Seven films on the architecture of the Centre de création contemporaine Olivier Debré in Tours and on the exhibitions that have marked its recent history.

Autobiography by Jonathan Monk is the first attempt of display of the artist's collection of "Crackers" copies by Ed Ruscha.

A conversation between acclaimed Syrian artist Fateh Moudaress (1922-1999) and Arab poet Adonis, finally translated from Arabic to English, with 30 never seen before paintings and drawings by Fateh Moudaress.

A renewed approach to the history of sculpture and post-minimalism, based on the Royden Rabinowitch collection at MAMCO.

A multifaceted view of an artist who is interested in both larger global politics, and intimate, domestic spaces and the inner psyches of individuals under duress.

A singular history of cultural encounters between Italy and Denmark.

An extensive and comprehensive polyphonic exploration of the work of The Otolith Group.

A rereading of Tatiana Trouvé's work based on her drawing practice.

A series of in situ improvisations on Mount Tamborine in Australia.

An excerpt from the Album of a Pessimist by the suicidal writer Alphonse Rabbe, whose exaltation and licentiousness were made for Nurse With Wound, who musically accompanies the text.

A hybrid edition (a vinyl record with a newspaper and an insert) extending the artist's research on the links between sound, architecture and the history of spiritism.

The partitions, to be activated by the reader, by Garance Dor, Diane Giorgis, Joël Hubaut, Alexandre Koutchevsky, Daniel Larrieu, Saïdo Lehlouh & Johanna Faye, Vincent Menu, Cécile Mainardi, Malte Martin, Delphine Perret, Pauline Picot, Aziyadé Baudoin-Talec.

Reevaluating the scholarly knowledge about Dada and its legacy, this publication reconstructs how Dada was (re)invented in the 1950s and the 1960s, especially by the Dada protagonists themselves, and asks to what extent Dada's impulses are still relevant regarding current aesthetic, literary and cultural analyses.

The complex architectures of the new “memory palaces”, from libraries, archives and museums to the IT structures, databases and server farms that feed the flow of data on the network.

Spike's "Web3" issue is all about the blockchain (with Holly Herndon, Rhea Myers, Charles Broskoski, Constant Dullaart, Jerry Gogosian, Ruth Catlow, María Paula Fernández, Wassim Z. Alsindi, Damien Hirst, Miao Ying, Harm van den Dorpel, Sarah Friend, Kenny Schachter, Mónica Belevan, Rafaël Rozendaal, Toby Shorin, Mark Alizart, Primavera De Filippi, Elie Ayache, Simon Denny...).

Space in the feminine.

Finding a future desert without deserting the future.

Beautiful reissue of the 2000 album on FBWL, guitar ballads about Day, Evening, Night and Dawn, a major album in the discography of Loren Connors, which he considers his most personal record. Remastered in 2014 by Taylor Deupree at 12k.

The complete works of one of the pioneers of Belgian early electronics.

This collective publication is a singular invitation to discover or deepen the universe of Tabita Rezaire, at the intersection of new technologies, decolonial healing, spirituality and the political history of science. Through numerous contributions from poets, theorists, artists and her friends and relatives, she invokes the wisdom of the womb: the mother womb, the earth womb, the cosmic womb, for us to receive its grace.

A visionary analysis of what Terry Smith identifies as the "visual arts exhibitionary complex."

The second issue of the editorial discursive space for the Bergen Assembly triennial, conceived by Saâdane Afif, is dedicated to the manifold figure of the Moped Rider, which is approached differently by the seven contributors.

A series of new semi-abstract oil paintings by the American artist.

Three pieces for speaking pianist by the American avant-garde musician, politically committed composer and virtuoso pianist Frederic Rzewski (1938-2021), performed by Stephane Ginsburgh (for whom two of the pieces were composed).

French edition of Valerio Olgiati's and Markus Breitschmid's widely acclaimed manifesto for a new approach in architecture in a world free of ideologies and, therefore, references: a must-read for anyone interested in architecture today.

An essay on the climate crisis by Erri De Luca.

