Camille Henrot, Harald Szeemann, Vincent Honoré and Mauricio Marcin, Jean-Max Colard, Christina Ramberg and artists' contributions for Playboy since the 60's, Alex Da Corte and Matthew Owen, Jordan Wolfson, Takeshi Murata, Claudia Wieser, Oliver Laric, Zak Kitnick, Mark Emblem and Clément Delépine...

Palais #20 reflects the new season of exhibitions at the Palais de Tokyo, more particularly with the exhibition “Inside”, with contributions from a large number of writers, philosophers, curators, anthropologists, historians, architects and researchers; David Maljković; “Inside China: inside the Giant”; a visual contribution by Shahryar Nashat; a focus on five emerging artists from the contemporary art scene: Jean-Marie Appriou, Virginie Gouband, Louise Pressager, Enrique Ramírez, and Qingmei Yao.

2nd issue of Julien Blaine's art and poetry journal is dedicated to Native American warchief Rain in the Face.

A collective work conducted by students and teachers from the Design & Space Master at ESAAA art school that aims to highlight the atypical forms that young designers produce and address to our contemporary societies.

A brief personal history of the radical tendencies of modern and contemporary art in Croatia.

Both an artist's book and Kader Attia's reference monograph, “RepaiR” consists of interviews and texts around Attia's oeuvre, documented through about 1000 b/w reproductions, and the notion of repair, by 13 academics and researchers working in various disciplines. The book also reveals the artist's research and creation process, with a selection of archive texts and images.

Minimalist progressive lofi techno tracks by MACON (Nicolas Murer) for a series of exhibitions by visual artist Lili Reynaud-Dewar.

Rethinking public space.

Does Mona Lisa deserve her mustache? An erudite review of 180 pre- and post-Duchamp caricatures and misappropriations.

Science and Pataphysics, volume I: the history of the origin myths—how science is torn from what is now defined as pseudo-science.

Science and Pataphysics, volume II: the birth of linguistics, as an academic field, in France, and the ideological and political issues that contribute to this implementation.

As much adventure novel as catalogue raisonné, this book tells the fabulous pedagogical and artistic experience of the studio Pensée nomade, chose imprimée (Nomadic thought, Printed matter) led from 1989 to 2013 at the Bordeaux School of Fine Arts in France by Michel Aphesbero & Danielle Colomine (4taxis), and Jean Calens.

Camille Pamela Rosenkranz, Tauba Auerbach, Renzo Piano, the 12th Lyon Biennale, Thomas Hirschhorn, Palm Springs, the 14th Venice International Architecture Exhibition, Camille Henrot, Mathias Faldbakken, Milan Kunc, Katharina Fritsch, Richard Artschwager, Haim Steinbach, Collier Schorr...

First monograph, with an essay by Jacqueline Burckhardt.

A collection of textual and visual essays stemming from a series of lecture-performances in which artists and curators experimented with various strategies of reprise in the fields of publishing, visual arts, animation, new technologies and the law.

Collection of poems bringing together French authors on the fringes of literary trends, past and present. Under the supervision of François Dominique and Bruno Lemoine. This edition includes a DVD of video-poems by Isabelle Filleul de Brohy.

The history and posterity of François Mathey (1917-1993), a singular curator with the destiny of a romantic hero, a major figure in the promotion of contemporary art and a pioneer of artistic heritage.

An experimental novel written by two powerful voices of French experimental poetry. With illustrations by Charles Pennequin.

Through the notion of ecology of art, Des récits ordinaires (On ordinary conversations), a project by Grégory Castéra (curator), Yaël Kreplak (linguist) and Franck Leibovici (poet and artist), attempts to vizualise the various modes of existence of artworks.

The meaning of performance and performativity today.

An anthology of the international avant-garde poetry journal created in 1796 by Julien Blaine.

This book documents an installation by Eric Baudelaire revisiting the political and personal saga of the Japanese Red Army as an anabasys—an allegory of a journey that is both a wandering into the unknown and a return back home.

Walter Zanini, Vincent Honoré and Margarida Mendes, Jean-Max Colard, Ed Fornieles, João Mourão et Luís Silva, Jack Lavender, Rolf Nowotny, Judith Hopf, Avery Singer, Marie Angeletti, Quinn Latimer and Anne Dressen, The Still House Group...

