Françoise et Jean-Philippe Billarant's collection of minimal and conceptual art.

Catalogue of the second Orleans Biennale of Architecture: a call for an archipelago of solitudes.

These recordings performed by pianist Philip Thomas reveal Wolff as a composer fully exploring, in different ways, the continuum between music which is highly fragmented, embracing extended silences—composed or indeterminate—to that which is more progressive and seemingly driven, albeit taking in disarming and unconventional routes.

Cloud Atlas is a collection of 10 short pieces composed by Toshi Ichiyanaghi between 1985 to 1999. Vertical Study gathers rare pieces composed by Claude Ledoux. Both are performed by Japanese pianist Kaoru Tashiro.

Since 2016, choreographer Lenio Kaklea has been collecting the practices of Europeans. Taking to the streets and pathways of Athens, Aubervilliers, Essen, Guissény, Nyon, and Poitiers, she has gathered nearly 600 unique stories. This compilation testifies to the familiarity and diversity of habits, of rituals, and of trades that compose and distinguish these territories.

A 4-hour work recorded at Steamroom (composer's studio) between 2017 and 2018: a hypnotic, multi-faceted, labyrinthine piece which flows as slowly as a river while speeding back through memory, and shows all the talent of Jim O'Rourke.

The first comprehensive publication of the Swedish polymath Catherine Christer Hennix's written work in a two-volume set.

Joëlle Léandre (double bass, voice) and Alexandra Grimal (saxophones, voice) compose, improvise and underline the freedom of musical creation.

The first part of a larger novel in several episodes: a text about the perception of time and how some places mark people's minds.

Artist's book.

The definitive edition of Loren Connors' texts.

Nairy Baghramian by Andrew Berardini, Travis Jeppesen, Nobuo Sekine by Hans Ulrich Obrist, Avery Singer, David Ostrowski and Tenzing Barshee, John Gerrard, Ren Ebel, Jill Johnston, Eric Wesley, Tyler Coburn and Elvia Wilk, Alice Bucknell...

This publication presents the results of a research project which explored the transformation of informal structures within the road transport corridors connecting Eastern and Western Europe following the fall of the Iron Curtain.

Res·o·nant documents the namesake light and sound installation created by conceptual artist Mischa Kuball for the Jewish Museum Berlin. The catalogue comprises contributions by a prestigious ensemble of international thinkers, artists, and writers.

This collective study examines the influence of Joseph Beuys's concept of social sculpture in the evolution of artistic practices from the 1970s to the present day.

For its 50th release, Black Truffle presents the 9th album from one of the label's core ensembles, the power trio of Keiji Haino, Jim O'Rourke and Oren Ambarchi.

An electroacoustic piece based on a recording of a Curling match, which reveals its unsuspected dramatic tension...

A collection of sound situations possible on a Serge analog modular synthesizer system.

A series of connections between percussion and electronics.

A series of drawings considered the starting point of the artist's mature work.

The French musician, poet, and visual artist blends cut-up poetry, ASMR, Satie, Ravel and Debussy, on her new album.

The French musician, poet, and visual artist blends cut-up poetry, ASMR, Satie, Ravel and Debussy, on her new album.

Focusing on the American South, Andrew Moore's "Blue Alabama" depicts the economic, social and cultural divisions that characterize the South and the love of history, tradition and land that binds its citizens.

Large format catalogue documenting a multichannel installation by Florian Hecker at Kunsthalle Wien, transformated into a resonating space, with texts by curators, researchers, theorists, and art historians.

Sofi Hémon; interviews with Maria Chavez, Tori Kudo, Rudolf Eb.er and Anne-Laure Pigache; arcticles on Max Neuhaus and Tetsuo Kogawa...

The Santos Silva / Zetterberg / Lindwall trio's second album takes the musical creation a step further by adding live electronics for real time sound treatment to an unique conceptual approach to composition & improvisation rooted in both free jazz and contemporary classical music.

Dedicated to the manifestation of sisterhood in art from the 1970s until today, All Men Become Sisters focuses on art that resonated with feminist perspectives on work, production, and reproduction.

