The sophomore effort by the German band Schatterau, as its title implies, delves into the cyclical nature of time, through 17 vignettes that reflect on the seasons, capturing their unique light and sounds, the passage of time, and the interplay of movement and stillness, as well as the perpetual transformation that leads to new beginnings.

Five improvisational pieces in which the instruments of Bertrand Gauguet (alto and baritone saxophones) and Jean-Luc Petit (contrabass clarinet and sopranino saxophone) swap from one track to the next, with timbres and temperaments varying according to the time of day.

A collaboration between performer Silvia Costa and musician Claudio Rocchetti.

First Aristide Bianchi's monograph, focusing on a plastic gesture born at the turn of the century: the material opening of a sheet of paper meets previous traces to form the drawing.

All television images seem to be the same image. An artist and researcher at the Saint-Étienne Higher School of Art and Design, Lorenza Mannaioni, attempts to prove this with this book of felt-tip pen images.

L'Éclat de l'absolu is a crucial work for anyone interested in Alain Badiou's thought. Through interviews conducted by philosopher and editor Jana Ndiaye Berankova, readers are invited to immerse themselves in a rich and nuanced dialogue exploring the major philosophical influences—Plato, Hegel, Sartre, Althusser, Lacan and Deleuze—that have shaped Badiou's thought.

Exploring a pioneering curator's collection of cutting-edge '60s and '70s California art.

Comprehensive monograph: a complete overview of Salvo's work, with never-seen-before documentation and archive.

The revelatory world of Emma Reyes.

Two series of brutal, raw drawings by Miriam Cahn.

Chris Johanson's ant and abstract paintings.

A panorama of the work of French painter Silvère Jarrosson (lithographs, monotypes, paintings on canvas and on paper).

Irène Schwartz's notebooks enable us to follow the entire creative process that, between 1973 and 1983, led the artist to three actions in the field of body art or, more specifically, eat art.

The 22nd volume of the artist's journal that the photographer has been publishing for over two decades.

Breathtaking a cappella interpretations of the Octonaires de la Vanité du Monde by Paschal de L'Estocart (1582) and pieces from the Geneva Psalter (1562) meet the reworkings of Sylvain Chauveau.

An album based on a cruel text by Moldavian writer Nicola Esinencu, somewhere in between a hybrid electronic – modern classical oratorio and a concept album.

An album based on a cruel text by Moldavian writer Nicola Esinencu, somewhere in between a hybrid electronic – modern classical oratorio and a concept album.

Artist's book, produced in limited print run in the Palais de Tokyo's risography micro-publishing workshop.

Artist's book, produced in limited print run in the Palais de Tokyo's risography micro-publishing workshop.

Following on from work carried out by artist Marianne Mispelaëre in schools, this book explores the diversity of languages that permeate our lives, as well as the political and social issues at stake.

New interdisciplinary readings of contemporary urban metamorphoses.

As the most comprehensive monograph on Synnøve Anker Aurdal's work to date, Through the Threads writes a new, and sorely missing, chapter on the oeuvre and six-decade career of this textile pioneering artist.

The first examination of the practices of two French artists who were key exponents of the Nouveau Réalisme movement, highlighting two opposing and complementary aspects of their poetics.

South African, Amsterdam-based artist Simnikiwe Buhlungu's most expansive publication to date.

Monograph/artist's book featuring numerous exhibition views, texts and an interview, and a series of drawings by Fernão Cruz.

First monograph.

The first comprehensive publication exploring the practice of Trần Lương, a key figure in Vietnamese contemporary art.

A critical reflection on colonial spaces initiated by the Portuguese artist.

A study of new representations and denunciation of gender violence by women in contemporary photography.

An analysis of the different exhibition forms in contemporary photography.

A layered graphic novel, conceived as a video-game trailer, weaving together diverse imaginaries, from Flaubert's The Temptation of St. Anthony to H.G. Wells' short stories, from brutalist architecture to generative artificial intelligence.

A memetic exploration of the "poor images" found on the fringes of the internet's dynamic and ever-expanding reservoir of content.

An hybrid editorial object based on the language of fashion, utilizing the eponymous exhibition at the MACRO museum as a starting point.

Seven exhibitions on paper, curated by different curators, to look back at the over-thirty-years production of one of Europe's foremost contemporary artists.

A series of photographs of Naples, by Jim C. Nedd, blending and reinterpreting elements from diverse iconographic traditions, such as fashion photography, documentary, and tableau vivant.

A personal and intimate portrayal of the Neapolitan trans community.

A collection of essays discussing the role of spider/webs in different cultures from an inter-species perspective.

An hybrid editorial object based on the language of fashion, utilizing the eponymous exhibition at the MACRO museum as a starting point.

Pisseurses brings together a series of oil pastel drawings and portraits of the artist and her comrades urinating outdoors in a variety of contexts. A brief science-fiction short story carries the whole into a utopian dimension that re-signifies the trivial act of miction.

An extensive survey of Romanian artist Ionuț Cioană's practice, with a selection of texts he wrote over the years.

An artist's book published in celebration of Peles Duo's twenty years of work.

The social, historical and cultural dimensions of the skin in Brazilian art and literature.

Transformative Currents: Art & Action in the Pacific Ocean, edited by Cassandra Coblentz, brings together diverse writers, scientists, artists, activists, and thinkers to investigate social and environmental issues throughout the entirety of the Pacific Ocean.

The first documentary account by artist, curator and publisher Ludovic Burel, Le laboratoire de fermentation (The fermentation laboratory) retraces four years of investigation, carried out on several continents, into wild and cultivated plants and the means of fermenting them, questioning our relationship to both the human (individual and society) and the non-human (plant and other).

This first collection of texts in French by Félix Candela (1910-1997), a major figure in twentieth-century modern architecture, brings together writings and interviews published in specialized journals, as well as lectures and speeches delivered on various occasions by the Mexican architect and engineer of Spanish origin between 1953 and 1994