The 33rd issue of the cross-generational literary journal, focusing on the theme of ghosting and disappearance.

Espace art actuel # 142, focusing on the theme of "prophecies" in contemporary artistic practices.

Invited by Mara Hoberman, nine artists from both sides of the Atlantic reflect on Joan Mitchell's life, work and enduring impact.

A selection of René Berger's lectures and the proceedings of a symposium he had organized around art, technology and communication, offering a closer insight into his thinking on video art and new media.

A monograph covering more than thirty years of creative work, MONO ICONO GRAPHIE traces the unique career of Delphine Coindet, an artist at the crossroads of sculpture, image, and text, offering for the first time an unprecedented overview, both critical and visual, of a major body of work.

Álvaro Urbano by Javier Montes, Togar by Hung Duong, Kerry James Marshall by James Meyer...

Red Rubber Road; Fatena Abu Mostafa; Inner Lifts (Sissel Vera Pettersen, Randi Pontoppidan, CTM, Sissi Rada, Meriheini Luoto, Berlinde Deman, Claire M Singer, IKI, Bridget Ferrill); Erell Latimier; Claire Serres & les Sirènes; Xavière Fertin & Louis Frères; Seijiro Murayama; Sophie Agnel; Tom Johnson (1939-2025)...

Index #8 features all e-flux's commissioned pieces from March–May 2025. It includes contributions from 142 authors, artists, architects, filmmakers, poets, and educators, organized into eleven thematic snapshots.

A spectacular journey through 80 major works of modern and contemporary art (by Picasso, Kandinsky, Joan Mitchell, and Hockney to Manal AlDowayan, Etel Adnan, and Imran Qureshi) in AlUla, an oasis located on the ancient incense route, taking the image of the "garden in the desert" as a starting point for artistic reflection on the evolving relationship between humans and nature.

This book brings together three texts on Arnaud des Pallières' documentary Disneyland, mon vieux pays natal (Disneyland, My Old Homeland), extending the critical thinking engaged by this hybrid filmic object on spectacle and late capitalism.

A cross-disciplinary and critical reflection on the philosophical stakes of so-called "artificial intelligence", from an epistemological, political and cultural point of view, beyond naive fascination and ignorant rejection.

First monograph devoted to the artist's research on the materiality of images through an exploration of the conditions of visibility of secretions.

An illustrated almanac on arts, science, and society, dedicated to the wise men and the fools.

A mapping of the international landscape of technological archives.

The "doing" in art and design research.

An anthropological-acoustic study of the aftermath of war.

a panoramic view of John Cornu's practice since 2006, with thirty-eight works accompanied by thirty-eight texts by historians, curators, conservation experts, art critics, and contemporary artists, with as many different approaches and possible readings.

The totally remastered version of the fourth album by Belgian band Univers Zero, recorded in 1984.

The totally remastered version of the fourth album by Belgian band Univers Zero, recorded in 1984.

Centered on the emblematic figure of Pontus Hultén (1924–2006), this issue of Revue Faire explores the director's publishing work during his time at the head of the Moderna Museet in Stockholm, from 1960 to 1973.

Pierre Bastien deepens his exploration of “elsewhere,” as well as the materiality of sound, through the machinery of his vast Mecanium.

Morten Søndergaard (co-editor); interviews with panGenerator, Charles Stankievech, Mélia Roger, Adelin Schweitze; articles: Geofónie, Sonic Reorientations; reports: Electric Dreams, The Vinyl Factory: Reverb, Art Must Be Artificial.

Taking its title from the seminal book by the priest, philosopher, and historian Michel de Certeau, this publication, which accompanies the eponymous Capc exhibition, bears witness to unique ways of being in the world through the transformation of materials, tools, and everyday practices, inscribed directly onto the pages of a regional daily newspaper.

The luxurious annual publication in large format Magma aims to return to the artistic, intellectual, and graphic standards of the avant-garde "revues d'art " from the previous century. The 3rd issue brings together 25 artists, writers, filmmakers, and composers from around the world, and showcases around 100 previously unpublished artworks and texts.

The design research journal devotes its 59th issue to contemporary forms of graphic design transmission.