Two pieces based on Milan Knízak's canonical text Aktual University, dating from 1967, containing ten short lectures outlining the university's character—On Conflict, On Dreams, On Revolutions, On Love, On Belief, On Art, etc. These lectures were to serve as inspirational schemes for lectures, seminars and discussions held at an ideal university.

ORLAN hybridizes fragments of her face with portraits of Dora Maar, Picasso's companion.

Peter Piller's peripheral excursions around Bremen.

A long form composition of six movements from Maurice Louca, with the Lebanese improvisational group A Trio, featuring Anthea Caddy, Khaled Yassine, and Christina Kazaryan, between Arabic music and psychedelic folk.

The architectural proposals of Gordon Matta-Clark.

An anthology of the theoretical and critical texts on experimental cinema and moving images written by Yann Beauvais in parallel with his films and his activities as programmer and curator.

A sound creation based on the texts and voice of Giampiero Cane performed by himself and manipulated by the composer Daniela Cattivelli, who electronically projected them into a chaotic flow.

A long form composition of six movements from Maurice Louca, with the Lebanese improvisational group A Trio, featuring Anthea Caddy, Khaled Yassine, and Christina Kazaryan, between Arabic music and psychedelic folk.

Jong Won Rhee's photographs of scenes of contemporary everyday life in South Korea.

Giovanna Silva paints a sinuous, compulsive, dizzying and poetic portrait of the city of Milan through several hundred series of detailed photographs of modern and contemporary building facades.

A book-exhibition that brings together the practice of three artists from the contemporary publishing scene around the figure of Mary Ellen Solt (1920-2007), an American artist whose works of concrete poetry enter into graphic and conceptual resonance with the three artists' own publications.

The redefinition of the medium through the interrelation between contemporary art and cinema.

Bringing together contributions from North America, France and Italy, texts by dancers and texts by historians, anthropologists and philosophers of dance, this book offers a contemporary look at Contact Improvisation, the dance form created by Steve Paxton (1939-2024) in 1972 and which is celebrating its 50th anniversary.

Contemporary poetry in Arabic: Lamis Saïdi; Pascale Criton; homage to Peter Rehberg by Jérôme Noetinger; Romain Perrot aka Vomir; Michel Doneda; Wuppertal festival / Peter Brötzmann; Yosuke Yamashita interviewed by Michel Henritzi; 45 album reviews...

The first curatorial project dedicated to Post-Performance Video with a special look at the works of four artists working in Los Angeles or having trained in this city: Coleman Collins, Rodney McMillian, Nathaniel Mellors, and Anna Wittenberg.

Catalogue.

Histories Read Across, Fluentum's inaugural issue that opens the publication series In Media Res, examines how (his-)stories are told, narratives are conceived, and knowledge is produced.

Training for the Future is a training camp where audiences are turned into trainees to "pre-enact" alternative scenarios and reclaim the means of production of the future. This handbook gathers training manuals, interviews, and documentation of the various training camps that took place from 2018 to 2021.

Art and the economics of the digital age.

Various approaches (historical, philosophical, psychoanalytical, but also artistic) on the experience of confinement, from incarceration to sanitary lockdown.

The first issue of the annual journal dedicated to science-art dialogue.

Thomas Crow on Billy Apple; Allen Ruppersberg on Margo Leavin; Amy Taubin on Apichatpong Weerasethakul; Anna Shechtman and D. A. Miller on Pedro Almodóvar; Michael Lobel on Romare Bearden in the 1930s; Patric Dicaprio shares his Top Ten; Daniel Marcus on Hannah Wilke; Mostafa Heddaya on art and comparison; Devan Díaz on Drake Carr; Four contributors take stock of "Jasper Johns: Mind/Mirror"...

Over the last four decades, American artist and filmmaker Peggy Ahwesh has forged a distinctive moving image practice in the ruins of originality and authority. With contributions from Erika Balsom, Elena Gorfinkel, Tendai Mutambu, John David Rhodes and Shola von Rheinold, Peggy Ahwesh: Vision Machines explores how she has extended and contested the paradigm of experimental cinema.

This volume presents Laura Aldridge's recent and older works, and features an interview and three original essays about her practice.