4th issue of the art and research magazine is dedicated to the “realized” utopia of Monte Verità.

The possibility of concrete truth as a working hypothesis, for an art that not only represents and documents, but engages in specific political and social situations—and for an activism that searches for intelligent, creative means of self-empowerment.

A selection of writings by artist, poet and political activist Jimmie Durham, one of the most influential figures of recent decades: essays and conferences on art and society, critical reflections on “Eurasia”, the history of US-American Indian relations, and observations on the city and nature. A recurrent theme is his interrogation of the ideological complicity between monumental architecture and scripture – “architexture”– as the foundation of Eurocentric belief and tool of others' disenfranchisement.

3rd issue of the sound arts and experimental music annual review, devoted to the question of sound space.

Artist's book.

A visual archive of movement.

A perspective on contemporary video and multimedia creation through the various works produced by students and invited artists-professors for the 16th edition of the “Panorama“ program at Le Fresnoy, curated by Matthieu Orléan.

Works, authors and rights: music and dance in globalization.

An epistemology of performance.

Education and totalitarianism, in Central and Eastern Europe: a multidisciplinary reflection on totalitarianism as a political and anthropological project which, paradoxically, puts the question of education at the center of its concerns.

3rd issue of the sound arts and experimental music annual review, devoted to the question of sound space.

Thirteen sonnets written by the artist between 1974 and 2013.

Martial Raysse and cinema.

Lucie Béguin, Asmaa Betit, Feng Li, Jean-Christophe Marquez, Géraldine Martin & Charlotte Mas / Edwin Fauthoux-Kresser / Violaine Laveaux / Yohann Gozard / Barthélémy Toguo, Frédéric Bruly Bouabré, Mounir Fatmi, Najia Mehadji, Yazid Oulab, Chéri Samba, Malick Sidibé, Pascale Marthine Tayou / Hervé Bréhier / Figure(s) & paysage(s) / Alexandre Atenza / Francisca Martínez, Charuwan Noprumpha, Andrés Donadio.

Georges Rey / Florence Bonnefous / Éric Troncy / Yves Aupetitallot / Elein Fleiss, Dominique Gonzalez-Foerster, Bernard Joisten, Jean-Luc Vilmouth, Olivier Zahm / Nicolas Bourriaud / Renaud Jerez / Roy Genty / Annie Godfrey Larmon / Nick Mauss / Neil Beloufa / Jacob King / Vincent Normand / Damon Sfetsios, Elise Duryee-Browner / Jana Euler.

One year in the art world.

Imposture, falsification and diversion.

Representation of pain in the art of the twentieth and twenty-first centuries.

A study of social utopias (of European origin, mainly French) in Latin America in the 19th century: a contribution to the defense of utopia as a driving force of human progress, against all forms of utilitarianism and pragmatism.

The legendary French trumpeter is back after 20 years with its special atmosphere and feeling, and a lot of guests—a real event.

The legendary French trumpeter is back after 20 years with its special atmosphere and feeling, and a lot of guests—a real event.

This catalogue documents the theoretical and practical research stemming from a project inspired by the legendary exhibition “Art by Telephone” held at the Museum of Contemporary Art in Chicago in 1969, extending it today with contributions from new artists. The works were first orally conveyed by telephone to then be interpreted, activated, and produced by art students.

This richly illustrated catalogue presents the work of Florence Louise Petetin in all its variety: paintings, drawings, graphic works, performances, texts, video, etc. In appendix, a selection of texts and poems by the artist.

A real, potential and fictitious museum by Michel Giroud.

Capture is such a productive fictitious rock band, that nobody can consume everything. It produces new music, words, images, videos and derived products every hour. Capture reverses the consumerism ideology and the relation between desire and objects. This publication documents the project.

This record highlights Leo Kupper's earliest unique compositions produced during the 1960's when he was ardently seeking out structures distinctly applicable to purely electronic sounds.

What happened to the boy Tadzio on the Venetian Lido beach in Thomas Mann's and Luchino Visconti's Death in Venice? British director Peter Greenaway relates Tadzio's future.