The Cahiers du Collège International de Photographie (CIP) put into practice a form of thinking rooted in photographic experience—on the margins of both academic and professional worlds. This first issue seeks to weave together all parts of the photographic ecosystem in a living reflection on the crisis of sensibility that runs through our societies.

Off The Record by French collagist Roméo Poirier is an amusing romp through the discarded history of recording studios. It contains fourteen miniatures based on accidental recordings of studio talk, revealing things that were never meant for the public.

Yoann Sarrat presents a collection that showcases his practice of performative writing combined with tattooing (with and without ink—which he calls “dermographic poetry”) and dance.

Monograph dedicated to the famous designer's early work.

In a collection of interviews given over a period of almost twenty years, a poet seeks to find out a little more about what he makes by confronting his practice with other arts (plastic, sound, scenic).

The first volume of essays devoted to the work of Liliane Giraudon explores the diversity of her oeuvre, its interdisciplinarity but also its coherence, and enables us to understand what makes its strength and importance in the contemporary literary landscape.

This book takes as its starting with the question "What is a good poster?"' and then gradually drifts away from it as it unfolds, confronted with the complexity of this question that pertains to the truth, accuracy, functionality or even the good taste of a graphic work.

In this essay, Alexandre Gérard recounts his discovery and interpretation—which was not entirely straightforward at first—of the work of his great-uncle, the artist Jean Dupuy (1925-2021).

The Zenne Quartet performs the quartets of contemporary Belgian composer Walter Hus.

A meditation on absence, decay, and the spectral traces left behind in emptied architectural spaces.

A groundbreaking curatorial proposal by Jean-Hubert Martin, bringing together five galleries with very different specialties (primitive arts, art of the Middle Ages and Renaissance, antiquarian books and incunabula, Surrealism and modern art, Nouveau Réalisme and contemporary art).

A tribute to the cultural legacy of Louisiana's Francophone and Creole songs, shaped by African, Native American, French, and Caribbean influences.

"The architect is an intellectual who draws": drawings made “by hand” by 24 contemporary architects, collected by Bernard Quirot.

Joke Lanz; female duo (Ana da Silva & Phew, Marja Ahti & Manja Ristić, Lea Bertucci & Olivia Block, Angel Bat Dawid & Naima Nefertari, etc.); Magali Dougoud; François Bayle; Céleste Gatier; Banetoriko; Ed Williams; Madelyn Byrd & Ashlynn White; Nicolas Field & Thomas Florin; book and record reviews...

Index #7 features all e-flux's commissioned pieces from December–February 2024–25. It includes contributions from 105 authors, artists, architects, filmmakers, poets, and educators, organized into eleven thematic snapshots.

An exploration of the opportunities opened up by eco-design: from physical environments to imaginary ones, from a focus on resilient uses to new collective narratives.

Comprehensive monograph.

The inaugural issue of the journal of psychoanalysis and interdisciplinary discussions, around the figure of the fold.

A collection of texts and interviews, some previously unpublished, covering a period of almost 50 years, with rare illustrations.

This tribute book brings together one hundred and one voices from very diverse backgrounds (historians, artists, writers, philosophers, curators, professors, students, close friends and fellow travelers) to draw , through an inventory of friendship, a multidimensional portrait of Laurence Bertrand Dorléac, and bear witness to the community of intellectual friendship that she was able to create.

A comprehensive overview of the work of Chantal Montellier, a comic-book pioneer and mentor to younger generations, highlighting the diversity, richness, and artistic qualities of an engaged and visionary body of work.

A long narrative poem punctuated by 12x2 drawings, a montage of statements and notations in which a poetess (fat and old) keeps a kind of diary in which the destruction of the private body is articulated to that of the social body.

Exclusive works designed by Laure Prouvost for her carte blanche at the Mucem in Marseille, a series of immersive and poetic installations in the heart of Fort Saint-Jean, photographed by Raphaël Massart for this cut-out book, between an artist's book and an exhibition catalogue, accompanied by drawings and critical texts.

The fifth issue of the annual magazine that promotes know-how and technique in design, craft or industry looks at the act of spinning.

Invited by Pierre Mabille, nine artists, from both sides of the Atlantic (Sheila Hicks, Fanette Mellier, Mathieu Mercier, Sarah Morris, Dan Walsh...), share their impressions of one of the 20th century's most influential abstract painters and teachers.