A history of southern surrealism, between Monaco and Alexandria: a journey that defies established cartographies, far from the nationalistic landmarks of a European-centric history of modernity.

The first new album in over 40 years by American composer, pianist, and digital audio pioneer Loren Rush: Bay Area experimentalism meets 20th century classical modernism.

The first issue of the editorial discursive space for the Bergen Assembly triennial, conceived by Saâdane Afif, explores the identity, role and position of the Professor (contributions by Uli Aigner, Lili Reynaud-Dewar, Jörg Heiser, Christian Nyampeta, Vivian Slee and Marjorie Senechal).

A portrait of Jean Dupuy through a film by Gilles Coudert and a collection of unpublished texts.

Morceaux choisis is the first seminal overview of Saâdane Afif's artistic practices. The publication features 48 exhibitions or performances organized in 28 separate sections, covering a period of 14 years.

Published on the occasion of the forty-year anniversary of Chantal Crousel Gallery, this extensive publication (more than 700 pages) traces the history of the gallery, a major actor on the contemporary art scene, in France and abroad.

A new essay by curator and publisher Mathieu Copeland about Arnaud Labelle-Rojoux's reinvention of Allan Kaprow's environment The Apple Shrine and considering, more generally, the themes of reinvention in art and the exhibition form.

A study attempting to put the authorship of God back into perspective with the help of new sources and to explain why this is actually a work by Morton L. Schamberg.

A journey through the life and way of thinking of the French intellectual, medical biologist, philosopher and writer.

Stefan Banz has brought together and evaluated all the relevant documents and sources relating to Fountain by Richard Mutt alias Marcel Duchamp. At least one thing is certain after reading them: Elsa von Freytag-Loringhoven had definitively nothing to do with the creation of Fountain. In addition, Banz has succeeded in writing a highly inspiring book containing many new and revealing ideas that present this work of the century in a much more differentiated light.

The stakes of Francis Picabia's creative process, between exaltation and rejection of the self, at the heart of the constitution of modernity.

A collection of photographs of children who grew up to become famous in a variety of fields, from literature to arts, sports, politics, and even crime. A photographic “Guess Who” of the 20th century in the making.

Stefan Banz has brought together and evaluated all the relevant documents and sources relating to Fountain by Richard Mutt alias Marcel Duchamp. At least one thing is certain after reading them: Elsa von Freytag-Loringhoven had definitively nothing to do with the creation of Fountain. In addition, Banz has succeeded in writing a highly inspiring book containing many new and revealing ideas that present this work of the century in a much more differentiated light.

This lavishly illustrated catalogue comprehensively documents three recent projects by Franco-German artist Ulla von Brandenburg.

Publication devoted to the only statement the Belgian artist has ever published about his own work.

An exploration of the theme of emptiness in art (exhibition catalogue).

The publication presents a series of works and two critical texts stemming from Bertrand Lamarche's project on the occult figure of Baphomet.

First publication dedicated to Jamaican-born American photographer Percy Rainford, a longtime collaborator of both Marcel Duchamp and architect Frederick Kiesler. Drawing from extensive archival research and interviews, author Michael R. Taylor showcases the work of this remarkable avant-garde photographer, while also shedding new light on his collaborations with Duchamp and Kiesler.

The first publication ever dedicated to the musical works of American painter Louis Michel Eilshemius: Halfway between romantic tradition and futurist audacity, these sound pieces which prefigure the use of sampling are interpreted with virtuosity by the young pianist Imke Lichtwark in the accompanying CD. The book also includes texts by Roberto Ohrt, Sven Daigger, Stefan Banz, and by Eilshemius himself.

This publication revives the fascinating adventure of Pierre Keller's invention and dissemination of the “Kilo-Art,” the “Swiss standard for art measurement.” For the two years 1972 and 1973, the young artist—now a key figure of the contemporary artistic and pedagogical scene in Switzerland—dedicated his life to what he called “conceptual art with realization.”

Art critic Rahma Khazam brings together a heterogeneous collection of authors offering a variety of interpretations on the work of artist and poet Franck Leibovici.

Throughout the twentieth century, critical art history often chose to ally itself with a restrictive brand of formalism. Therefore, critical analyses regularly reduced the artwork to its material and its social use. Based on this observation, historian Sebastian Egenhofer takes Deleuze's readings of philosophers as a starting point to renew the narrative of art history since the 1960s.

In her brilliant essay, Helen Molesworth pinpoints the significance of the return of the handmade in Duchamp's artistic oeuvre of his later years and, at the same time, and for the very first time, makes this fundamental paradigmatic change the focal point of academic debate.

