A collaborative artist's book with Véronique Verstraete and eight associated authors.

A questionnaire (interviews with international artists, architects, and curators of the contemporary art world, such as John Baldessari, Suzanne Cotter, Bice Curiger, Chris Dercon, Charles Esche, Liam Gillick, Jacques Herzog, Thomas Hirschhorn, Rem Koolhaas, Hans Ulrich Obrist, Thierry Raspail, Beatrix Ruf, etc.).

A reflection on translation phenomena in the arts.

Déborah Danowski / Stephanie Wakefield / Stephanie Wakefield & Antek Walczak / Jenna Bliss, Elise Duryee-Browner, Damon Sfetsios / Valentin Bouré & Mélanie Matranga / Daniel Horn on Stewart Uoo / John Beeson on Tetsumi Kudo / Karl Holmqvist on Lili Reynaud-Dewar / Édouard Montassut on Camille Blatrix / Kerstin Stakemeier on Anne Imhof / Karl Holmqvist on Dorothy Iannone / Mica Gherghescu on Dubuffet typographe de Pierre Leguillon  / Jason Simon on Charles James / Neil Beloufa...

The origins of the writing of the history known as the history of modern art (catalogue).

That Summer's very first vinyl, to celebrate the 20th anniversary of its first album, “Drowsiness of Ancient Gardens”, consists of reworks (covers and remixes) of a number of That Summer's songs by some of the industrious musicians who have been part of the “band” over the years, in some way or other.

The third issue of the French-American magazine of creation and reflexion is devoted to performance art.

An epistemology of historical socialism (politics, natural sciences, humanities and religion in the early XIXth century).

2nd issue of Julien Blaine's art and poetry journal is dedicated to Native American warchief Rain in the Face.

Camille Pamela Rosenkranz, Tauba Auerbach, Renzo Piano, the 12th Lyon Biennale, Thomas Hirschhorn, Palm Springs, the 14th Venice International Architecture Exhibition, Camille Henrot, Mathias Faldbakken, Milan Kunc, Katharina Fritsch, Richard Artschwager, Haim Steinbach, Collier Schorr...

Rethinking public space.

Science and Pataphysics, volume I: the history of the origin myths—how science is torn from what is now defined as pseudo-science.

An experimental novel written by two powerful voices of French experimental poetry. With illustrations by Charles Pennequin.

A critical approach to practices of photographic representation and information.

An anthology of the international avant-garde poetry journal created in 1796 by Julien Blaine.

The possibility of concrete truth as a working hypothesis, for an art that not only represents and documents, but engages in specific political and social situations—and for an activism that searches for intelligent, creative means of self-empowerment.

Abstract Specific | Specific Abstract is a project initiated by Benjamin Meyer-Krahmer and Daniel Steegmann Mangrané as a way to continue a fruitful conversation. The first six posters of this ongoing project present contributions by Water Benjamin, Jonathan Bragdon, Dora García, Nils Hoff, Charles Sanders Peirce and Philippe Van Snick.

This book excavates the notion of forensis (Latin for “pertaining to the forum”) to designate the role of material forensics in articulating new notions of public truth. The condition of forensis is one in which aesthetic practices, new technologies, and architectural research methodologies bear upon the legal implications of political struggle, violent conflict, and climate change.

Imposture, falsification and diversion.

A study of social utopias (of European origin, mainly French) in Latin America in the 19th century: a contribution to the defense of utopia as a driving force of human progress, against all forms of utilitarianism and pragmatism.

A collective examination of the relationship between surrealism and the “splendid nineteenth century” (André Breton), and changes that have occurred in the field of political ideas, industrial development, psychiatry, philosophy or morality, between appropriation, misappropriation and rejection.

A real, potential and fictitious museum by Michel Giroud.

Large format album showcasing the autobiographical and reflective poetry of Sylvain Courtoux. These hybrid texts featuring visual collages and typographic experiments are accompanied by a recording of noise music entitled Dead By A Thousand Sources.

This collection of essays explores the making and the reception of artifacts before the nineteenth century. It addresses media such as metal, wax, plaster, terracotta, textiles, marble, ivory, porcelain, canvases and tables in an attempt to re-assess the current identification of the mediality of prints with that of pre-modern “multiples” in general.

