art world.

A list of titles for exhibitions available free of charge from the artist (artist's book).

The catalogue of Metzger's first extensive overview: divided into sections—each of which is accompanied by a critical text—corresponding to those presented in the exhibition, the publication provides systematic insight into an artistic oeuvre considered as one of the most important in the 20th century (with texts by Mathieu Copeland, Hans Ulrich Obrist, Yoko Ono, Hermann Nitsch…).

Part monograph, part artist's book, a publication accompanying Ulla von Brandenburg's eponymous video work—a “danced film” dedicated to color.

An examination by artists, publishers, and scholars of recent publishing concepts emerging from the experimental literature and art scene.

A hybrid publication beween a catalogue and an artist's book, articulated on two different registers: a flip-book consisting of the frames of the two videos shown in the exhibition at MAXXI, published on all of the right pages in the book; and a section of critical texts and images documenting the exhibition, on the left.

First monograph.

New monograph.

This exhibition catalogue dedicated to Croatian artist Ivan Picelj provides a much needed closer look at the international neo-avantgardes of programmed art, taking a critically systematic approach to the investigation currently underway.

A compilation of insightful, first-hand accounts of art making, art criticism, and exhibition organizing from the early-1970s to the present.

Poet Harry Burke recounts an extreme and barely legal experiment led by artist Raphael Hefti in a mountain village in Switzerland in 2008 (artist's book).

The group exhibition “Fugitive Volumes” at Mohammed VI museum of Modern and Contemporary Art in Rabat presents three generations of artists trained at the Tetouan Institut National des Beaux-Arts, and in particular those who have flourished since the 1980s in the orbit of the artist-teacher Faouzi Laatiris, creator of the Volume and Installation workshop at the INBA in 1993. Beyond the documentation on the exhibition, this publication offers a critical and comprehensive archive on the “Ecole de Tetouan” and the history of a contemporary art in Morocco.

A series of interviews with contemporary poets to understand a practice which seems today more incongruous than ever.

This issue explores contemporary archetypes—the microcelebrity, the one-percenter, the refugee, the feminist, the sleeper, the saviour, and the thief—who likewise occupy a position between hyper- and invisibility within the social space.

This catalogue brings together all support materials from Frac Franche-Comté's collective exhibition “Légende*” which focuses on the building of narratives and paratextuality in contemporary art. An “Erratum” brochure to be published at the exhibition's closure will complete this edition.

Bringing together their shared and ongoing engagement with artistic practices from Latin America, Jens Hoffmann and Pablo León de la Barra have assembled one of the most significant contemporary survey's of recent art from the region.

A significant intervention into recent debates on the place of literature and writing in the context of contemporary art. Featuring essays on the highs and lows of the conceptual turn in poetics, avant-garde literary genealogies, and monographic pieces on Paul B. Preciado, Chris Kraus, and Pierre Guyotat, among others, Brutalist Readings explores the radical histories of writing, as well as its potential now.

This volume documents a series of site-specific works by four artists looking at existence from an abstractionist point of view.

Caroline Sury's latest work: a series of phantasmagoric shadows cut out of black paper in a very refined mirror game.

Crisis Fashion by Daniel Horn / Mikael Brkic in conversation with DIS / Vêtements Fall-Winter 2016: Panel Discussion / The Modern Naked King by Taque Hirakawa / Women's History Museum / Stefan Kalmár / Bless in conversation with Anja Aronowsky Cronberg and Heinz Peter Knes / The Street by Tobias Kaspar & Tobi Maier / Interview with Kaspar Müller by Peter Fischli / On the Wardrobe of the Countess Greffulhe / Post-Hummannerism / Eric Sidner and Ryan Siegan Smith by Eric Bell / Mathieu Malouf by George Egerton-Waburton / Julia Moritz on Crystal Moselle's film The Wolfpack / Limited Editions: Julien Ceccaldi, Antek Walczak and Danny McDonald.

Hélène Frappat, Phia Ménard, Yasmine Hugonnet, the Syrian conflict onstage, urban psychoanalysis, interviews with Laurent de Sutter and Antoine d'Agata, when artists become filmmakers, British musical duo Autechre…

Andreas Tschersich's photographic portraits of peripheral areas around the globe capture the uniformity of these transitional spaces that form the hidden face of urbanity.

A photographic attempt to capture the elusive nature of the Californian landscape.

This artist's book presents a series of polaroids taken from inside a moving car's trunk portraying a dream-like sunbathed Los Angeles landscape, or indeed, an image that is now firmly imprinted in the collective imagination—asphalt, cars and palm trees silhouetted against expansive skies.

Retrospective monograph on all Beckman's video works since the 1970s.

This book centers around the apple as an art object and as a case study in biodiversity under threat.

The second issue features contributions by a range of authors from different fields such as art criticism, investigative journalism, postcapitalist economics, accelerationist philosophy and transhumanist theory. Featuring: Kenny Schachter, Linda Yablonsky, Michael Gross, Paul Mason, Natasha Vita-More, Armen Avanessian, Joseph Walsh, Casey Jane Ellison and Christian Haye.

