An exploration of the utopian labyrinth that has fueled the imagination and work of internationally renowned architect Rudy Ricciotti.

An exploration of the utopian labyrinth that has fueled the imagination and work of internationally renowned architect Rudy Ricciotti, through a quasi-cinematic montage of images and quotes, constituting a stroll through the mind of the “character” Ricciotti, each space visited punctuated—as in a voice-over—by a text by Jean-Louis Poitevin.

Chuck Roth; Mark Cauvin; Keiko Higuchi; Aude Rabillon & Erell Latimier; Pauline Weidmann; Jean-Claude Éloy (1938–2025)...

Interviews with Machine Listening, Tomomi Adachi, Erin Gee, Pedro Oliveira; article: The Watery Graves of Electronic Speech, or Phonemes in Davey Jones' Locker; reports: Festival de la Imagen 2025, Choose Your Filter!...

The relationship between art, agriculture, and biodiversity.

A collaborative album born from a live performance rooted in a meticulous mutual observation of each musician’s playing style and setup: eRikm’s turntables, electronic devices, and vast sound library; and Pierre Bastien’s mechanical orchestra and range of acoustic instruments.

More than 150 drawings from the collection of producer and filmmaker Marin Karmitz: a selection of works by historical, modern and contemporary artists that highlights the tension between the life and death drives.

A solo improvisation and composition by Lionel Garcin (on soprano saxophone) inspired by listening to natural environments and built on exploring the harmonic possibilities of the instrument.

A photographic inventory of the distinctive features of the Grandclément neighborhood in Villeurbanne, created by students at the École Supérieure d'Art et Design de Saint-Étienne.

First personnal catalogue of the Ghanaian artist and preacher Kwame Akoto (Almighty God).

A performative research-creation project by Emmanuelle Becquemin.

New monograph.

A seminal exploration into screens' crucial functions and profound impact on human culture.

The 33rd issue of the cross-generational literary journal, focusing on the theme of ghosting and disappearance.

Espace art actuel # 142, focusing on the theme of "prophecies" in contemporary artistic practices.

Invited by Mara Hoberman, nine artists from both sides of the Atlantic reflect on Joan Mitchell's life, work and enduring impact.

A selection of René Berger's lectures and the proceedings of a symposium he had organized around art, technology and communication, offering a closer insight into his thinking on video art and new media.

A monograph covering more than thirty years of creative work, MONO ICONO GRAPHIE traces the unique career of Delphine Coindet, an artist at the crossroads of sculpture, image, and text, offering for the first time an unprecedented overview, both critical and visual, of a major body of work.

Álvaro Urbano by Javier Montes, Togar by Hung Duong, Kerry James Marshall by James Meyer...

Red Rubber Road; Fatena Abu Mostafa; Inner Lifts (Sissel Vera Pettersen, Randi Pontoppidan, CTM, Sissi Rada, Meriheini Luoto, Berlinde Deman, Claire M Singer, IKI, Bridget Ferrill); Erell Latimier; Claire Serres & les Sirènes; Xavière Fertin & Louis Frères; Seijiro Murayama; Sophie Agnel; Tom Johnson (1939-2025)...

Index #8 features all e-flux's commissioned pieces from March–May 2025. It includes contributions from 142 authors, artists, architects, filmmakers, poets, and educators, organized into eleven thematic snapshots.

A spectacular journey through 80 major works of modern and contemporary art (by Picasso, Kandinsky, Joan Mitchell, and Hockney to Manal AlDowayan, Etel Adnan, and Imran Qureshi) in AlUla, an oasis located on the ancient incense route, taking the image of the "garden in the desert" as a starting point for artistic reflection on the evolving relationship between humans and nature.

This book brings together three texts on Arnaud des Pallières' documentary Disneyland, mon vieux pays natal (Disneyland, My Old Homeland), extending the critical thinking engaged by this hybrid filmic object on spectacle and late capitalism.

