Philip Glass' founding work of minimalism performed by Dedalus Ensemble.

This film by Véronique Godé and Damien Faure, narrated by Charles Berling, depicts the dialogue between contemporary art and heritage within the Château d'Oiron (Centre des monuments nationaux, located in the Deux-Sèvres department, in Poitou), where Jean-Hubert Martin has created a cabinet of curiosities based on works from the collection of the Centre national des arts plastiques.

A serious diagnosis of the current form of capital, a profound excavation and presentation of the most important and helpful ideas that Jean Baudrillard published: from the unravelling of western philosophy, to a redefining of marxist theories of economics and capital, to a shift in critical theory that complies with quantum theory (new expanded edition). 

The design research journal devotes its 59th issue to contemporary forms of graphic design transmission.

"Project a Black Planet", Gustave Caillebotte, Anne Imhof, Mel Bochner...

An exhibition catalogue and a review of all the mediation, residency and circulation activities at the Nouveau Musée National de Monaco... with some fifty stickers to choose from and stick on.

The fourth issue of Le Signe Design (the Cahiers of the National Graphic Design Center), under the sign of Japan.

Much more than a selection of interviews conducted by Moroccan journalist and intellectual Hamid Barrada, this book immortalizes a lively memory of the history of the Maghreb, the African continent and the regimes born in the wake of independence.

Keeping up the tension between exhibition catalogue and monograph, Impasse des Lilas explores the interweaving of theories, personal histories, objects and projects that define the architectural practice of MBL.

An original history of Pop Art from the point of view of drawing, resituating the leading role played by this medium in the development of closer links between art and life.

Keep Smiling! The Printed Universe of Pontus Hultén offers a portrait of visionary museum director Pontus Hultén (1924-2006) through over 200 printed works—posters, catalogues, film programmes, and invitations. Reflecting his playful, free-spirited take on anarchism, the archive highlights the bold collaborations he fostered with artists and designers throughout his career.

Keep Smiling! The Printed Universe of Pontus Hultén offers a portrait of visionary museum director Pontus Hultén (1924-2006) through over 200 printed works—posters, catalogues, film programmes, and invitations. Reflecting his playful, free-spirited take on anarchism, the archive highlights the bold collaborations he fostered with artists and designers throughout his career.

An experimental fictional ("post-apocalyptic") anthropology of philosophy, focusing on the dialectic of master and slave, itself understood as myth.

A very personal essay that provides a clear introduction to Gilles Deleuze's thinking through his relationship with cinema, seen as a field of experimentation (existential, conceptual and aesthetic) to resist death, disaster and the stupefaction produced by the “modern fact”.

This book brings together over 500 drawings from the Antoine de Galbert Collection, gathered over a period of almost 40 years. Works by 213 artists are presented in the form of an alphabet book, generating chance encounters.

A reflection on the experience and challenges of an artistic residency in a rural environment, nourished by the thought of re-habitation.

Some sixty artists from different generations not represented in galleries, selected and presented by 35 critics.

How AI can be used in the creative process in art and design.

An "ABC of the arts in transition" examining the ecological turn of the arts, the outcome of long-term collective research into the fundamental elements running through the art world and, more generally, the aesthetic and social universe in the current ecological crisis.

A groundbreaking, multidisciplinary collection that rethinks our present moment and anticipates the key concepts that will shape and direct the twenty-first century.

The first major catalogue on one of the most important Lettrist artists.

The very personal New Year's greetings published by the Swiss artist in the form of zines over the last twenty years.

An archeological inventory of the bizarre beauty of art brut, popular gardens and improbable architecture, palaces and tree castles, chapels and converted caves, concrete and matchstick models, rustic furniture and animal sculptures, caravans and flying bicycles, calvaries... and the last homes of creators of all kinds (mental patients, abbots, bistro owners or self-proclaimed artists), most of which now only exist on postcards from the period, around 1900.

Five improvisational pieces in which the instruments of Bertrand Gauguet (alto and baritone saxophones) and Jean-Luc Petit (contrabass clarinet and sopranino saxophone) swap from one track to the next, with timbres and temperaments varying according to the time of day.

A contemporary cabinet of curiosities, comprising the singular collection assembled by Jean Chatelus (1939-2021) over the course of his life: sculptures, installations, paintings, photographs, drawings by the greatest figures of the 20th century, as well as by outsider artists and "enfants terribles", pieces of non-Western art and objects from popular traditions, reflecting diverse aesthetics and voices.