A collection of texts written between 1983 and 2016, enabling us to comprehend the singularity of Sivan's work. Prefaces in opening section offer insights into this unusual poetry, pointing the links between Sivan's poetic universe and those of Denis Roche, Raymond Roussel, Charles Olson, Maurice Roche, Marcel Duchamp…

Second issue dedicated to the notion of risk in art, together with a booklet celebrating the 100th anniversary of Fountain, the iconic work by Duchamp. The magazine also features tributes to two recently deceased artists, Gusztav Metzger and Felipe Ehrenberg.

A study on the relationship between literature and madness from the 18th century until now.

An introductory examination of asylum art before the theorization of art brut, followed by a new critical edition of French alienist Marcel Réja's study on the “madmen's art”.

The book of the 14th edition of the international exhibition, curated by Emma Lavigne, with more than 50 artists.

What would a current-day demon look like? The Swiss artist playfully rehabilitates these evil figures in 170 minimalist portraits—rendering them as an ideal type of the postmodern, at once terrifying and comical.

An in-depth exploration of the Canadian artist's anthropology-based research method in the form of a conversation with Corinna Ewald, Smaranda Olcèse, and Julie Pellegrin (inaugural title of the “Digressions” series initiated by La Ferme du Buisson in collaboration with Captures editions).

Modernist master Florine Stettheimer; South Korea's gangster cinema; saving the National Endowment for the Arts; interviews with Charline Von Heyl and Christodoulos Panayiotou; “Negative” section with Rei Kawakubo, Eurovision, Macron, and more; reviews and summer's agenda; portfolio by Jane Chang Mi…

This work is the result of a historiographical research work carried out to revive the highlights of the Centre d'Art Contemporain Genève since its creation in 1974 to the present day. Articulated in two sections, the book traces, through nearly 500 richly illustrated pages, the singular history and the moments of grace of the first Kunsthalle of French-speaking Switzerland.

A dense and enlightening analysis of the “signature” and the development of the story of Marcel Duchamp's Fountain in its historical integration.

Outside museums, on the roadsides, a journey through the gardens and backyards of Europe and America to discover the "madmen's art": an illustrated essay on the birth and the future of Art Brut (new expanded edition).

Nightfall gives an overview of Gothic imagination in the arts, from the 18th century to the present day. This pocket-sized catalogue examines the persistent influence of the pioneering works of modern gothic fiction through a series of essays and a rich iconography.

New collection of essays by Boris Groys in which the philosopher discusses the works and artists that influenced his thinking, from Paweł Althamer to Andy Warhol.

This catalogue gathers works from different periods of the artist's career, though giving particular prominence to his drawings in analog and digital form—the Pixel-Bildli and Hice for Weiss series, or his plastic mosaics. A foreword by Salvatore Lacagnina and a contribution by Arthur Fink introduce the reader to Bruhin's multifarious work, while a conversation with the artist helps unfold his eclectic strategies.

An impressive collection of essays offering a critical examination of representations of vision in motion—from early illustrations of plants to the avant-gardes, from gesture to cinema, from decapitation to dance, from David Hume to Bergson and Deleuze.

Martial Raysse's reference monograph: a comprehensive, luxurious and lavishly illustrated publication recounting Raysse's multiple pictorial metamorphosis since 1957.

Martial Raysse's reference monograph, with an original lithograph, numbered and signed.

First monograph.

A collection of texts by Robert Lebel on surrealism.

The influence of cartoon on Duchamp's work.

The text published in Villa is a risograph printed transcript of a heretofore unpublished manuscript by Emilio Villa, written around 1962 and addressed to the painter Mario Schifano. The publication remains faithful to the original document and thus there have been no spelling or language corrections.

A facsimile edition of a surrealist poem by Robert Lebel and originally published in 1943. Illustrated with seven constructions by artist Isabelle Waldberg.

This monumental first retrospective monograph dedicated to Louis Michel Eilshemius brings together works from over 70 institutions and private collections, providing the reader with a profound insight into the oeuvre of this unusual artist. In an expansive essay, Stefan Banz examines for the first time the questions of whether and to what extent Eilshemius influenced Duchamp's artistic thinking.

Avant-garde meets Cinecittà: in 1964, artists Baruchello and Griffi edit found footage of Hollywood films from the fifties in Italian version. This original assemblage seeks to disclose the formatting process in the Cinema Industry and offer a new meaning to images.

When artistic gestures achieve the maximum effect through the smallest of means: the catalogue of the Lulennial, a biennial organized by Fabiola Iza and Chris Sharp at Lulu, a 9-square meter independent space in Mexico City, whose economy, “in the sense of doing a lot with a little or sometimes nothing at all,” is one of the founding principles.

Catalogue.

The never-before-published selection of Carlo Scarpa's writings and illustrations (photographs, architectural plans, sketches, etc.): an invaluable tool to understanding exhibition history and the importance of the architectural conception of exhibitions.