A publication tracing the itinerary of Fiamma Montezemolo's anthropological and artistic research, across Italy, Mexico, and the United States.

Catalog of an exhibition that presents the discourse and developments in the arts of Saudi Arabia that took place between 1959 and the 1980s, highlighting a group of Saudi artists who contributed to shaping the identity of the local art movement.

An overview of the pictorial work of a leading figure on the Saudi art scene.

An overview of the pictorial work of a leading figure on the Saudi art scene.

An artist's book that raises the question of labour and working time.

A visual corpus that brings together one hundred and thirty-two artists' books collected and reproduced as part of an artistic residency conducted at the Centre des livres d'artistes (Saint-Yrieix-la-Perche).

Architect Patrick Bouchain's reading of the work and his friendship with Pierre Guyotat, as well as an analysis by Bouchain and numerous members of Guyotat's creative community of the power of the alliance between vision and word, image and poem, in the author's work.

The richness of cultural exchanges between Italy and Switzerland, especially in terms of architectural culture, is the framework within which this publication was conceived and structured. The editorial project retraces and expands some of the themes addressed during the first seven years of the Swiss Talks, born in 2017 as a cultural partnership between the Istituto Svizzero and the architecture magazine Casabella.

The indispensable equine calendar by Nils Bertho, illustrator allergic to horses.

A poster-book based on a photograph by Vincent Menu and a protocol by Garance Dor.

The outcome of in-depth research into the work of Bruno Richard and Pascal Doury, this anthology of the legendary magazine Elles sont de sortie (ESDS) retraces five decades of a corpus of nearly three hundred publications.

I-A-K Interplanetary-Abyssal-Kite is a composition by Francesco Cavaliere, part of his Abyssal Creatures project based on an ensemble of concave blown glass sculptures that recall transparent creatures far from human representation: beings that inhale sound and exhale resonances.

Comprehensive monograph.

A tribute to Derek Jarman manifold and vital practice.

A book spanning Cosima von Bonin's work of the last decade, and a personal journey into her private world and references.

A tribute to Derek Jarman manifold and vital practice.

An encounter between dance and visual arts.

A double vinyl and a catalogue that constitute a proper extension of the exhibition with which the Capc in Bordeaux continues to question the forms that the museum can take, with the aim of creating a renewed awareness of what it means to breathe, both on an individual and collective level, at a time when the world is living in a climate of generalized asphyxia.

The increasingly chaotic rhythm of our respiration, and the sense of suffocation that grows everywhere: an essay on poetical therapy.

Comprehensive documentation on 43 outstanding socially committed artistic projects over the past twenty years.

The first attempt at a philological reconstruction of the seminal exhibition Materializzazione del linguaggio, curated in 1978 by Mirella Bentivoglio within an edition of the Biennale di Venezia, and dedicated to the verbo-visual explorations of eighty international women artists.

Over 200 drawings and paintings to explore the visionary, obsessive, and hypnotic qualities of Jacopo Pagin's work.

The extravagant villas designed between the 1960s and 1980s by Italian architect Mario Galvagni (1928-2020) for prosperous Lombard families.

In the spring of 1966, four illustrious travelers cross the United States from west to east, photographing America's architecture at its heyday.

The cultural and political legacies of the the 1933 and 1934 Arab Exhibitions in Jerusalem.

A catalogue that features a group of 20 artists from Saudi Arabia, the Middle East, the Maghreb and the international scene and explores the profound changes of a period marked by the presence of technology, the post internet era.

The images shot on Egyptian film sets by prominent photographer Fouad ElKoury over more than a decade capture the essence of Arab cinema.

The Dream Academy publication explores art education policy in Northern Norway, with the establishment of the Art Academy in Tromsø in 2007 as a pivot point.

What does it mean to be a curator who writes, and, more specifically, how can curators write about textiles? This publication steps outside the framework of the typical exhibition catalogue to occupy "the space between literature and criticism".

A chorus of voices on notions of Black social life, public communion and humanities of the Indian Ocean.

The Forgive Us Our Trespasses Reader explores radical and emancipatory significations and fabulations of trespassing, turning towards practices that transgress and reshape the boundaries of, among other dimensions, currency, governance, religion, spirituality, language, and artificial intelligence.

First monograph.

Monograph based a project across multiple mediums, finding its primary reference in the Majnoon oil field of southern Iraq.

Contested Landscapes is dedicated to different rural regions—their landscapes, their producers, and their work. The paths of the family of the artist Sandra Schäfer and those of the famous German photographer August Sander cross in the Westerwald, a rural area in Germany shaped by farming and mining.

A rereading of Kurt Schwitters' Dada sound poetry by vocalist, singer and composer Anna Clementi and sound researcher, producer and multi-instrumentalist Thomas Stern (Mona Mur / Einstürzende Neubauten).

The first monograph dedicated to the Hackney Flashers collective, a group of nine activist women who engaged in agitprop from 1974 to 1980 in the working-class neighborhood of Hackney in London.

First monograph: an exploration of the thought of the exhibition in relation to its spaces, contexts, and encounters.

The Place of the Symbolic brings together Reiner Schürmann's essays on the nexus between art and politics.

Collection of portraits published between 1938 and 1955 in the New Yorker by one of the pioneer of New Journalism: a literary painting of a New York that no longer exists.

A polyphonic, hybrid work, somewhere between a fine architectural book and a scientific essay, the result of research into contemporary forms of insulation.

Seven European women artists (Katinka Bock, Claire-Jeanne Jézéquel, Rachel Labastie, Mélanie Matranga, Juliette Minchin, Valérie Mréjen, Agnès Thurnauer) brought together by Sébastien Gokalp share their views on Eva Hesse (1936–1970), a major figure of the 20th century.