With this essay, Ute Holl analyzes in detail and deep historical context major works by Freud, Schoenberg, Jean-Marie Straub and Danièle Huillet, all inspired by the figure of Moses. The author offers a dynamic and comprehensive political and cultural theory of migration and violence.

A tale loosely inspired by both the contemporary astrophysicist Aurelien Barrau's work on multiverses and the turn-of-the-century author H.P. Lovecraft's mystical stories. The book entwines astrophysics and fantasy literature through fiction, deconstructing the frameworks of narration, logic, identity, space, and time. Illustrated by Andréa Marchal, after Barrau's works.

Ancient Light and the Blackcore was originally published in 1995 as part of Sub Rosa's “Utopian Diaries” series. It gathers 5 tracks of hallucinatory music and extraordinary recordings of shamanic ceremony from the Yanomami communauty. Includes the text Subworld by David Toop. First vinyl issue.

The 10th issue of Nazi Knife takes the form of a vast album covering a dozen iconographic sequences of unclassifiable aesthetics.

Double QR-Code LP (an empty sleeve with no discs), edition of 100 copies. The recording to listen online is a 5-hour composition for computer voice, first presented in Paris on March 25, 2000: a deepening of the idea of a dematerialized disc.

Monograph documenting an eponymous project in which the American artist explores the relationship between humans and nature by means of a sculptural assemblage made out of the skulls of Europe's largest animal species.

This 3CD set gathers the complete work by Luc Ferrari for films  from 1960 to 1984 including electronic pieces, concrete music made in GRM and some hybrid including traditional instruments. These rare and for the most part unpublished recordings comprise collaborations with Jean Cocteau and Jean Tinguely.

The sixth volume of Rémy Zaugg's complete writings (1982-1993): featuring some of the most influential texts written by the Swiss artist on art museum.

Interviews with Amit Dutta, Lisa Sanditz, Nina Katchadourian, Anoka Faruqee & Michelle Grabner, Suzanne Bocanegra, Adrienne Truscott, Marcus Steinweg, Mike Wallace, Lucy Ives; portfolio by Renee Gladman; a text by Kristen Gleason, the winner of BOMB's 2017 Fiction Contest; an essay by Jennifer Kabat; Édouard Louis's “New York diary”; books and shows reviews, and more.

A striking selection of words extracted from the notebooks of Isabelle Champion Métadier during a journey in New York. These quotes are arranged and accompanied by unpublished photographs.

In their September 2017 issue Artforum look ahead at 40 exhibitions worldwide, Huey Copeland and Frank Wilkerson on museums, monuments, and race, reviews on the 57th Venice Biennale, Documenta 14, and Skulptur Projekte Münster, Amy Taubin on Top of the Lake: China Girl, and more.

This artist's book questions the status of the image in the digital era through a reinterpretation of a classical subject in art history: flowers and the female figure. Images of flowers and women are associated with backgrounds of a city landscape, including photographs of the Capitol Records building in LA.

A striking selection of words extracted from the notebooks of Isabelle Champion Métadier during a journey in New York. These quotes are arranged and accompanied by unpublished photographs, with an original artwork signed by the artist.

Catalogue dedicated to a video project on the practice of gospel mime within the African-American church. This subject is an opportunity for Jemison to express her interest in language and gesture, and on the discursive dimension of African American culture.

Limited edition, accompanied with an exclusive Toilet Paper satin scarf.

A tale loosely inspired by both the contemporary astrophysicist Aurelien Barrau's work on multiverses and the turn-of-the-century author H.P. Lovecraft's mystical stories. The book entwines astrophysics and fantasy literature through fiction, deconstructing the frameworks of narration, logic, identity, space, and time. Illustrated by Andréa Marchal, after Barrau's works.

The 2018 Toilet Paper wall calendar features photographs conceived by Maurizio Cattelan and Pierpaolo Ferrari taken from their image-only magazine.

