Video art

A collection of 38 short, self-contained episodes (artist's book).

The role of history and commemoration in Germany today.

First monograph.

Five Pieces for Projection introduces recent projection work from 2010 to 2014, with an essay by Hanne Loreck, an afterword by Eva Schmidt and texts by Victor Burgin.

The first instance of considering Okiishi's work from the last fifteen years as a heterogeneous whole.

Soun-Gui Kim engages her collaborators—philosophers Jacques Derrida and Jean-Luc Nancy, and John Cage—in conversation about contemporary art and the relationship of artists to the globalized art world and market, from the perspective of Eastern thought.

A film, a portrait of Guy de Cointet (1934-1983), a French-born artist based in California who created text and sculptural works, often combining them as props and stage sets in theatrical performance pieces (interviews with John Baldessari, Larry Bell, Morgan Fisher, Paul McCarthy, Christophe Bourseiller, etc.).

A history of film in contemporary art (a witty critical history of artist's films and their inscription into the broader history of art, as well as their impact on their social contexts).

Artist's book.

Second edition of Jalal Toufic's collection essays.

Reference monograph.

A perspective on contemporary video and multimedia creation through the various works produced by students and invited artists-professors for the 16th edition of the “Panorama“ program at Le Fresnoy, curated by Matthieu Orléan.

Artist's book.

Martial Raysse and cinema.

An audio-visual project about the impossibility of a film on the Deir Yassin massacre, exploring the complex ramifications of the place (2 volumes artist's book).

New monograph.

The fourth title in the “Archives” series, which is dedicated to landmark exhibitions and curatorial practices, and provides sources and moving images to the growing field of research of curatorial studies and exhibition history.

First monograph.

A collective project initiated by Valérie Jouve.

Fully illustrated catalogue of the 14th Geneva Biennial, re-launched by Centre d'Art Contemporain Genève. The 2014 edition presents 22 films and video works, specially commissioned by the Centre (from September 18 to November 23, 2014).

Recording of Wolf Vostell's happening / Fluxus Concert “Sara-Jevo”, realised September 9th, 1994 at Fundació Pilar i Joan Miró in Mallorca, Spain.

Reference monograph.

A new perspective on one of the most sticking bodies of work to have emerged in the last twenty years.

A statement about speculation, photography, time and withdrawal.

A visual and textual journey through the participatory processes that inform the work of the Warsaw-based artist.

David Jablonowski's recent and early works.

Actions and discussions around personal skills in art and other disciplines, physical and film (performances, video), sports and burlesque.

Comprehensive new monograph on the influential British avant garde artist-filmmaker—renown for his playful and formally ingenious subversion of the everyday world—, with essays by Ian Christie, Martin Herbert, Kathrin Meyer, and Ethan de Seife.

Martha Rosler embarks on a broad inquiry into the economic and historical precedents for today's soft ideology of creativity, with special focus on its elaborate retooling of class distinctions.

Part essay, part autobiography, the first book by Japanese filmmaker Daïchi Saïto offers a reflection on the artist's life, career and practice. With a foreword by André Habib, professor of film studies at the University of Montreal and a specialist in experimental cinema.

Through the medium of distinct films, Astrid Schmetterling and Lynn Turner investigate contemporary questions regarding the ethics of recollection and memorialization within visual culture.

Recent video works by the Swiss artists duo: a deconstruction of the cinematic codes within our visual culture.

The transcript of a piece that Paul Sietsema did in early 2011 for an exhibition in Los Angeles.

New monograph.

Analyzing a variety of films, video pieces, and performances, Sven Lütticken evaluates the impact that our changing experience of time has had on the actualization of history in the present.

Artist book based on four films by Runa Islam.

Reference monograph, including a comprehensive selection of Yang Fudong's photographic and film work, as well as newly commissioned theoretical essays.

This publication accompanies the eponymous exhibition at TBA21–Augarten in Vienna (showing together for the very first time Cerith Wyn Evans' luminous works that have been collected by TBA21 over the past ten years), and brings together threads and voices of leading contemporary artists, scientists, and theoreticians exploring the artist's polyphonic oeuvre.

62 postcards that constitute the collection of the photographs taken and diplayed in the public space in six French regions.

New monograph.

A perspective on contemporary video and multimedia creation.

This first volume of complete John Baldessari's writings traces the genesis and development of the artist's understanding of art in the early 1960s.

This second volume of complete John Baldessari's writings traces the genesis and development of the artist's understanding of art in the early 1960s through to the present.

Artist's book.

Issue dedicated to John Baldessari.

Fully illustrated retrospective monograph based on Kimsooja's project presented at the Korean Pavilion of the 55th Venice Biennale in 2013, with numerous newly commissioned and re-published texts.