Since his historical research on the line, anthropologist Tim Ingold has been working closely with laboratoire des intuitions on diagrams. This unpublished text follows a working session at the Kandinsky Library at Centre Pompidou, Paris.

This artist's book features the research notes of a video work based on a sign language interpretation by a deaf performer of a Geneva College Orchestra's live performance.

Filmmaker Rudolf di Stefano shares his views about cinema through a series of quotes by four representants of contemporaneity in film: Robert Bresson, Jean-Luc Godard, and Jean-Marie Straub & Danièle Huillet.

This artist book is composed of the observations, texts and images that Durham collected during a Venetian stay, pointing out the complex relationship between the tourism industries, the stories of local workers and Venice's history.

Drawing from a namesake installation, No More Sleep No More engages in a reflexion on the chronopolitics of sleep under neoliberalism.

An historical-critical recontextualization of the artist's figure with an important tool of documentation on his work from 1973 to 1979.

This catalogue-reader accompanies Armando Lulaj's project for the Albanian Pavilion at the 56th Venice Biennale. A time capsule of the country's past, presenting strange memorabilia and trophies that tread the line between fact and fiction.

Monograph / catalogue.

An embracive and well-documented overview of three works by Stan Douglas covering the emergence of political and multicultural emancipation projects during the Seventies, from Portugal's 1974 revolution and the end of colonialism, to the emergence of multicultural music such as jazz-rock, funk, disco, and afrobeat.

Publication gathering five conference performances, written in French and English, by the Franco-Korean duo of artists and researchers Ju Hyun Lee and Ludovic Burel, whose works combine installations, performances, and publications.

A facsimile edition of a fanzine originally published in 1977. It gathers sculptures and fluxus' objects from Laurence Whitfield.

Artist's book featuring a selection of photographic archive from the European Organization for Nuclear Research: without the context of the archive or explanatory legends, the content becomes abstract and hypothetical, and plays with the representational capacity of the image and with the reception of information.

A complete survey of performance arts between Canada, Cuba, Noway, Philippines, and Poland.

An unconventional autobiography based on the American artist's sales catalogue of personal belongings on eBay.

Published in homage to Pier Paolo Pasolini, this edition (conceived by Alfredo Jaar) features the poem imagined in 1954 by the Italian filmmaker while visiting the grave of Italian Marxist revolutionnary Antonio Gramsci. In this poem, Pasolini meditates on life in front of Gramsci's tomb, evoking themes such as politics, poetry, sexuality, and Italy.

Firenze 77 tells the story of a number of artists who passed through Florence, and Villa Romana, between the second half of the 1970s and the early 1980s. This publication is a collection of heterogeneous, autonomous material—a series of notes, comments, book summaries and various kinds of devices.

The last volume of the journal of political activist Jann-Marc Rouillan after his prison release.

In Mohammed Laouli's Golf project, residents of a poor neighbourhood nearby Rabat are invited by the artist to play golf in their own streets, thus subverting the signs of power.

First monograph.

Czech artists of the 1960s–1970s.

A questionnaire (interviews with international artists, architects, and curators of the contemporary art world, such as John Baldessari, Suzanne Cotter, Bice Curiger, Chris Dercon, Charles Esche, Liam Gillick, Jacques Herzog, Thomas Hirschhorn, Rem Koolhaas, Hans Ulrich Obrist, Thierry Raspail, Beatrix Ruf, etc.).

Third volume of the anthology (1975-2000), focusing on photography, film, video, and new media.

Video art history.

A film by Gilles Coudert that takes a close look at Ange Leccia's work, interweaving the exploration of Leccia's exhibition “Logical Song” (2013) at the MAC/VAL – Val-de-Marne Contemporary Art Museum with perspectives from a series of interviews (with 3 films by the artist).

An adventure exploring drifts in translation (artist's book).

Limited edition (20 copies) of Roberto Cuoghi's artist book, accompanied by an offset printing in colors + selective varnish laminated on Dibond (27 x 40 cm), numbered and signed by the artist.

The illustrated catalog raisonné of works from the collection of the Espace de l'Art Concret (Gottfried Honegger and Sybil Albers donation) in Mouans-Sartoux.

A reflection on translation phenomena in the arts.

First monograph.

Reference monograph.

An in-depth critical examination of the Piotr Uklański's ongoing series of abstract “blood” and “ink drop” paintings.

Reference monograph.

A seminal text (and introduction to some 25000 pages of drawings, collages, autobiographical writings and compositions by Adolf Wölfli), this “short autobiography” of a major figure in the history of art brut is accompanied by a mini-CD containing the two interpretations of Wölfli's graphic scores by Nurse With Wound, first published in 1986.

First monograph.

A survey of the Scottish painter's most recent body of work.

New monograph.

An intimate portrait gallery of Ari Marcopoulos' brother (artist's book).

Based on a travelling exhibition, this small monograph includes an essay by Alex Farquharson, a conversation with Adam Szymczyk, and an essay by Harry Burke.

Curating A-Z.

Artist's book by the avant-garde designer Susan Cianciolo.

Catalogue / artist's book.

Two documents and three articles: unpublished texts by Charles Fourier and Eugène Pottier; Georges Orsoni, Denis Andro, and Michel Antony address original perspectives on Fourierism and the spirit of utopia in general.

Catalogue.

At the same time an artist's book and a brief historical investigation, Thomas Huber's The Shop Sign reports the birth of a painting, relates the fate of another one, and questions the art market, the transit of works of art and the links between artists, dealers and collectors, all the while Huber plays with interpictoriality the way others would use intertextuality.

A both ambivalent and poetic narrative written by Canadian author and artist Simon Brown.

New formula of the French multidisciplinary cultural magazine.

Artist's book.

The third issue in the Poetic Series takes its title Fear of Language from the work of emerging Slovenian poet Katja Perat, featured alongside poetry by Judith Goldman and excerpts from Eileen Myles's forthcoming memoir, Afterglow. Artwork is provided by Willem de Rooij.

Katja Eydel's photographic body of work.

Reference monograph.