The scenography of the project for the restructuring of the Besançon Museum of Fine Arts and Archeology by Architectures Adelfo Scaranello.

The 2 volumes of the catalogue documenting the project for the restructuring of the Besançon Museum of Fine Arts and Archeology by Architectures Adelfo Scaranello (special offer).

This publication offers a feminist and queer interpretation of artistic practices of the last forty years. It gathers a selection of works and texts from the late 1960s to the present, newly commissioned essays and an anthology of artists's texts.

Will Benedict, Kahlil Joseph, Mahfuz Sultan, Ari Marcopoulos, Lynda Benglis, Camille Blatrix, Jesper Just, Lex Brown, Matt Copson, Fin Simonetti, Autumn Knight, Iman Issa, Nevine Mahmoud, Berenice Olmedo, Igor Simić...

Intertwining transdisciplinary discourses, transcultural perspectives, and methods of practice, this anthology provides new insight into the analysis of things in a curatorial context.

This publication extends an exhibition program that examines the environmental challenges facing the art world and its institutions, drawing on the concept of “destructive plasticity” theorized by philosopher Catherine Malabou.

Retrospective monograph documenting the exceptional yet little-known journey of Cathy Josefowitz (1956-2014), painter, designer, dancer and musician.

First monograph.

A project by Éva Le Roi & Pierre Burquel (drawings and sketches of São Paulo); hand drawings by Éva Le Roi.

A science of sensitive experience prolonged by a theory of atmospheres, at the origins of philosophical aesthetics.

This issue of Flash Art explores a sort of archeology of images, aiming to reflect on issues of appropriation and authenticity in their most contemporaneous sense, whereby any original or preexisting artwork, image, or product can be invested with a multiplicity of meanings.

How can we today situate the artist or, more broadly, the act of creation using artificial intelligence?

A manifesto for artistic research and in defense of its autonomy.

Olivier Mosset's reference monograph offers a complete panorama of the work of one of the central figures in post-war abstract painting, and a pivotal reference for generations of European and American painters, covering six decades of practice, from the first experiments to the monumental recent works.

A selection of drawings by the New Zealand outsider artist: her work, recognized belatedly, provides a journey into a grotesque, sometimes somber universe, filled with animals, distorted human bodies, and cartoon characters.

Presented as a work-in-progress, this text on American artist Rindon Johnson's video practice offers a reflection on the widening creative possibilities in the multimodal digital landscape, while discussing the political and personal aspirations of a new generation of artists and critics.

A detailed analysis of Franz Erhard Walther's pioneering Werksatz series of wearable fabric sculptures by Erik Verhargen, accompanied by a history of the piece by Thierry Davila.

A selection of erotic paintings by the American artist, produced between 1969 and 1971: an ecstatic and mystical celebration of the sexual act.

A new publication spotlights Gordon Matta-Clark's only extant architectural piece.

The meeting between the Japanese group Acid Mothers Temple and the Argentinian group Reynols, a major figure of art brut practices with its trisomic drummer-singer, Miguel Tomasin.

A legendary Parisian collection of minimalist and conceptual art, and its evocative installation in the home of collector Ghislain Mollet-Viéville.

This February in Artforum poet Simone White and writer Ciarán Finlayson respond to the recent Pope.L exhibitions that spanned multiple institutions across New York. Plus, Joan Jonas, Ugo Rondinone, and others on the life and art of John Giorno (1936-2019), a special artist's project by Christine Sun Kim, Daniel Marcus on Charlotte Perriand, and exhibition reviews from Paris, Cologne, Milan, Tallinn, and more.

The crucible of creation: portraits of New York artists in the intimate seclusion of their work spaces.

The first of a two-volume publication dedicated to the artist's novel, this theoretical essay aims to elucidate the pressing questions posed by the emergence of this new artistic medium with a number of key case studies and interviews.

The two volumes of the publication dedicated to the artist's novel (two-books set special offer).

This artist's book is the book-form of a work by Matt Mullican, "The Meaning of Things (who feels the most pain?)" (2014), con sisting of 676 collages and texts on sheets of standard printing paper.

A transdisciplinary discussion on the influence of computer-based technologies on the conditions of biological research.

Every Force Evolves a Form by Alessandro Bava; Design, Reset: Studio Formafantasma in Conversation with Alessandro Rabottini; Clinical Cosmology: Tishan Hsu by Hera Chan; Oceanic Time-Lag: on Mati Diop's “Atlantics” by Dora Budor...

Co-editors: Nicolas Maigret and Maria Roszkowska, intervioews with Špela Petrič, Tega Brain, Joyce Hinterding, Kat Austen, Thomas Thwaites, Melle Smets; The Sound of Disappearance and The Sonic Sublime; reports of ISEA 2019 Lux Aeterna, 58th Venice Biennale and Liechtenstein Brunch, 18th Media Art Biennale WRO “Human Aspect”.

A political view of international contemporary creation seen from the Gulf region, where wars and diplomatic tensions have constantly determined the history of the early 21st century (exhibition catalogue).

First monograph.

The large-format book celebrating the collaboration between Toilet Paper and Martin Parr.

Limited edition, including an exclusive satin scarf, of the book celebrating the collaboration between Toilet Paper and Martin Parr.

First monograph of the French artist who makes the changing states of the body the territory of her research, between desires and suffering.

The stakes of Francis Picabia's creative process, between exaltation and rejection of the self, at the heart of the constitution of modernity.

Catalogue of the artist's exhibition in the Portuguese pavilion at the 58th Venice Biennale: a sculpture project engaging the heritage of post-war Italy's architecture and Italian vernacular craftsmanship.

Frédéric Acquaviva's new record—A QR code record without record limited to 100 copies: a 69 minutes opera for voices (with Joël Hubaut, who also wrote the text, Dorothy Iannone and Loré Lixenberg), dead electronics and video.

First time release of these live-recordings by Phill Niblock from 2007 and 2019 (organ, played by Hampus Lindwall, and tapes).

First monographic catalogue dedicated to multimedia artist Thao Nguyen Phan, whose recent video and visual works explore the agricultural, political, and social issues in rural Vietnam.

First time release of these live-recordings by Phill Niblock from 2007 and 2019 (organ, played by Hampus Lindwall, and tapes).

This catalogue presents the artist's Sail Paintings series—32 hybrid compositions reminiscent of a boat's sail. This monumental publication (30 x 40 cm) is designed as a graphic extension to the project.

A story, between myth and reality, of Caravaggio, by parodic artist Arnaud Labelle-Rojoux.

Limited edition, numbered from 1 to 20, with an original artwork signed by the artist.

The relationships of art and pop music from the 1960s to the present.

Full transcript of Mekas's Lithuania and the Collapse of the USSR: a five-hour-long film made up of footage from US television newscasts covering the independence of Lithuania and the collapse of the Soviet Union.

Stemming from the Master Fine Arts at the Zurich University of the Arts, this publication promotes the art school as a place for pedagogical, civic and political implications.

This catalogue stems from two eponymous exhibitions examining Hungary's art scene's drive toward abstraction to reflect on the complex social conditions of the country, from the 1960s to the present-day.

Artistic views on forestry and its actors (catalogue).

Conceived for the 12th Edition of the Bamako Encounters this book captures thoughts and responses of writers, poets, and artists to the curators' proposition to think the practice of photography in Africa and its diaspora through the notion of the “stream of consciousness.”

This catalogue investigates the genealogy of the relationship between art and ecology in Europe, introducing a series of pioneering research conducted on both sides of the Iron Curtain in the 1970s.