Terry Adkins, Kai Althoff, Art After Art, Art Against the Net, Art and Appropriation, Josh Bitelli & Felix Melia, Elaine Cameron-Weir, Paul Chan, Liz Deschenes, João Enxuto & Erica Love, Hallucination Museum, Alex Olson, Laura Owens & Lisa Williamson, A Pedagogy of Invention, Sean Raspet, Cameron Rowland, Ben Schumacher & Jared Madere, A.L. Steiner, Stylometry, Franz Erhard Walther, The Work of Images in the Age of Digital Reproduction, Worldly Worlding, The Artist as Curator.

For its ten-year anniversary, the magazine addresses the fascination and obsession towards the conquest of space. The issue invites Italian authors to discuss the subject of outer space, and artists in residence at the French Space Agency document their projects (Pierre Senges, Charles Pennequin, Jean Lambert-wild, Vannina Maestri, Éric Pessan).

The novel by Brian O'Doherty, written from the perspective of the Chevalier d'Eon (1728-1810), who lived as both man and woman, French spy and European celebrity, reveals the radical modernity of one of the eighteenth century's most mysterious figures.

Art and teaching.

Françoise et Jean-Philippe Billarant's collection of minimal and conceptual art.

RadioDordogne#1 is a vast montage of sound recordings made by the sound cartographers in 2014 for the web radio RadioDordogne. Sound heritage, readings, landscapes, archives, musical creations are intertwined to propose six radio pieces for listening.

First meeting recorded live at Swissnex, San-Francisco, in February 2009 (Fred Frith: electric guitar; Michel Doneda: soprano and sopranino saxes).

The second volume of a collection of papers on cognitive capitalism in relation with the conditions of mind and brain in the Information Age.

Transcript of Jeff Wall's extraordinary lecture on Marcel Duchamp's great legacy Étant donnés, presented at the First Annual Anne d'Harnoncourt Memorial Symposium, September 11, 2009, at the Philadelphia Museum of Art.

On Purpose and Urgency: Cory Arcangel, Defne Ayas, Angie Keefer, Adam Kleinman, David Levine, Chus Martínez, Seth Price, João Ribas, Carey Young, Akram Zaatari; On Art and the Distributed Spectacle, Kevin Beasley, Caleb Considine, On Cooperation, Thomas Eggerer, GCC, hobbypopMUSEUM, Christina Mackie, Steve McQueen, Alan Moore by Hans Ulrich Obrist, Jon Pestoni, Pots on Video, Charles Ray, Tabor Robak, The Artist as Curator (a serial publication debuting in this issue), Luke Willis Thompson, The Value of Art Criticism, Dena Yago...

The Silo auditorium in Marseilles is an architecture of industrial splendor designed by Roland Carta. The building inspired Édith Azam a poetic text on the notion of spectacle.

A new work based on a series of photographs made by Richard Prince when he was student in France (artist's book): a window into Prince's formative period.

The Fourierist conceptual index: a tool allowing a completely new reading of Charles Fourier's complete writings based on current possibilities of science and technology applied to texts, through a dedicated software interface for content analysis (CD-rom included).

Digital version of the Fourierist conceptual index: a tool allowing a completely new reading of Charles Fourier's complete writings based on current possibilities of science and technology applied to texts, through a dedicated software interface for content analysis.

35 years of performance art in Canada and around the world.

Jonas Kocher, Guy Girard, Tetsuo Furudate, Festival Densités, PaaLabRes, a history of musical destructions by Matthieu Saladin (part 3)...

Bernard Heidsieck's typescripts.

62 postcards that constitute the collection of the photographs taken and diplayed in the public space in six French regions.

The first in-depth study of the reception of “French Theory” by American artists since the early 1960's.

This issue of the magazine of Palais de Tokyo underlines the importance of the recently defined curator figure and sheds light upon current exhibition practices he developed (360 pages, including a special issue of the American journal on curatorial practices and exhibition making The Exhibitionist)

An initiatory sound journey in the urban jungle of Rio de Janeiro.

Utopias, dystopias, and anarchy in the Sixties counterculture and popular music. Plus a special feature on heavy-metal studies.

The catalogue of the Prize for the Most Beautiful Books in Brussels and Wallonia, accompanied by a reference book on the Belgian typographer which name has been associated with the Prize.

Ten discussions based on the opening picnic scene of Charles and Ray Eames's film Powers of Ten used as score.

The relationship to the animal in contemporary art.

The first issue of the critical magazine published by the Ecole nationale supérieure des beaux-arts de Lyon is dedicated to George Maciunas.