Artist Cédric Pigot created a bruitist composition to accompany the words and voice of poet Jacques Sivan. The CD recording comes with a 80-page publication printed on internet-found images. With an afterword by Bernard Heidsieck.

A droony ambient join venture between Le Dictateur and artist/musician/fashion designer Canedicoda (ultra-limited edition).

A symposium-based tribute to Günter Brus by international contributors, philosophers, art critics and historians, curators, artists and musicians (with a CD containing a musical composition by Olga Neuwirth and Burkhard Stangle).

A recording of John Cage's original text as read by a deaf individual (audio CD with booklet).

A collection of the audible traces of dancing bodies (audio CD with booklet).

Italian-German artist Ezramo (Alessandra Eramo) recorded the sounds of larvae during their transformation into flies. Trough rough, sub-real field recordings, she explores, interprets and lyrically re-invents the concept of metamorphosis.

Third album by Cocoon, the solo project of Clair Obscur's leader Christophe Demarthe.

This original radio sound piece unfurls a multiple electroacoustic flux in which audio archives of the voices of the great surrealist heroes of the Twenties (Man Ray, Duchamp, Aragon) are given a new breath of life and become electric.

A collaborative artist's book and audio recording which translates a previous collaborative theater work into a violent multimedia disquisition on puppetry, serial killing and homoeroticism. The play and book are based on the Texan serial killer Dean Corll.

This original radio sound piece unfurls a multiple electroacoustic flux in which audio archives of the voices of the great surrealist heroes of the Twenties (Man Ray, Duchamp, Aragon) are given a new breath of life and become electric.

Marianne Pousseur sings John Cage and James Joyce, Morton Feldman and Rainer Maria Rilke, Hanns Eisler and Bertolt Brecht, Giacinto Scelsi, György Kurtág, Henri Pousseur and Friederich Hölderlin, Frederic Rzewski and Langston Hughes, E. E. Cummings, Michel Butor, Théodore Botrel, Rudolf Sieczynski...

First posthumous recording of Henri Pousseur.

John Wynne's untitled installation for 300 speakers, pianola and vacuum cleaner, at once monumental, minimal and immersive, using sound and sculptural assemblage to explore and define architectural space and to investigate the borders between sound and music.

Three sound compositions by sound artist Yannick Dauby, based on field recordings of Taipei city and its surroundings. Inspired by the Ghost Festival and the ambiences of Summertime, by the evolution and modernity of the urban environment, by the now extinct plain aborigines who once lived in the Taipei basin, these works are reflecting three ways of listening the urban soundscape of Taiwan's capital.

A musical, pictorial and cinematographic journey, as many sensitive interpretations of the domain of Certes in Gironde. Through the prism of Ernest Valeton de Boissière, inventor of the place and transmitter of the social utopias of the 19th century.

Sound and auditory experience as platforms for social meeting, urban intervention and environmental investigation.

Sixteen visual artists give their vision of Clair Obscur's album We Gave A Party For The Gods And The Gods All Came.

Soundtrack for an exotic elevator, innocent muzak, only a priori, an orchestra with sequins and cheap junk (the soundtrack of Pierre Beloüin's eponymous installation).

This publication is the result of a happening of sound poetry. It gathers the texts read during the lecture, as well as a recording made from the sound asperities of each of the reciters.

Conceived as an homage to Musique Concrète pioneer Pierre Schaeffer's Solfège de l'objet sonore, Dataphonics is a project that focuses on the relationship between the data of sound and the sound of data. The work deploys frequencies at the very edges of human hearing, sounds that, as Ryoji Ikeda explains, “the listener becomes aware of only upon their disappearance.”

Conceived as an homage to Musique Concrète pioneer Pierre Schaeffer's Solfège de l'objet sonore, Dataphonics is a project that focuses on the relationship between the data of sound and the sound of data. The work deploys frequencies at the very edges of human hearing, sounds that, as Ryoji Ikeda explains, “the listener becomes aware of only upon their disappearance.”

The book and audio CD Water Days documents an exchange of pictures, texts, sounds and voices between multimedia artist Leah Singer and Sonic Youth's Lee Ranaldo inspired by the contrast between wanderlust and the desire for home.

The book and audio CD Water Days documents an exchange of pictures, texts, sounds and voices between multimedia artist Leah Singer and Sonic Youth's Lee Ranaldo inspired by the contrast between wanderlust and the desire for home.

Cercueil's first album.

The life and death of a shitty poet: a fake concept album on the trials and tribulations of a young literary mind and rock'n roll enthusiast.

L'étoile Absinthe was composed in 1999-2000 in the composer's studio. Chant d'ombre was composed in 2004 in the composer's studio. It is dedicated to Eliane Radigue.

This edition of 4 audio CDs in a wooden case comprises the reading of On Kawara's One Million Years [Past and Future], with Gemma Saunders as the female voice reading all even numbers and Leo Chadburn as the male voice reading all odd numbers, covering 969 611 BC to 967 811 BC & 33 411 AD to 34 450 AD.

Two long time out of stock references, remastered at le Laboratoire Central.

The work of these musicians and performers from Germany, Italy, France, and USA is settled between weird Pop, avant-trash, free improvised music, Mediterranean folklore and noise drones. A creation of unique and exciting experiences by artists coming from different social and musical backgrounds.

An adventurous sonic exploration of the voice, cello and electronics.

The Cigar That Talks, recorded by the trio of Michel Doneda, soprano and sopranino saxophones, John Russell, acoustic guitar and Roger Turner, drums and percussion, is an album of radical improvisation where copper, wood and steel become music by the only miracle of a perfect interaction seized on the spot.

Free improvisations and phonographies in the forest, bundles of sounds, armfuls of dead leaves, arboreal rhythms, chestnut blasts.