The fifth issue of the annual magazine that promotes know-how and technique in design, craft or industry looks at the act of spinning.

Invited by Pierre Mabille, nine artists, from both sides of the Atlantic (Sheila Hicks, Fanette Mellier, Mathieu Mercier, Sarah Morris, Dan Walsh...), share their impressions of one of the 20th century's most influential abstract painters and teachers.

Invited by Marie de Brugerolle, ten artists, from both sides of the Atlantic (Ericka Beckman, Julien Bismuth, Sharon Lockhart, Tony Oursler, Anna Wittenberg...), look at the work of John Baldessari, one of the leading figures of West Coast conceptual art.

Ornella Volta's definitive posthumous book on Erik Satie, featuring all the composer's writings, largely unpublished documentation and biographical elements, for the first time precisely related to the works.

A vast research project to explore the connections and mutual enrichment between cinema and design, both considered as reservoirs of fiction: an illustrated inventory of impossible and unthinkable objects, with some thirty contributions by design researchers and designers.

Issue 1 of Fidback, the film journal edited by the FIDMarseille festival, with a a look back at the 35th edition of the festival, a focus on films that made waves on the global cinema scene in 2024, a carte blanche to Clara Schulmann, and a portrait: of the artist and filmmaker Declan Clarke by Alice Leroy.

Andrzej Karałow's piano metamorphoses in the cogs of Jérôme Noetinger's tape recorder, multiplying and playing with its distorted mirror: a journey through imaginary landscapes haunted by a ghostly presence.

Four texts by Teri Wehn Damisch, attending to the conception of her films on artist Robert Morris, photographer Gisèle Freund and anthropologist Françoise Héritier.

The reproduction / reconstruction of Lautréamont's extremely rare text by artists Vincent Labaume and Jean-Luc Moulène, who, with the help of photocopying, photography and digitization, continue a century-old tradition.

Jérôme Game, a poet working at the intersection of words, sounds and images, has invited two of his stage partners, Chloé and Jean-Michel Espitallier, to create a duo piece with him for this sound poetry album, between beat inspiration, krautrock motorick and literary glitch.

A contemporary cabinet of curiosities, comprising the singular collection assembled by Jean Chatelus (1939-2021) over the course of his life: sculptures, installations, paintings, photographs, drawings by the greatest figures of the 20th century, as well as by outsider artists and "enfants terribles", pieces of non-Western art and objects from popular traditions, reflecting diverse aesthetics and voices.

Céline Guichard; Dalia Taha; on autodidacticism in music, by Fanny Chiarello; towards intercultural listening, a conversation between Kristoff K. Roll and the Mexican collective La Lleca; interviews with Alexandra Spence and Ayami Suzuki; Noises at Pompidou: a conversation between Marion Camy-Palou, Kasper T. Toeplitz and Nicolas Ballet; creating in psychic precariousness, by Aude Romary; book and record reviews..

A total environment-cum-woodland utopia created by an all-star team of "mad sculptors" led by Jean Tinguely.

A total environment-cum-woodland utopia created by an all-star team of "mad sculptors" led by Jean Tinguely (also available in English).

An invitation to rediscover the diversity of 20th-century Arab modernism and to take a fresh look at the history of art scenes still little known in Europe, focusing on the relationship between Arab artists and Paris throughout the last century.

The catalog of the fifth edition of the International Graphic Design Biennial, organized by le Signe, centre national du graphisme in Chaumont, in 2025, on the theme of music.

Index# 6 features all e-flux's commissioned pieces from October–November 2024. It includes contributions from 82 authors, artists, architects, filmmakers, poets, and educators, organized into eleven thematic digressions that index the arts.

This book is a visual and geographical journey through the artist's work and exhibitions, enriched by five original samples—olive leaves, charcoal, street paper, earth and seaweed—inserted and activated by hand according to the artist's recommendations.

An invitation to think collectively about the ideas and forms of repurposing materials and objects from our everyday lives, confronted with formal and cultural ambitions that are more firmly rooted in the history, present and future of architecture.

An exploration of the ecologies of music and sound, from an ecosophical and emancipatory perspective.

Appropriation, occupation, subversion, punning, alternative activation of vacant spaces, creation of spatial, social and temporal interstices, etc., Inter 145 is interested in the material and socio-political dimensions of our relationship with the world, things, spaces and ideas.

A card game designed by Chloé Déchery and Marion Boudier, in collaboration with illustrator Éric Valette, to contribute to the development of a “culture of return” in artistic creation, distribution and teaching.

For their first collaboration, Marc Baron and Éric La Casa decided to examine representation from the angle of "counterfeiting", in order to think about our relationship to recording and the archive. It's a question of countering the way we fix reality, as if to get rid of all realism.

