Both a journal and a photographic report, this publication documents Luca Vitone's travel from Italy to India, in the footsteps of the first Roma migrations between the eighth and fourteenth centuries.

Reference monograph on the singularly radical work of Michel Parmentier—an important addition to the history of painting in the second half of the 20th century.

The first comprehensive publication of the Swedish polymath Catherine Christer Hennix's written work in a two-volume set.

The first part of a larger novel in several episodes: a text about the perception of time and how some places mark people's minds.

The development of the ideology of transparency within aesthetic modernity and the importance of being able to circumvent it.

A transdisciplinary study that sheds new light on the birth of modern architecture in France through its relations with the printed text, vector of the diffusion of the architectural ideal at the scale of the nation, and the emergence of the public sphere between the end of the 17th century and the French Revolution.

An anthology.

A experimental journey looking back over the work of interlocution between individuals based on artworks with a specific link to certain places.

A retrospective of the work of one of the first artist-run spaces in Paris, offering an overall reflection on the emerging conditions of independent and collective spaces, and the way they have impacted the institutional and art scene.

A closer reading of the late poetry of Jean Hans Arp (1886-1966), major figure of the Dada movement in Zurich, a friend of the surrealists, painter, sculptor, also author of an important bilingual poetic work, which covers more than half a century of creation (with a choice of poems previously unpublished).

The French musician, poet, and visual artist blends cut-up poetry, ASMR, Satie, Ravel and Debussy, on her new album.

This book traces Jennifer Caubet's work during her residency at the Centre International de Recherche sur le Verre et les Arts plastiques (Cirva), from 2017 to 2019.

A face to face between the great works of Gustave Courbet and new paintings by contemporary artist Yan Pei-Ming, specially created for the bicentenary of the birth of Courbet.

The French musician, poet, and visual artist blends cut-up poetry, ASMR, Satie, Ravel and Debussy, on her new album.

Magic Centre revolves around the Indonesian publishing company of the same name, which was mostly active in the 1960s. It serves the artist as a lens through which he examines the social and political changes that reshaped his country during the years Magic Centre was in business.

The fifth issue of the magazine for visual and experimental poetry and works inspired by Dada and Fluxus, directed by Jean-François Bory.

First monograph.

This catalogue documents Claudia Comte's project for the 2016 edition of the Printemps de september, based on a selection of 600 parts from the aeronautics industry.

Art, destruction and creation.

Conceived around an anthropology of the object, this book proposes to follow the course of royal objects of Abomey, former capital of the pre-colonial Kingdom of Dahomey (in present-day Benin).

As part of the 2016 edition of the Printemps de septembre, British artist David Shrigley designed a tailor-made project for the Institut supérieur des arts de Toulouse by providing all the elements needed to organise a music festival.

New monograph: a retrospective of Yan Pei-Ming's paintings and watercolors from 2006 to 2019, structured around the figure of disappearance and violence, and around the confrontation with the works of the masters of the past as well as with modern iconography, with essays by Franck Gautherot, David Liot, Xavier Douroux and Fabian Stech.

This book is part of a research project conducted at ECAL that takes a critical look at standards in the field of offset printing. One will find here a collection of texts and images related to colour printing which recount histories, at times unknown, others forgotten, or else, for some, never told.

A children's book conceived by illustrator Adam Higton. It's small square size was inspired by the Pixi children's books and by the Nupuset series from Petomies.

John Armleder, Fluxus and the Ecart group.

The historical-memorial narrative in comics, from Art Spiegelman to Marjane Satrapi, as a new form of representation of History, between individual and collective memory.

The two books by Matali Crasset published by Shelter Press (special offer).

First major catalogue/monograph on the French artist: an overview of Molinero's dual work, which both reflects on the academic history of sculpture and refers to pop culture, especially science fiction, splatter films, and crime news.

A panorama of the world of do-it-yourself fanzines.

This catalogue accompanies the exhibition by Florence Lazar at the Jeu de Paume. It is also her first monograph.

