Music

A music piece based on sound check situations and rehearsals of Amazigh music recorded by Gilles Aubry between 2013 and 2014 in Morocco. Using his microphone as a sound processing device Aubry has transformed further his field recordings in the studio through performative feedback techniques.

Beam Splitter (Audrey Chen and Henrik Munkeby Nørstebø) is a duo for amplified voice and trombone. Its debut album is one part, a timbral collage of carefully extracted sound material and in another, a longer moment taken from an intimate room below the din.

Nabelóse shows Austrian prepared piano virtuoso and yodeler Ingrid Schmoliner and the French horn player Elena Kakaliagou from Greece, putting their hands and voices on traditional folk music from both countries.

Music score for four toy pianos, revolving around four notes—A, B, C, and E. Inscribed in the minimalist aesthetic of contemporary music, the piece was inspired by the rhythm of traditional Moroccan ceremonial music. With an essay by video artist and writer Laëtitia Laguzet.

Sylvain Chauveau plays reworkings of early music from the Spanish Renaissance Repertoire, with the Chant 1450 Renaissance Ensemble.

Catalogue documenting the Lebanese-born artist's eponymous project, which started as a sonic experimentation project with objects from the Dahlem Museum in Berlin. This work, which was later contucted at the kurimanzutto gallery in Mexico and at the Tate Modern, gave rise to various events and interventions, concerts and workshops.

The Japanese sound artist's second album is the result of a ten-year investigation on the sound properties of water, in line with her previous LP in 2009. Based on the use of waterbowls—porcelain bowls filled with water and amplified via hydrophones—her musical practice is now enriched with experiments with the environment and hydrophonic feedback.

An electroacoustic psycho-geographical composition made from field recordings collected from 2011 to 2016.

First French translation of the famous 1966 interview with the American saxophonist by writer and jazz specialist Frank Kofsky.

This book focuses on the distinctiveness of the stars of Hollywood's Golden Age. These stars were cast for their specific dancing or singing skills, that could be recognized by audiences and sold by the studios' publicity machine. They acquired Hollywood stardom through a dialogue with highbrow culture and mass industry, that cinema tried to bring into harmony. This collection brings together the contributions of American, British and French researchers.

In Western Australia, musician Ross Bolleter collects ruined pianos that he parks into open cemeteries and from which he draws his inspiration for his compositions. In this publication, Bolleter explains his musical practice and tells the unique story of these ruined pianos scattered in the heart of the Australian territory.

Double album compiling all 3 volumes of the Movement Building serie, dedicated to Gabriel Saloman's music for contemporary dance.

The conclusion of Saloman's musical trilogy for contemporary dance, this time inspired by a work by choreographer Vanessa Goodman. The bowed guitar, militant percussion and searing guitar eruptions, are joined by distorted guitar, minimalist piano attacks, melancholy guitar melodies, a patina of harsh noise, and a more contemporary approach to drums and bass. (download code included with one additional track).

Eric La Casa continues his series dedicated to Paris with the reedition of the classic AIR.ratio, a study of the sounds generated by ventilation systems in various Parisian buildings.

Never before released soundtrack of the film Rock directed by Michel Treguer, composed in 1982 by Bernard Parmegiani (remastered from the original master tapes, with exclusive liner notes).

This recording is the outcome of two sound projects—a performance and an installation—started in 2010 and 2012. Using a recording device as a sound producing source, the Slovene artist investigates the spatiality of sonic manifestation.

With this essay, Ute Holl analyzes in detail and deep historical context major works by Freud, Schoenberg, Jean-Marie Straub and Danièle Huillet, all inspired by the figure of Moses. The author offers a dynamic and comprehensive political and cultural theory of migration and violence.

Photographic book celebrating the collaboration between the “UrbEx” photographer Francis Meslet and the “Mind Travels” Series—a series of albums dedicaded to ambient, neo-classical, and industrial music produced by French music label Ici, d'ailleurs. Meslet's photographs of abandoned places give a special echo to the musical approach of the series. The publication is sold with an audio compilation of selected musical pieces taken in the “Mind Travels” Series.

2 CD set gathering instrumental pieces from this last five years. Christophe Guiraud uses old instruments such as the Hotteterre flute, the viola da gamba or the viola bass, combining them with electronics.