Special issue "dream and sleep" of the critical journal on contemporary drawing (featuring Guitemie Maldonado, Marisa Cornejo, Jim Shaw, David B., Chloé Vanderstraeten, Kathy Acker, Martine Atrax, Federico Fellini, Stella Geppert, Lina Jabbour, Christine Rebet, Jean-Jacques Rullier, Sandra Vásquez de la Horra...).

The "suspensive" artist Chloé Moglia invites authors, illustrators and researchers to write with her what the gesture of standing above the void generates as perceptions and thoughts. This second issue of Les Feuilles (The Leaves) spreads out, explores horizontality, breaks through and perseveres in this perspective. A way of trying not to go backwards, or in reverse.

"Labo d'objet", a research laboratory run by UR Design & Création at the Saint-Étienne Higher School of Art and Design, proposes a visual reflection by creating images that associate concrete with vehicles such as cars, motor homes, tractors and caravans, at the crossroads of industrial culture and creative experimentation.

All television images seem to be the same image. An artist and researcher at the Saint-Étienne Higher School of Art and Design, Lorenza Mannaioni, attempts to prove this with this book of felt-tip pen images.

Alison Flora; Violette Abu Jalad; Ear We Are 2025 by Jérôme Noetinger; Nina Garcia; Eryck Abecassis; Richard Wilson Avena; the Entrefer label & Carbon Sink; Canadian Connection by Pierre Durr...

The collected writings of artist Marc Camille Chaimowicz, along with the stories behind them told by Alexis Vaillant.

69 different personalities share their unique experiences of Laurent Fiévet's work, inviting us to rethink our relationship with images.

An artist’s book, a work to be read, a journey through the history of painting, drawing on the collection of paintings at the Musée des beaux-arts de Rennes.

Two series of brutal, raw drawings by Miriam Cahn.

The debut publication by French, New York-based, photographer Eric Guillemain offers a privileged insider's view into the captivating world of film sets.

The 14th issue of the annual magazine of the ECAL (Lausanne University of Art and Design), with interviews Brian Roettinger, Eliott Grunewald, Aurore Piedigrossi, Jean-Vincent Simonet, Mathilde Agius, Marvin Armand and Cécilia Poupon and a conversation between Erwan Bouroullec and Michel Roset.

The story of La Salle de Bains art center in Lyon since 2013.

Focus on the blockchain digital ecosystem: art on the web of value.

Irène Schwartz's notebooks enable us to follow the entire creative process that, between 1973 and 1983, led the artist to three actions in the field of body art or, more specifically, eat art.

Three perspectives (philosophical, sociological and artist's word) on the meaning of the avant-garde, and its relationship to the counter-culture.

Farida Amadou & Martina Berther; Cécile Babiole; LUFF 2024; Fuji|||||||||||ta; Emmanuelle Tornero; Clément Vercelletto; Donald Miller (1958-2024); Sophie Agnel; Annick Nozati & Daunik Lazro...

An education turned around by art: famous English anthropologist Tim Ingold invites us to consider the arts as the very basis of an education in the 21st-century, an education that might begin to address the profound social and ecological crises we face.

The very first monograph dedicated to the work of Bruno Pélassy (1966–2002), featuring all his works, installation views, and a vast range of materials from his unpublished personal archive.

The very first monograph dedicated to the work of Bruno Pélassy (1966–2002), featuring all his works, installation views, and a vast range of materials from his unpublished personal archive.

Architect Patrick Bouchain's reading of the work and his friendship with Pierre Guyotat, as well as an analysis by Bouchain and numerous members of Guyotat's creative community of the power of the alliance between vision and word, image and poem, in the author's work.

Double issue of the journal of popular music studies, with a feature on the sound factories of the global South, and a look back at the 20th anniversary of Volume!.

The 22 exhibitions programmed by Philippe Piguet at La chapelle de la Visitation art center in Thonon-les-Bains since 2018, in 400 pages.

The cross-generational literary journal Luvah continues its comeback with an eclectic mix of fashion-related offerings.

A visual corpus that brings together one hundred and thirty-two artists' books collected and reproduced as part of an artistic residency conducted at the Centre des livres d'artistes (Saint-Yrieix-la-Perche).

The ultimate edition of percussionist Lê Quan Ninh's famous text, which explores, in the form of an ABC, the singular experience of improvising and free improvisation.