A rereading of Kurt Schwitters' Dada sound poetry by vocalist, singer and composer Anna Clementi and sound researcher, producer and multi-instrumentalist Thomas Stern (Mona Mur / Einstürzende Neubauten).

The first monograph dedicated to the Hackney Flashers collective, a group of nine activist women who engaged in agitprop from 1974 to 1980 in the working-class neighborhood of Hackney in London.

First monograph: an exploration of the thought of the exhibition in relation to its spaces, contexts, and encounters.

The Place of the Symbolic brings together Reiner Schürmann's essays on the nexus between art and politics.

Collection of portraits published between 1938 and 1955 in the New Yorker by one of the pioneer of New Journalism: a literary painting of a New York that no longer exists.

A polyphonic, hybrid work, somewhere between a fine architectural book and a scientific essay, the result of research into contemporary forms of insulation.

Seven European women artists (Katinka Bock, Claire-Jeanne Jézéquel, Rachel Labastie, Mélanie Matranga, Juliette Minchin, Valérie Mréjen, Agnès Thurnauer) brought together by Sébastien Gokalp share their views on Eva Hesse (1936–1970), a major figure of the 20th century.

A revelatory conversation that, grounded in lived experience, traces the racist structures of the discourse landscape and offers alternative ways of understanding solidarity.

This monograph explores the work and the artistic activities of Italian radical performer, poet, visual artist and feminist Tomaso Binga through a specific lexicon, and also features a selection of her poems.

Sonia Boyce engages with the artist and sound theorist Brandon LaBelle, who guides us through the artist's poetics, considering sound as a form of radical inclusion, a medium capable of generating interaction, narratives and new understanding.

First monograph on cinema duo Caroline Poggi and Jonathan Vinel.

Conceived as a catalogue and an artist's book, the publication offers a deeper insight into the eponymous 2022 exhibition staged at Indipendenza Roma, and explores tensions that can be generated between artworks and their surrounding architectural context, raising questions of taste, value, function and decoration.

Futuring Spaces of Possibility explores how contemporary art and architecture address urban, social and ecological challenges and create new possibilities for the future city. It invites urban theorists, curators, artists and architects to use Bruges, a UNESCO World Heritage Site, as a testbed for new spatial imaginaries.

A comprehensive overview of the Hungarian post-conceptual and feminist artist's practice in the first decades of her fifty-year long career, including several of her writings.

An essay on historical thinking through an examination of the unstudied minor genre of the newspaper weather map.

The ultimate edition of percussionist Lê Quan Ninh's famous text, which explores, in the form of an ABC, the singular experience of improvising and free improvisation.

Christina Kubisch's Stromsänger finds this legendary sound artist at the top of her game mixing electromagnetic wave recordings with a score for six voices, creating powerful results. Stromsänger is based on a collaboration with the Norwegian vocal ensemble Trondheim Voices and on a special experience while researching and recording electromagnetic waves in the city of Trondheim.

Photographic drift in Saint-Denis in the footsteps of the ghost of Osugi Sakae, Japanese anarchist-activist who would have held a speech there 100 years ago. A way for artists to put the urban reality of le Grand Paris under pressure.

Stefano Arienti's photographic "autobiography" (artist's book).

The first ever vinyl release to attend to James Tenney's legendary "Postal Pieces", marking the first ever appearance of five of the suite's works on vinyl, drawing upon recordings made in 2003, by the Amsterdam based ensemble, The Barton Workshop, under the direction of James Fulkerson.

This collective publication explores the question of Earth rights through the interdisciplinary prism of socio-environmental humanities in relation to contemporary art.

Retrospective monograph.

This edition presents the research of Brazilian choreographer, performer, teacher, visual artist, gardener, craftswoman and "post-pornographer" Acauã Shereya during her Master's degree in choreography and performance at ICI/CCN Montpellier.

A collective exploration of sound, music and the socio-political dimensions of listening, from researchers and artists with perspectives from the global South.

In this prophetic 1978 essay, legendary science fiction author Philip K. Dick explores the nature of reality, the power of media, and the authenticity of human experience, offering startling insights that resonate eerily with our modern world.

Anne Houel's first book is dedicated to the monumental sculpture Tobrouk, installed on Ouistreham's Riva-Bella beach for one year in 2023, then moved to the Musée d'Art, Histoire et Archéologie in Évreux.

Ingo Giezendanner's wild herbarium.

In this first critical volume and biography of the Indian artist Lalitha Lajmi (1932–2023), author Skye Arundhati Thomas delves into Lajmi's archives, papers, letters, and sketchbooks in pursuit of clues about the artist's character and path.

Artist's book.

The first album of this new digital-drone-rock-noise/ambient/electronica project created by two founding members of Tone Rec and DAT Politics (Claude Pailliot - Gaetan Collet). Inspirational collision of motorik avant rock and heavy electronics.

The second release by Stefan Prins on Sub Rosa brings together four recent, large-scale compositions in which traditional instruments—from bass woodwind trio to electric guitar and symphonic orchestra—merge seamlessly with electronics, feedback, and field recordings.

Winter Family's 4th album, beautiful and haunting, tells a lot of stories; that of the musicians themselves and their loved ones, those of their territories, of their life in Jerusalem, Paris or Lorraine; that of women, "witches", conspiracy myths; that of capitalist and colonialist Europe; that of the blindness and violence of Israeli society and the indoctrination of its population; that of the occupation of Palestine; that of eternal lockdown and a laboratory rat; and maybe yours, too.

Winter Family's 4th album, beautiful and haunting, tells a lot of stories; that of the musicians themselves and their loved ones, those of their territories, of their life in Jerusalem, Paris or Lorraine; that of women, "witches", conspiracy myths; that of capitalist and colonialist Europe; that of the blindness and violence of Israeli society and the indoctrination of its population; that of the occupation of Palestine; that of eternal lockdown and a laboratory rat; and maybe yours, too.

The nine printed issues of the Urbane Künste Ruhr Magazine from 2019 to 2023 create an experimental publication in bound form that documents the institution's projects over the entire period.

Focusing on Lenke Rothman's unique, conceptual approach to her working materials, this publication presents selected parts of her extensive production, including paintings, drawings, installations, books, sculptures, objects and textiles.

The artist book Sand is Water You Can walk On by Katharina Schilling brings together the series of paintings of the same name with texts by the authors Eva Hegge, Miriam Stoney and Sophia Eisenhut. In her series of works, Schilling refers to Gothic illuminations, an early form of painting that tells of a time before the concept of the subject.

The new volume of an experimental series on historiography, about toys.

A lyrical portrait of Lebanon through the poetry of 60 native women authors.

A richly illustrated book presenting the artistic work and personal stories of cutting-edge fashion designers and artists from Morocco and the Moroccan diaspora in the Netherlands.

Film Undone presents contributions introducing unmade and unfinished film projects, film ideas realised in non-filmic media, as well as films that remained unseen in their intended form and at their intended time.

An edition like an archaeology of our more or less contemporary iconography of bread. A lacunary and subjective encyclopedia that reflects its presence in our lives and its political, social, economic, and aesthetic evolutions (artist's book).

Centered around the themes of latent knowledges, earth uprisings and borders, this second volume in the Radical Rituals series is the result of a research residency carried by forty five degrees collective in the summer of 2022 across France, from 45°N 1°W to 45°N 7°E.

Retrospective monograph.

First monograph.