Ancient Light and the Blackcore was originally published in 1995 as part of Sub Rosa's “Utopian Diaries” series. It gathers 5 tracks of hallucinatory music and extraordinary recordings of shamanic ceremony from the Yanomami communauty. Includes the text Subworld by David Toop. First vinyl issue.

Univers Zéro's second album released in 1979. A classic of chamber rock music featuring heavy use of dissonance and dark, brooding and extremely complex melodies. 2010 remixed version.

Double QR-Code LP (an empty sleeve with no discs), edition of 100 copies. The recording to listen online is a 5-hour composition for computer voice, first presented in Paris on March 25, 2000: a deepening of the idea of a dematerialized disc.

Created by Aidan Baker (Nadja), Gaspar Claus (Pedro Soler, Angélique Ionatos…), Franck Laurino (Zëro), and Maxime Tisserand (Chapelier Fou), this extraordinary project offers 11 tracks of ambient post-rock music that would have integrated the whole notion of freedom in jazz.

Created by Aidan Baker (Nadja), Gaspar Claus (Pedro Soler, Angélique Ionatos…), Franck Laurino (Zëro), and Maxime Tisserand (Chapelier Fou), this extraordinary project offers 11 tracks of ambient post-rock music that would have integrated the whole notion of freedom in jazz.

A very cinematic improvised instrumental session by Thierry Müller (Ilitch) and Quentin Rollet.

A collection of theoretical texts by the German composer: a valuable testimony of his research on the musical link between sound and body.

Researcher Juliette Volcler on sound in public space; on identities and influences in music; an essay by Kasper Toeplitz; carte blanche to Patrick Renaud; Summer festivals, disc reviews, and more.

Propaganda issue, with Italian sociologist and marketing strategist Andrea Natella as special editor: interviews with Natella, Fatima Al Qadiri, Brandalism, Jonas Staal; Is there something outside the hyperstition? On accelerationism and propaganda; Mapping the “Alt-Right;” Insider Trading Terrorism; Bello Figo, the Italian Pop Star of Over-Identification; reports from WRO 2017 Biennale and Transmediale 2017.

This LP gathers two sound works by Cologne-based radio producer, performer and composer of experimental music Peter Behrendsen. Nachtflug is a live-electronic piece based on the sounds of bats made audible, and Atem des Windes is a text-sound composition inspired by a Taoist text.

This recording is the sonic counterpart to Dutch artist Paul Panhuysen's last visual work Oog & Oor—a colorful design whose structure was built from sudoku puzzles. Panhuysen used the same principle to compose these sudoku-based pieces in collaboration with carillonneur Rosemarie Seuntiëns.

This LP pairs two organ-based works by German composer Ernstalbrecht Stiebler. More closely associated with his position as a radio editor and producer, Stiebler composes a reductionist music built on minimalist structures and repetitions, and influenced by Minimalism in visual art.

The Second Sound is an imaginary conversation based on the testimonies of musicians and sound artists on the role of gender and sex within their field.

Gathering works from 1994 to 2017, this new monograph focuses on the artist's fictional self-portraits from his lightbox series as well as on his musical production. It includes an iconographic documentation, essays by artists, critics, and curators, and a text by Graham himself.

New “electro-contempo” collaboration, born out of the encounter between turntablist DJ Olive, musical director of Ensemble Musiques Nouvelles Jean-Paul Dessy, and violonist David Núñez. The second CD includes a live recorded at Les Transnumériques festival.

Audio project based on field recordings which took place in various locations in New York, U.S.A, Gotland, Sweden, Rio De Janeiro, Brasil and the Greek countryside. Featuring soprano Irini Kyriakidou, this electronic immersive piece is fully part of Novi_sad's visual approach of sound.

A musical portrait of contemporary Beirut, as part of a trilogy dedicated to the Mediterranean Basin: a rich and complex work, intertwining acoustic elements with electronica, with the help of local musicians.

What would a current-day demon look like? The Swiss artist playfully rehabilitates these evil figures in 170 minimalist portraits—rendering them as an ideal type of the postmodern, at once terrifying and comical.

The Second Sound is an imaginary conversation based on the testimonies of musicians and sound artists on the role of gender and sex within their field.

Interviews with Florian Hecker, Ben Bogart, Jonas Lund, Gene Kogan, Eric Drass; AI representation in Black Mirror TV series; Machine Fallibility and Emergent Weirdness; Burak Arikan's Data Asymmetries; the “Fear and Love” exhibition at London's Design Museum…