Sound arts

166 minutes with Charlemagne Palestine (piano Bösendorfer, orgue Yamaha and voice) and Rhys Chatham (trumpet, loop pedal, electric guitar).

This audio art book documents an experiment in binaural sound by French artist Loris Gréaud performed around the world over five years. Using binaural beats, Crossfading guides the listener to the threshold of sleep. The book includes MRI images of the artist listening to the piece.

Long-range acoustic hallucinations for violin (Anthony Pateras) and piano (Erkki Veltheim).

A milestone film from American composer and filmmaker Phill Niblock, presented for the first time in DVD with two alternate soundtracks, T H I R is a mesmerizing and hypnotic film from his Environments series shot in upstate New York in 1972. This film is one of Niblock's finest and undiscovered jewels—a must have classic release.

In 2015, the web radio RadioDordogne offers five carte blanche to sound artists and composers. They each deliver a piece, born from what the territory evokes to them.

A studio album of songs by Frédéric Le Junter (voice, texts and home-made instruments) and Dominique Répécaud (electric guitar), where the music is truly at the service of texts with a pataphysical and surrealist edge but still in the realm of popular music.

Last Words is a dual-input device: a book associated with a sound piece built from the last statements of all inmates executed in Texas since the resumption of executions on December 7, 1982.

Rashad Becker, Catherine Lamb, video in performing Arts, Festival Sonorités, what is normal music?, Cie Ouïe/Dire, a history of musical destructions by Matthieu Saladin...

This LP edition is an attempt at collecting various elements of Hans Rudolf Zeller's work. All recordings have been made within the last 10 years, yet many of the underlying concepts date back to the 1960s or 1970s.

This vinyl LP stems from a series of performances by sound artists Mattin and Hong-Kai Wang. The recording consists of a superimposition of four layers of conversations between the two artists.

Artist's book, based on the film A Sixth Part of the World by Dziga Vertov (1926).

First vinyl LP edition by Dutch sound and visual artist Paul Panhuysen since 1986 (sound installation).

This composition by Alessandra Eramo shows for the first time a vocal interpretation of eight onomatopoetic words from the Manifesto of Futurist Music The Art of Noises by Luigi Russolo, between sound poetry and noise.

First monograph.

Lasse Marhaug, Les Instants Chavirés, William Basinski, Uzeste Musical / Cie Lubat de Gasconha, a history of musical destructions by Matthieu Saladin (on John Cage)...

The second issue of the magazine published by Optical Sound, between experimental music and contemporary art.

First release by Yvan Etienne (Serge Modular, field recordings, hurdy gurdy).

Artist's book (each book contains 4 different types of paper handmade by the artist).

Ambient art (artist's book).

Radu Malfatti, Dror Feiler, Greg Ångström, Halim El-Dabh, Thierry Balasse, Unconscious Archives / James Holcombe & Sally Golding...

Ben Vida's new LP, based on a concrete poetry score / text piece.

This artist's book / CD includes an innovative work made of sound and pictures related to an installation made by the artist in Japan in 2012.

3rd issue of the sound arts and experimental music annual review, devoted to the question of sound space.

Sound (and aural perception) in contemporary art.

Luc & Brunhild Ferrari's Chantal, Eliane Radigue by Kasper Toeplitz, Yvain Von Stebut, Musique Action festival, filming music, a history of musical destructions by Matthieu Saladin (part 5)...

First monograph.

A project based on a travel to the Nourages scientific research station in French Guiana, situated in the heart of a tropical rainforest. The result is a collection of compositions and phonography characteristic of the zone.

First release of Gerhard Rühm's Radio-Play “Masoch”. A ritual recitation of Leopold von Sacher-Masoch and Ignatius von Loyola for one female and one male speaker, a chorus of speakers, and tape.

Recording of Wolf Vostell's happening / Fluxus Concert “Sara-Jevo”, realised September 9th, 1994 at Fundació Pilar i Joan Miró in Mallorca, Spain.

Sixty years of sound and music creation on the French Riviera and beyond (with Jean Dupuy, Éliane Radigue, Arnaud Maguet, Jean-Jacques Lebel, Sun Ra, Yves Klein, Thomas Köner, Pascal Broccolichi, Lars Fredrikson, Robert Malaval, Ludovic Lignon, The Bells Angels...).

RadioDordogne#1 is a vast montage of sound recordings made by the sound cartographers in 2014 for the web radio RadioDordogne. Sound heritage, readings, landscapes, archives, musical creations are intertwined to propose six radio pieces for listening.

Christine Baudillon, Robin Fox, PaaLabRes, a history of musical destructions by Matthieu Saladin (part 4)...

Interviews Special Issue.

Six conversations recorded in Berlin between the artist Heimo Lattner and colleagues, focusing on the artist's research and practice, especially around the recurring theme of the voice, which Lattner's work queries as fundamental to issues concerning the formation of social and cultural identity.

A collection of original poems Leif Elggren wrote between 1970 and 2013 and translated for the first time into French. With illustrations by the author.

Jonas Kocher, Guy Girard, Tetsuo Furudate, Festival Densités, PaaLabRes, a history of musical destructions by Matthieu Saladin (part 3)...

The first poetry book wrote by the visual and sound artist Felicia Atkinson.

The long overdue first proper collection of sound-poetry / musique concrete pieces by German installation & conceptual artist Michael Barthel.

Mon's early concrete phonetic poems recorded 1962-64, as well as the radio-play “Ich bin der ich bin die” from 1971.

The experimental scene in Cairo, radio studios in Warsaw, PaaLabRes, a history of musical destructions by Matthieu Saladin (part 2), Sandra Remski's writings during live shows, the retro-krautrock-mania...

Sound avant-garde in architecture: a journey through architecture, art and music in the twentieth century.

Konrad Smoleński, an active participant in both the independent music scene and the visual art scene, combines punk rock aesthetics with the precision and elegance typical for minimalism. This book reflects on the artist's practice in the context of his most challenging and conceptually complete effort to date.

An initiatory sound journey in the urban jungle of Rio de Janeiro.