This Summer Artforum reflects on Stonewall at 50: to celebrate the occasion, Artforum invited 24 gorgeous artists and writers to share an early or particularly vivid memory of a gay bar. Plus 5 artists and curators consider the legacy of Okwui Enzor, William E. Jones on the art of James Bidgood, Derek McCormack on Thierry Mugler, Molly Warnock on Gilles Aillaud's Rhinocéros, eau et rochers, exhibition reviews from Paris, Berlin, Athens, Tirana, and much more.

Masayuki Takayanagi's legendary “lost” album.

The summer issue of Flash Art is an attempt to map the ecological breakdown> that is restructuring our belief systems, forcing us to conceive of new relational modes that reappraise our centrality in the world and advocate for a new continuity with the other.

First monograph on Swiss painter Sylvain Croci-Torti.

Available for the first time ever on vinyl, one of Bill Laswell's masterpieces, the meditative ethno-ambient project inspired by the holy region of Banaras in India, in collaboration with Coil, Tetsu Inoue and Trilok Gurtu.

An overview of study programs teaching socially engaged art.

This album contains seven compositions, created by the Opening Performance Orchestra, Blixa Bargeld, Luciano Chessa and Fred Möpert. All the pieces relate to the theme of Futurism and employ intonarumori, instruments invented and used more than a century ago by the Italian Futurists in their noise compositions.

This album contains seven compositions, created by the Opening Performance Orchestra, Blixa Bargeld, Luciano Chessa and Fred Möpert. All the pieces relate to the theme of Futurism and employ intonarumori, instruments invented and used more than a century ago by the Italian Futurists in their noise compositions.

John Also Bennett's first solo album.

A unique example of Amacher's late work.

This publication brings together the communications material issued at Furkart, an ephemeral art laboratory opened every summer at the Furka Pass in the Swiss Alps between 1983 and 1996. These ephemera edited by Furkart founder Marc Hostettler are printed actual size and provide a chronological account of this unique adventure.

This publication of Maryanne Amacher's 1991 piece Petra marks her first commercially available instrumental work as well as the first time her music has ever been available on vinyl— a unique example of Amacher's late work.

John Armleder, Fluxus and the Ecart group.

A magazine for visual and experimental poetry and works inspired by Dada and Fluxus, directed by Jean-François Bory.

Maryanne Amacher, focus Bisou Records, interviews with Joe McPhee, Loren Connors and Bruno Billaudeau...

The first French translation of Neuhaus's writings.

Piano always had a central role in the discography of French composer Sylvain Chauveau. This selection of unreleased and out-of-print short pieces—mostly soundtracks—showcases what might be Chauveau's musical signature: quietness, slow pace, long resonances, a close as possible to silence. Music to be played at night.

First major catalogue/monograph on the French artist: an overview of Molinero's dual work, which both reflects on the academic history of sculpture and refers to pop culture, especially science fiction, splatter films, and crime news.

The memories of saxophonist Steve Potts, collected by his friend Michel Edelin.

Jeffrey Weiss, Carolee Schneemann, and Simone Forti on the passing of Robert Morris, editor Lauren O'Neill Butler on the art of fierce pussy, Wayne Koestenbaum on the art of David Gilbert, a special dispatch from Thailand by David Teh, plus exhibition reviews from Paris, Berlin, Prague, Zurich, New York, and more.

This collective publication, bringing together texts and images by artists and theoreticians, proposes to turn away from the inexorable question, so often reiterated, “What is painting?”, to question the ways in which the painting is made and thought today, with or without the pictorial medium, in or out of the canvas, with or sometimes without the painters themselves.

A composition for improvising sextet by Austrian double bassist, composer and improviser Werner Dafeldecker, providing a structure that doesn't curtail the qualities of the musicians, yet forces them to listen very closely to each other and make focused decisions about parameters that are often overlooked in completely free improvisation.

Spike Art Magazine #58 (“The Magic Issue”) inaugurates a new formula all in English.