Le Un ensemble orchestra, accompanied by a group of guest researchers, continues its sonic, musical, and poetic experiments as it travels downriver along the Gironde estuary.

The outcome of Caroline Mazel's long-term research on the "critical regionalist architecture" developed by Jean-Raphaël Hébrard (1927–2006) in the Basque Country, which bridges modernist architecture and local building traditions.

First monograph.

e-flux Index first special thematic issue, concentrating on the relationship between art and theory today, brings together essays by some 100 international contributors considering the relationship of theory to artistic practice, architectural practice, contemporary politics, and arts education.

Leszek Brogowski sets out in search of the milestone markers.

This new monograph offers a fresh and international perspective on the relationship between Journiac's work and the sacred.

A comprehensive guide to the monumental, immersive installation created by Nabil Nahas for the Lebanese Pavilion at the 61st Venice Biennale.

Leïla Grace Voight’s debut novel: the story of two parallel confinements, told in forty-three scenes by twenty-one women and twenty-two men—all visual artists—accompanied by an emerging AI, an anti-COVID superheroine.

What translation does to performance and what performance does to translation: a collective publication exploring the relationship between translation and performance, including the fields of theater, dance, sound and visual poetry, and film.

A 33-year journey through the Venice Biennale (1993–2026).

A collective exploration of the murky area where practices from sound art, visual arts, performance, digital technologies, science, but also poetry and philosophy intersect in a constantly evolving digital environment, drawing on the cross-disciplinary dynamics and experiments initiated by the international festival ]interstice[ in Caen.

The relationship between design and industry.

The relationship between design and industry.

A three-CD set offering a glimpse into the work of the improvisation ensemble Le UN, featuring performances by a large ensemble in various acoustic settings, small and medium-sized ensembles, and outdoor performances in public spaces (light intervention brigade).

An exploration of the utopian labyrinth that has fueled the imagination and work of internationally renowned architect Rudy Ricciotti.

An exploration of the utopian labyrinth that has fueled the imagination and work of internationally renowned architect Rudy Ricciotti, through a quasi-cinematic montage of images and quotes, constituting a stroll through the mind of the “character” Ricciotti, each space visited punctuated—as in a voice-over—by a text by Jean-Louis Poitevin.

Chuck Roth; Mark Cauvin; Keiko Higuchi; Aude Rabillon & Erell Latimier; Pauline Weidmann; Jean-Claude Éloy (1938–2025)...

Interviews with Machine Listening, Tomomi Adachi, Erin Gee, Pedro Oliveira; article: The Watery Graves of Electronic Speech, or Phonemes in Davey Jones' Locker; reports: Festival de la Imagen 2025, Choose Your Filter!...

The relationship between art, agriculture, and biodiversity.

A collaborative album born from a live performance rooted in a meticulous mutual observation of each musician’s playing style and setup: eRikm’s turntables, electronic devices, and vast sound library; and Pierre Bastien’s mechanical orchestra and range of acoustic instruments.

More than 150 drawings from the collection of producer and filmmaker Marin Karmitz: a selection of works by historical, modern and contemporary artists that highlights the tension between the life and death drives.

A solo improvisation and composition by Lionel Garcin (on soprano saxophone) inspired by listening to natural environments and built on exploring the harmonic possibilities of the instrument.

A photographic inventory of the distinctive features of the Grandclément neighborhood in Villeurbanne, created by students at the École Supérieure d'Art et Design de Saint-Étienne.

First personnal catalogue of the Ghanaian artist and preacher Kwame Akoto (Almighty God).

A performative research-creation project by Emmanuelle Becquemin.

New monograph.

A seminal exploration into screens' crucial functions and profound impact on human culture.

The 33rd issue of the cross-generational literary journal, focusing on the theme of ghosting and disappearance.

Espace art actuel # 142, focusing on the theme of "prophecies" in contemporary artistic practices.

Invited by Mara Hoberman, nine artists from both sides of the Atlantic reflect on Joan Mitchell's life, work and enduring impact.

A selection of René Berger's lectures and the proceedings of a symposium he had organized around art, technology and communication, offering a closer insight into his thinking on video art and new media.

A monograph covering more than thirty years of creative work, MONO ICONO GRAPHIE traces the unique career of Delphine Coindet, an artist at the crossroads of sculpture, image, and text, offering for the first time an unprecedented overview, both critical and visual, of a major body of work.

Álvaro Urbano by Javier Montes, Togar by Hung Duong, Kerry James Marshall by James Meyer...

Red Rubber Road; Fatena Abu Mostafa; Inner Lifts (Sissel Vera Pettersen, Randi Pontoppidan, CTM, Sissi Rada, Meriheini Luoto, Berlinde Deman, Claire M Singer, IKI, Bridget Ferrill); Erell Latimier; Claire Serres & les Sirènes; Xavière Fertin & Louis Frères; Seijiro Murayama; Sophie Agnel; Tom Johnson (1939-2025)...

Index #8 features all e-flux's commissioned pieces from March–May 2025. It includes contributions from 142 authors, artists, architects, filmmakers, poets, and educators, organized into eleven thematic snapshots.

A spectacular journey through 80 major works of modern and contemporary art (by Picasso, Kandinsky, Joan Mitchell, and Hockney to Manal AlDowayan, Etel Adnan, and Imran Qureshi) in AlUla, an oasis located on the ancient incense route, taking the image of the "garden in the desert" as a starting point for artistic reflection on the evolving relationship between humans and nature.

This book brings together three texts on Arnaud des Pallières' documentary Disneyland, mon vieux pays natal (Disneyland, My Old Homeland), extending the critical thinking engaged by this hybrid filmic object on spectacle and late capitalism.

A cross-disciplinary and critical reflection on the philosophical stakes of so-called "artificial intelligence", from an epistemological, political and cultural point of view, beyond naive fascination and ignorant rejection.

First monograph devoted to the artist's research on the materiality of images through an exploration of the conditions of visibility of secretions.

An illustrated almanac on arts, science, and society, dedicated to the wise men and the fools.

The "doing" in art and design research.

An anthropological-acoustic study of the aftermath of war.

a panoramic view of John Cornu's practice since 2006, with thirty-eight works accompanied by thirty-eight texts by historians, curators, conservation experts, art critics, and contemporary artists, with as many different approaches and possible readings.

The totally remastered version of the fourth album by Belgian band Univers Zero, recorded in 1984.

The totally remastered version of the fourth album by Belgian band Univers Zero, recorded in 1984.

A mapping of the international landscape of technological archives.

Centered on the emblematic figure of Pontus Hultén (1924–2006), this issue of Revue Faire explores the director's publishing work during his time at the head of the Moderna Museet in Stockholm, from 1960 to 1973.

Pierre Bastien deepens his exploration of “elsewhere,” as well as the materiality of sound, through the machinery of his vast Mecanium.

Morten Søndergaard (co-editor); interviews with panGenerator, Charles Stankievech, Mélia Roger, Adelin Schweitze; articles: Geofónie, Sonic Reorientations; reports: Electric Dreams, The Vinyl Factory: Reverb, Art Must Be Artificial.

Taking its title from the seminal book by the priest, philosopher, and historian Michel de Certeau, this publication, which accompanies the eponymous Capc exhibition, bears witness to unique ways of being in the world through the transformation of materials, tools, and everyday practices, inscribed directly onto the pages of a regional daily newspaper.