This publication reproduces the experimental filmmakers' notebooks from their journey in the Soviet Union at the end of the 1980s. Gianikian & Ricci Lucchi undertook this travel to gather the memories of the cinematographic literary and artistic Russian avant-garde of the '20s and '30s, seeking out survivors and listening to their life stories.

Stemming from a project dedicated to the city of Genoa and in particular to its relationship with the sea, this photographic artist's book extends the site-specific glass sculpture designed by Perrone inside Villa del Principe's Hall of the Shipwreck.

This publication documents a work by David Horvitz made on the occasion of a Bas Jan Ader-themed exhibition in Holland in 2012. Annoyed by the curators, Horvitz literally disappeared one month before the show, leaving all his belongings and quitting social media. He returned on the exhibition's closing day, and explained his piece to the curators.

This catalogue discusses the symbolic of the red thread in the work of the Chilean artist and poet. The publication includes a special documentation on quipus—large-scale immersive installations of thread, wool, and yarn—poetic texts and narratives by Vicuña, and two essays that shed light on a ritualistic symbolism relating to the function of textile, language, and menstrual blood.

Study book made by artist George Trakas in response to a commission issued by inhabitants of the Lamelouze commune in the southern French region of Gard, north of Alès (as part of the “New Patrons” program, initiated and supported by the Fondation de France).

Taking as their starting point Susan Sontag's book On Photography (1977), Marcelline Delbecq and Ellie Ga embarked on a long-term words-and-images dialogue addressing films, books and artworks that have marked their individual trajectories, together with historical events related (or not) to the year 1977.

Taking the form of light and acoustic installations, video projections, slide shows, publications and photographs, the work of Meris Angioletti questions the mechanisms of perception, memory and the psyche. This first monograph devoted to the Italian artist presents an overview of her practice from the past ten years.

Mexican conceptual artist Mario García Torres examines the space of arrival as a complicated and disjointed nexus between departure, displacement, and return, in a series of works that reflect on the European migrant crisis.

This publication both documents and extends Martin Beck's cycle of exhibition and residency at the Carpenter Center for the Visual Arts in Harvard. This two-year long project focused on the exhibition histories and academic pursuits of the Carpenter Center, built in 1963 by Le Corbusier.

This publication traces the extraordinary collaboration between American artist Dave Hullfish Bailey and senior Aboriginal writer and activist Sam Watson. structured around their highly political work Maiwar Performance, this book also covers their activities both before and throughout their work together.

The catalogue of the Malta Pavilion at the 57th Venice Biennale takes readers on a poetic journey through the volatile territories of national and cultural identity of Malta. Gathering contributions by authors, artists, and travelogues, the publication presents ample proof of the rich, complex, and continuing history of the maltese people and its diaspora.

A comprehensive and focused reader on Wilkinson's output and documents the Glasgow-based artist's practice spanning from 2015 to 2010, including six exhibitions and works produced within that time period, in reversed chronological order.

Merlin Carpenter investigates the status of the midcareer artist with a conceptual project involving the exhibition of transit blankets. The publication documents these works and related gallery shows, in addition with texts by Kunsthalle Bern director Valérie Knoll and artist Sam Lewitt.

In this new book time and space, which are fundamental aspects of Arena's work, are encapsulated in six horizons, six roads and ten landscapes. Essays by Mario Fortunato and Andrea Viliani, together with statements written by Arena himself on each work here published, examine in depth the practice of one of the most interesting artists in the Italian and International artistic scenes.

This manual accompanies the installation The Aalto Natives realised for the Finnish Pavilion at the 57th Venice Biennale by artists Nathaniel Mellors and Erkka Nissinen. It reveals the full story of Geb and Atum, two terraforming mythical creatures who are floating through space in a vessel shaped not unlike the structure of the Aalto Pavilion.