Bomb's Summer Issue: interviews with Lawrence Paul Yuxweluptun, Wadada Leo Smith, Dmitry Krymov, Patricia Treib, Lee Clay Johnson, Jesse Ball & Catherine Lacey, Jason Simon, Vince Staples, “artists on artists” section with Frederick Terna by Stephen Westfall, Brandan “Bmike” Odums by Zachary Lazar, Rebecca Smith by John Newman, David Brody by Elliott Green, portfolio by Steel Stillman, fiction and poetry, exhibitions and books' reviews…

Sol Carelo, Johannes Cladders' anti-museum, Dominique Gonzalez-Foerster by Jean-Max Colard, conversations with James Bridle, Alex Israel, Philipp Timischl, Rodrigo Hernández, and ÅYR, the sensorial motifs of Anicka Yi's work, Kevin Beasley, visual project by Amy Yao, emerging artists Debora Delmar Corp., Juliana Huxtable, Sophie Jung, Nancy Lupo…

Special issue featuring an original collection of 24 short literary works by visual artists and writers—in addition to the usual contents.

Issue 32 of the first biannual magazine thoroughly devoted to international contemporary artists' writings, including original texts by Julius Von Bismarck, Adrien Tirtiaux, Mayumi Kimura, Camille Henrot & Maria Loboda, Oier Etxeberria, and Mariana Castillo Deball.

Ten texts on the architecture of displacement set to music and sung by Albanian iso-polyphonic singers—commissioned for the Albanian Pavilion at the 15th Venice Biennale of Architecture (songs based on texts by Etel Adnan, Mourid Barghouti, Michel Butor, Claire Fontaine, Yona Friedman, Anri Sala, Michael Taussig, Yanis Varoufakis, Ornela Vorpsi, and Finn Williams).

6th issue of the art and research magazine is dedicated to Nathalie du Pasquier.

The graphic tabloïd's brand new issue—for the first time in full color.

New monograph.

Ieva Misevičiūtė, prosthetics and sculpture, Anne Imhof, native North America, outsider aesthetics, New Scenario, a special section on artists curating exhibitions, Ronald Jones, Gary Indiana, Willa Nasatir, Ragna Bley, Noah Barker, Isiah Medina, the year 1972, relational ontologies, Geoffrey Farmer and Dora García, the emergence of the “Supergroup,” Cecilia Bengolea and François Chaignaud, radical domesticity: Morag Keil and Georgie Nettell, an essay on dress-up…

An acoustic-phonetic approach of book's corporeality in 38 tracks.

Theatrical rendition of an experimental international symposium centered around the topic of “presence” in arts, humanities and social sciences at Cabaret Voltaire.

Interviews with Steve Lacy, Guillaume Belhomme, Zëro and Jérôme Poret, a new section dedicated to sound arts studies, the practice of phonography, Henry Flynt, Steve Dalachinsky: a portrait…

Addressing fifteen years—from 1999 to 2014—of André Guedes's artistic practice, this monograph also proves to be the medium of a reflexion on anthological exhibitions.

This catalogue examines the role of the Museion Bolzano in the urban environment of Bolzano city in Italy by looking back at the museum's history and mission from the perspective of artists in all disciplines: architects, filmmakers, performers, musicians, composers, etc. These are joined by a number of major historical works that have inspired the exhibition throughout its conception and helped our understanding of museographic history.

Uniting the artist with two scholars of the Medieval Mediterranean, John Lansdowne and Christopher MacEvitt, this volume illustrates the movement of objects, images, people and places between Palestine and Italy.

Helge Mooshammer and Peter Mörtenböck analyze the networked spaces of global informal markets, the cultural frontiers of speculative investments, and recent urban protests, and discuss crucial shifts in the process of collective articulation within today's “crowd economy.”

Alexandre St-Onge pragmatically captures the ungraspable and hermetic sounds that emerge through the creative process.

A reader examining the curatorial approaches of New Institutionalism—which emerged in the 1990s to reshape the art institution into a more democratic and egalitarian public sphere.

A series of seven silk-screen prints depicting close-up images of Antunes's sculptures inspired by the works of Anni Albers and Lina Bo Bardi (artist's edition).

Recordings from Riehn's student years, including two versions of the composer's electronic translation of Lautreamont's masterpiece.

A comprehensive monograph, including preparatory documents and two essays by Jens Hoffmann and Alessandro Rabottini to better understand the delicate paintings of Dutch artist Maaike Schoorel.

Comprehensive catalogue focusing on the ongoing series of monolithic stone figures the artist has been modelling since 2013.

The artist's own archive of phantasmagoria: a unique collection of objects and ephemera relating to magic, the paranormal, occultism, pseudoscience, technology as well as their cultural and media portrayals (new edition).