A collection of photographs and interviews in the form of a journal, documenting the exploration of the Saint-Sernin and Arnaud-Bernard districts of Toulouse (France), which were invested as part of the third edition of the contemporary creation festival Le Nouveau Printemps 2025.

Philip Glass' founding work of minimalism performed by Dedalus Ensemble.

Philip Glass' founding work of minimalism performed by Dedalus Ensemble.

This film by Véronique Godé and Damien Faure, narrated by Charles Berling, depicts the dialogue between contemporary art and heritage within the Château d'Oiron (Centre des monuments nationaux, located in the Deux-Sèvres department, in Poitou), where Jean-Hubert Martin has created a cabinet of curiosities based on works from the collection of the Centre national des arts plastiques.

A serious diagnosis of the current form of capital, a profound excavation and presentation of the most important and helpful ideas that Jean Baudrillard published: from the unravelling of western philosophy, to a redefining of marxist theories of economics and capital, to a shift in critical theory that complies with quantum theory (new expanded edition). 

The design research journal devotes its 59th issue to contemporary forms of graphic design transmission.

"Project a Black Planet", Gustave Caillebotte, Anne Imhof, Mel Bochner...

An exhibition catalogue and a review of all the mediation, residency and circulation activities at the Nouveau Musée National de Monaco... with some fifty stickers to choose from and stick on.

The fourth issue of Le Signe Design (the Cahiers of the National Graphic Design Center), under the sign of Japan.

Much more than a selection of interviews conducted by Moroccan journalist and intellectual Hamid Barrada, this book immortalizes a lively memory of the history of the Maghreb, the African continent and the regimes born in the wake of independence.

Keeping up the tension between exhibition catalogue and monograph, Impasse des Lilas explores the interweaving of theories, personal histories, objects and projects that define the architectural practice of MBL.

An original history of Pop Art from the point of view of drawing, resituating the leading role played by this medium in the development of closer links between art and life.

Keep Smiling! The Printed Universe of Pontus Hultén offers a portrait of visionary museum director Pontus Hultén (1924-2006) through over 200 printed works—posters, catalogues, film programmes, and invitations. Reflecting his playful, free-spirited take on anarchism, the archive highlights the bold collaborations he fostered with artists and designers throughout his career.

Keep Smiling! The Printed Universe of Pontus Hultén offers a portrait of visionary museum director Pontus Hultén (1924-2006) through over 200 printed works—posters, catalogues, film programmes, and invitations. Reflecting his playful, free-spirited take on anarchism, the archive highlights the bold collaborations he fostered with artists and designers throughout his career.

An experimental fictional ("post-apocalyptic") anthropology of philosophy, focusing on the dialectic of master and slave, itself understood as myth.

A very personal essay that provides a clear introduction to Gilles Deleuze's thinking through his relationship with cinema, seen as a field of experimentation (existential, conceptual and aesthetic) to resist death, disaster and the stupefaction produced by the “modern fact”.

This book brings together over 500 drawings from the Antoine de Galbert Collection, gathered over a period of almost 40 years. Works by 213 artists are presented in the form of an alphabet book, generating chance encounters.

A reflection on the experience and challenges of an artistic residency in a rural environment, nourished by the thought of re-habitation.

Some sixty artists from different generations not represented in galleries, selected and presented by 35 critics.

How AI can be used in the creative process in art and design.

An "ABC of the arts in transition" examining the ecological turn of the arts, the outcome of long-term collective research into the fundamental elements running through the art world and, more generally, the aesthetic and social universe in the current ecological crisis.

A groundbreaking, multidisciplinary collection that rethinks our present moment and anticipates the key concepts that will shape and direct the twenty-first century.

The first major catalogue on one of the most important Lettrist artists.

The very personal New Year's greetings published by the Swiss artist in the form of zines over the last twenty years.

An archeological inventory of the bizarre beauty of art brut, popular gardens and improbable architecture, palaces and tree castles, chapels and converted caves, concrete and matchstick models, rustic furniture and animal sculptures, caravans and flying bicycles, calvaries... and the last homes of creators of all kinds (mental patients, abbots, bistro owners or self-proclaimed artists), most of which now only exist on postcards from the period, around 1900.

Five improvisational pieces in which the instruments of Bertrand Gauguet (alto and baritone saxophones) and Jean-Luc Petit (contrabass clarinet and sopranino saxophone) swap from one track to the next, with timbres and temperaments varying according to the time of day.

A contemporary cabinet of curiosities, comprising the singular collection assembled by Jean Chatelus (1939-2021) over the course of his life: sculptures, installations, paintings, photographs, drawings by the greatest figures of the 20th century, as well as by outsider artists and "enfants terribles", pieces of non-Western art and objects from popular traditions, reflecting diverse aesthetics and voices.