The Rough Law of Gardens documents Olaf Holzapfel and Nahum Tevet's eponymous joint exhibition and explores the intergenerational differences between two unique artists. Both artists' work rejects the global logic of growth and traverses the bounds of sculpture and painting: each of their practices involves ideas to do with materiality, learning, and memory.

Documenting a six-month residence at Fogo Island Arts, Tones highlights the diversity of Leciejewski's practice—with works including collages, photographs, and found-objects sculptures—while bringing to the fore the artist's views on nature.

This collaborative journey between Brazilian artist Ernesto Neto and members from the Huni Kuin indigenous communities brings to the fore the concept of “ancestral futures” and extends the concerns that have been evident in Neto's oeuvre over the past 20 years: a celebration of the sensuality of being, the unity of bodies and nature, and a longing for spiritual vision.

The catalogue of the Pavilion of Iraq at the 57th Venice Biennale, this book presents eight Iraqi artists of different generations, together with work made by Francis Alÿs when he was embedded with a battalion of Peshmerga near Mosul, and a stunning collection of artefacts from the Iraq Museum of Baghdad.

This leporello is the result of a collective photographic stream of consciousness based on a project lead by the Bureau d'investigation photographique: In random order, each member of the group opts for an image to which the following member answers by association and according to his own subjectivity.

Published to document a project by the Dagestani artist Taus Makhacheva that consists of the video Tightrope and a series of three performances, this publication is built around a dialogue between Makhacheva and the protagonist of her film, the tightrope walker Rasul Abakarov. It offers insight into the artist's practice and elaborates on the topics she tackles in her works.

A non-hierarchical selection of photographic works created over the past ten years by the Iranian artist (catalogue).

The second of a four-chapter publication series by Rondinone, Golden Days & Silver Nights documents a cycle of works recently made by the artist in Rome: the installation of white olive trees's mouldings among the ruins of the Trajan Forum, and the exhibition “Vocabulary of Solitude” at the MACRO Museum, where sculptures of forty-five clowns were accompanied by a multitude of rainbow drawings.

Produced in conjunction with two exhibitions, this monograph offers a rich critical overview of Parreno's work, with essays by Cyril Béghin, Molly Nesbit, Brian O'Doherty and Adam Thirlwell, and two interviews with Hans Ulrich Obrist and Andrea Lissoni. An invaluable research tool for studying one of the most influential and charismatic figures on the contemporary art scene.

The first of a four-chapter publication series by Ugo Rondinone, this catalogue documents the installation Vocabulary of Solitude—an arrangement of his works inspired by the color spectrum. The centerpiece comprises forty-five life-size sculptures of passive and contemplative clowns, who together describe the anguish of human solitude.

Comprehensive monograph in the style of a catalogue raisonné, giving unique insight into the multidisciplinary practice of Reto Pulfer for the past fifteen years (with texts by Anselm Franke and Benoît Maire).

First survey monograph: hovering between painting, sculpture, and installation, Comte's works are based on references to popular culture—including cartoons as well as vernacular handicrafts—nature, heraldic symbols, and art historical movements (Op art, Pop art, Neo-Geo, Concrete art).

This LP gathers two sound works by Cologne-based radio producer, performer and composer of experimental music Peter Behrendsen. Nachtflug is a live-electronic piece based on the sounds of bats made audible, and Atem des Windes is a text-sound composition inspired by a Taoist text.

A series of unpublished photographs by Brigitte Bauer: the German artist's images recall with distance and sensibility the uprooting and the transition to adulthood.

The visual iconography of Scotland transformed by Parr into the outlandish and unfamiliar.

At the heart of this collection of short writings are three provocative texts extracted from important artworks by Rosen, offered here as genre-defying literature at the intersection between reality and fiction, speculative narrative and historical-political critique, humor and eroticism.

This LP pairs two organ-based works by German composer Ernstalbrecht Stiebler. More closely associated with his position as a radio editor and producer, Stiebler composes a reductionist music built on minimalist structures and repetitions, and influenced by Minimalism in visual art.