Collection of essays by Nicolas Bourriaud on the protean, poetic and Rabelaisian Swedish artist Erik Dietman.

The publication presents a series of works and two critical texts stemming from Bertrand Lamarche's project on the occult figure of Baphomet.

A film on poet and visual artist Jean-Luc Parant.

Félicia Atkinson and Jefre Cantu-Ledesma have thought of this new collaboration as a series of soundscapes filled with literary and cinematographic references, from Sylvia Plath's poetry to the films of Hal Hartley and Wong Kar Wai. The album carries a strange echo of the 1990s, materialized in Julien Carreyn's cover photograph.

This graphic anthology is dedicated to Elvifrance, the scandalous French publisher of erotic comic books whose catalogue was under the fierce scrutiny of French censorship authorities from the 1970s to the 1990s. The publication takes a look back at this infamous history through many unpublished archives and a wide selection of covers. It also features an ensemble of covers revisited by some forty contemporary graphic artists.

Produced on the occasion of Janssens' first exhibition in the Nordic countries, in Kiasma, this monograph focuses on an essential aspect of her practice: the exploration of luminous matter. It brings together installation views from the last twenty years as well as essays on the artist's examination of visual perception in her work.

Recording of a sound performance executed in October 2016 in the exhibition space of Berlin record store Rumpsti Pumsti. Using sanding machines and a hammer, the Mexican artist destroyed one copy of each publication ever released by Tochnit Aleph label. Without an audience present, the action was documented with two dynamic microphones.

Artistic practices and psychotropic drugs: a recent history of psilocybe in art; Nan Goldin; Bryan Lewis Saunders: self-portraits under the influence; Colleen Wolstenholme; Jeremy Shaw; Christian Skjødt; reviews and selected publications…

In a rapidly changing Beirut, neglected dwellings are condemned to disappear as a result of land speculation. This multi-layered transdisciplinary project aims at examining the transformations that these obsolete architectures undergo. The study, carried on site, based on archives, testimonies and oral history, also proposes new artistic perspectives towards the city.

In a rapidly changing Beirut, neglected dwellings are condemned to disappear as a result of land speculation. This multi-layered transdisciplinary project aims at examining the transformations that these obsolete architectures undergo. The study, carried on site, based on archives, testimonies and oral history, also proposes new artistic perspectives towards the city.

A collective reflection on the legacy of Max Neuhaus, the pionneer figure of sound installation art.

Nearly 20 years after the publication of his first inventory, Éric Watier has collected 100 new examples of artworks deliberately destroyed by their creators. This new edition combines 200 destruction cases in one volume.

A bible for graphic designers: first publication dedicated to “Color Library,” the database of color profiles for artists, designers and printers created at ECAL – University of Art and Design Lausanne. It features documentation on the various tools offered by the platform, a visual essay by Shirana Shahbazi, and texts by specialists.

This comprehensive monograph on Teresa Burga acknowledges the recent reassessment of the multidisciplinary artist's work as a pioneering voice in Peruvian contemporary art.

Second in a trilogy of children's books, The Brutal Turtle tells the story of a Turtle wandering in the desert, trying to reach the animal farm. Facing cruel obstacles during his journey, he becomes angry and terrorizes the farm's people once he arrives at the farm. A tale on power's relativity, hate, violence, and on the importance to be nice.

Set behind the scenes of Badlands Unlimited, an artist-run, New York-based publishing company, this three- act play follows the characters as they launch an erotic novella, deal with internal conflicts, and imagine the promise and threat of technology between the pages and in our lives. Badlands Unlimited is a comedy of errors that morphs into a deeper meditation on art and mortality.

An interview with artist James Hoff by theorist writer Marian Kaiser, focusing on Hoff's publishing practice and reflections on books.

Space as a privileged place to think and question our place in the world.

An artistic, political and collective project by Nicolas Floc'h, based on a principle of participation and co-realization, which points, at different levels, to the multiple relationships between social groups and public institutions that structure and frame them, while also questioning the symbolic or economic value of an artwork.

A trilogy on the artistic development in Asia from 1998 to 2018.