A cross-disciplinary and critical reflection on the philosophical stakes of so-called "artificial intelligence", from an epistemological, political and cultural point of view, beyond naive fascination and ignorant rejection.

First monograph devoted to the artist's research on the materiality of images through an exploration of the conditions of visibility of secretions.

An illustrated almanac on arts, science, and society, dedicated to the wise men and the fools.

A mapping of the international landscape of technological archives.

The "doing" in art and design research.

An anthropological-acoustic study of the aftermath of war.

a panoramic view of John Cornu's practice since 2006, with thirty-eight works accompanied by thirty-eight texts by historians, curators, conservation experts, art critics, and contemporary artists, with as many different approaches and possible readings.

The totally remastered version of the fourth album by Belgian band Univers Zero, recorded in 1984.

The totally remastered version of the fourth album by Belgian band Univers Zero, recorded in 1984.

Centered on the emblematic figure of Pontus Hultén (1924–2006), this issue of Revue Faire explores the director's publishing work during his time at the head of the Moderna Museet in Stockholm, from 1960 to 1973.

Pierre Bastien deepens his exploration of “elsewhere,” as well as the materiality of sound, through the machinery of his vast Mecanium.

Morten Søndergaard (co-editor); interviews with panGenerator, Charles Stankievech, Mélia Roger, Adelin Schweitze; articles: Geofónie, Sonic Reorientations; reports: Electric Dreams, The Vinyl Factory: Reverb, Art Must Be Artificial.

Taking its title from the seminal book by the priest, philosopher, and historian Michel de Certeau, this publication, which accompanies the eponymous Capc exhibition, bears witness to unique ways of being in the world through the transformation of materials, tools, and everyday practices, inscribed directly onto the pages of a regional daily newspaper.

The luxurious annual publication in large format Magma aims to return to the artistic, intellectual, and graphic standards of the avant-garde "revues d'art " from the previous century. The 3rd issue brings together 25 artists, writers, filmmakers, and composers from around the world, and showcases around 100 previously unpublished artworks and texts.

The design research journal devotes its 59th issue to contemporary forms of graphic design transmission.

The Cahiers du Collège International de Photographie (CIP) put into practice a form of thinking rooted in photographic experience—on the margins of both academic and professional worlds. This first issue seeks to weave together all parts of the photographic ecosystem in a living reflection on the crisis of sensibility that runs through our societies.

Off The Record by French collagist Roméo Poirier is an amusing romp through the discarded history of recording studios. It contains fourteen miniatures based on accidental recordings of studio talk, revealing things that were never meant for the public.

Yoann Sarrat presents a collection that showcases his practice of performative writing combined with tattooing (with and without ink—which he calls “dermographic poetry”) and dance.

Monograph dedicated to the famous designer's early work.

This book takes as its starting with the question "What is a good poster?"' and then gradually drifts away from it as it unfolds, confronted with the complexity of this question that pertains to the truth, accuracy, functionality or even the good taste of a graphic work.

In a collection of interviews given over a period of almost twenty years, a poet seeks to find out a little more about what he makes by confronting his practice with other arts (plastic, sound, scenic).

The first volume of essays devoted to the work of Liliane Giraudon explores the diversity of her oeuvre, its interdisciplinarity but also its coherence, and enables us to understand what makes its strength and importance in the contemporary literary landscape.

In this essay, Alexandre Gérard recounts his discovery and interpretation—which was not entirely straightforward at first—of the work of his great-uncle, the artist Jean Dupuy (1925-2021).

The Zenne Quartet performs the quartets of contemporary Belgian composer Walter Hus.

A meditation on absence, decay, and the spectral traces left behind in emptied architectural spaces.

A groundbreaking curatorial proposal by Jean-Hubert Martin, bringing together five galleries with very different specialties (primitive arts, art of the Middle Ages and Renaissance, antiquarian books and incunabula, Surrealism and modern art, Nouveau Réalisme and contemporary art).

A tribute to the cultural legacy of Louisiana's Francophone and Creole songs, shaped by African, Native American, French, and Caribbean influences.