A reflection on two essential formats in photographic production: the book and the exhibition space (featuring Christian Aschman, Julien Carreyn, Bertrand Cavalier, Wade Guyton, Pierre Hourquet, Aurélien Mole, Katja Stuke & Oliver Sieber, Batia Suter, Rebecca Topakian, Wolfgang Tillmans, and Ruth Van Beek).

The reproduction / reconstruction of Lautréamont's extremely rare text by artists Vincent Labaume and Jean-Luc Moulène, who, with the help of photocopying, photography and digitization, continue a century-old tradition.

A hundred recipes, almost 500 pages, 27 dinner-locations from 15 years of supper-clubbing and displacement of artistic practice in urban space.

Gilles Aubry's composition "L'Makina" is a haunting soundscape that combines AI-generated sound textures with modular synths. Structured in two parts, the piece explores the spectral possibilities of a virtual sound model developed using a machine learning algorithm, in collaboration with Moroccan musicians Ali Faiq and Idr Basrou.

International curator Cristina Ricupero uses the figure of Frankenstein as a common thread to explore and share her curatorial practice.

A fictional text by Geneva based artist Timothée Calame aka T. Freakson Calame: a collection of short stories that follow the urban wanderings of a protagonist through a series of unlikely events and encounters.

24 transcribed public conversations led by Xavier Le Roy with artists and cultural workers, creating a space where Le Roy's work meets the experiences of his guests.

A Nomadic Book celebrates the first five editions of the Nomadic School. Launched in 2020 by Office for a Human Theatre [OHT], the school takes place each summer at around 2000 meters in the Alps, offering a different pedagogical approach—one that's more open to the mountain's ecosystems and rhythms.

From submerging as emerging: a cross-disciplinary perspective of the medial, aesthetic, and material aspects of submerging, as well as its methodological qualities as a resistant practice and figure of thought.

This anthology presents and discusses current tools, methods, and analytical frameworks to address artistic interventions, taking a multidirectional approach that accounts for the positionality of perspectives and highlights the nondirectional formation of the interventions at hand.

A reflection on the reconstruction of the Berlin Palace and its contradictory use as an ethnological museum.

A narrative of the early modern Indian sculpture known as the Mithuna couple.

A new narrative by Léonora Miano around Mandu Yenu, a throne from the ancient Kingdom of Bamum (present day Cameroon). 

The architecture of disaster: Eyal and Ines Weizman trace the history of the before-and-after image from 19th-century photography to contemporary satellite images.

The posthumous publication of the German philosopher: a major work on the collapse of Western philosophy and on the necessity to rethink the past to build the future.

Artaud's last unpublished work.

An urban investigator has been commissioned by a global corporation to determine how cities worldwide are being engulfed and destroyed by the wastelands that are mysteriously appearing in their heart. They are being "wastelanded," generating turmoil and catastrophic technological meltdown in every global megalopolis.

A publication that directs dialogue and points of exchange among art, science, and environmental justice in the Americas.

A contemporary cabinet of curiosities, comprising the singular collection assembled by Jean Chatelus (1939-2021) over the course of his life: sculptures, installations, paintings, photographs, drawings by the greatest figures of the 20th century, as well as by outsider artists and "enfants terribles", pieces of non-Western art and objects from popular traditions, reflecting diverse aesthetics and voices.

The 2025 Villa Medici residents catalogue.

Jérôme Game, a poet working at the intersection of words, sounds and images, has invited two of his stage partners, Chloé and Jean-Michel Espitallier, to create a duo piece with him for this sound poetry album, between beat inspiration, krautrock motorick and literary glitch.

An artist's book by architect, forester and refuge keeper Wim Cuyvers, examining the changing climate and the very definition of architecture through a photographic investigation of the landscape.

New Environments & Rhythm Studies is a further attempt to re-describe past tropes which laid claims to authentically represent music and sound from beyond the Western world (exotica, ethnomusicology, field recording) as undertakings of the imaginary.

The result of a collective reflection undertaken at the Canadian Center for Architecture, this publication is the second volume of a periodical series wishing to explore urgent issues in today's curatorial practices.

An in-depth look at nearly two decades of artistic output by the Palestinian artist and filmmaker Basma al-Sharif.

A broad survey of the Brazilian artist's work since 2016, dwelling on the recurring motifs and iconographic sources that feed the complex imagery of his painting.

To a Dead Hare collects images from trajectories around photography, created by mentormentor over the past few years for S.M.A.K. Moves, a programme centred around inclusivity, with art as a universal language.

The first total survey of Jef Geys' work.

The first monograph, lavishly illustrated, with a preface by Martin Scorsese and numerous texts, devoted to the work of the astonishing American photographer who resurrects forgotten techniques to revisit the aesthetics of the early days of photography (and capture all its uncanny strangeness).

A moment in bird territory: a musical piece created live in an aviary fitted out with musical instruments, in which visitors are invited to stay in the company of some sixty live Australian finches, hopping quietly (and harmoniously) on 12 tuned electric guitars that have become perches.

A previously unheard recording of a concert by Pakistani vocalist Salamat Ali Khan.

The second album from Nantes-based Ensemble Nist-Nah founded by the Australian drummer/percussionist Will Guthrie, 48 minutes of electrifying music for Gamelan, drum kits, wood and metal percussion instruments, and plucked strings.

The second album from Nantes-based Ensemble Nist-Nah founded by the Australian drummer/percussionist Will Guthrie, 48 minutes of electrifying music for Gamelan, drum kits, wood and metal percussion instruments, and plucked strings.

A meeting of minds and bodies on a heady percussive trip with no clear destination, captured live at Espacio Cultural El Tanque in Tenerife.

Discrepant's chieftain Gonçalo F. Cardoso continues his sonic travelogue on insularity with impressions of Macaronésia: Canary Islands, Açores and Cabo Verde.

Robert Millis' first album with the Discrepant label explores his obsession with hidden sounds and its anomalies.

People Like Us, the project of artist Vicki Bennet returns to Discrepant with a special vinyl release of "Copia". This album marks the first new musical material since 2018, delving into the profound realms of existential collage and sampling, celebrating these forms as expressions of timeless connectivity.

Cross remixes by two emblematic figures of the contemporary electronic and experimental scene.

A selection of previously unpublished photographs from the Bolol project conducted by Eva Diallo since 2018 on the trail of overland migration routes from Africa to Europe.

A dialogue between the creations of two designer partners and friends.

A dialogue between the creations of two designer partners and friends.

The links between feminized labor, technological advancements, and their associated languages: a very special publication including a softcover book and 19 booklets with artists' imagery in a box. Accompanying the exhibition curated by Maurin Dietrich and Gloria Hasnay at Kunstverein München.