A card game for young museum visitors imagined by cartoonist Andreas Kündig and the MAMCO.

The publication developed from the exhibition and research project The Place Is Here (2016–19), which traced the urgent and wide-ranging conversations taking place between black artists, writers, and thinkers in Britain during the 1980s.

A series of drawings considered the starting point of the artist's mature work.

A new series of photographic works by Shirana Shahbazi.

44 international artists deliver their vision of the fire of Notre-Dame de Paris.

A conversation between painter Pierre Soulages and prehistorian Michel Lorblanchet about parietal art and the origins of art.

This publication reflects upon the exhibition of Stefan Brüggemann's nihilist statements read, sung, and screamed by Punk icon Iggy Pop, sculpting aurally the spaces of a seemingly empty gallery covered in densely painted black paneling paintings.

A experimental journey looking back over the work of interlocution between individuals based on artworks with a specific link to certain places.

Zurich-based photographers Peter Gaechter and Bettina Clahsen document hairstyles from Switzerland's upscale salons, tracing hairstyle trends from the 1970s to the 1990s. The book collects their photographs along with texts by Bettina Clahsen and Swiss art historian and journalist Joerg Scheller.

New monograph (works from 2011 to 2019).

Images of the Umbrella Revolution in Hong Kong by Italian photographer Lele Saveri.

First monograph.

First monograph.

Rendez-vous in Paris: Picasso, Chagall, Modigliani & Co (1900-1939) is a collaborative publication between Kaph Books, Louvre Abu Dhabi and Centre Pompidou, which serves to discover the Paris of the “Roaring Twenties”—a Bohemian hub for artists from across Europe. This group of artists came together at a moment of extraordinary creativity to produce some of the most innovative art of the 20th century.

A retrospective of the work of one of the first artist-run spaces in Paris, offering an overall reflection on the emerging conditions of independent and collective spaces, and the way they have impacted the institutional and art scene.

A collection of poetic texts that experiments different forms of contemporary poetry: sound poetry, lists, logorrhoea, glossolalia, ready-made, micro-narrations... Most of these texts have been read in public in the framework of literature festivals or performances.

This catalog accompanies Zineb Sedira's exhibition at the Jeu de Paume, covering a period from 1998 to the present, and mediums as diverse as video, film, installation and photography.

First monograph.

Sylvie Auvray's first publication, between an artist's book and a monograph.

With the image of the diagonal as his guiding thread, David Collin offers a unique journey through the life and work of poet, novelist, naval doctor, and archaeologist Victor Segalen (1878-1919).

An exceptional live performance in which the legendary avant-garde jazz singer pays tribute to Cecil Taylor, Billie Holiday and Ornette Coleman.

An exceptional live performance in which the legendary avant-garde jazz singer pays tribute to Cecil Taylor, Billie Holiday and Ornette Coleman.

A documentary fiction depicting the abstraction of tools and management and consulting.

A "lyrical drama about the woman who invented chicory stockings": the libretto of a troubadour operetta for narrators, children's choirs, accordion, dessert and Vosges spruce.

For its 50th release, Black Truffle presents the 9th album from one of the label's core ensembles, the power trio of Keiji Haino, Jim O'Rourke and Oren Ambarchi.

Celebrating the 90th anniversary of Luc Ferrari's birth, Photophonie, unpublished archives, spanning 1973-1992, is a revelatory collection of commercial, commission and secret music by the electroacoustic music pioneer.

Over the past decade, 21 poets have come to La Kunsthalle Mulhouse to immerse themselves in the art and spend time within the space composing original texts reflecting on their experiences and vision of the work surrounding them. These writings are now collected in this volume.

Unpublished Dennis Hopper: new light on the 1960s and the actor's unique transit through American history.

Stud compiles photographs that Aurélie Jacquet and Aurélien Mole shot while they were students at the French National School of Photography.

Taking Manoel de Oliveira's posthumous film A Visita ou Memórias e Confissões as a point of departure, this publication offers a broader questioning of the concept of the house in the filmmaker's oeuvre. Lavishly illustrated with archive material and images of his films, it includes several especially commissioned texts, together with an unpublished conversation between Oliveira and architect Álvaro Siza.

An idiosyncratic investigation of curatorial practice.

A sound and photographic project about the disappearance of the Aral Sea in Kazakhstan.

The second volume of a diptych dedicated to the question of the memory of works in dance.

The first volume of a diptych dedicated to the question of the memory of works in dance.

The story of epoch-changing activist, prolific writer, and Swedish countercultural icon Katarina Taikon's life.

An autofiction by Erik Niedling, interpolated by manifestos and proposals by Ingo Niermann and expanded by Austrian-American poet Ann Cotten and German novelist Jakob Nolte.

Light Boiled like Liquid Soap is an immersive installation by Wilfrid Almendra featuring radio transmissions and a series of sculptural elements made of copper, plaster, and silicone in various states of dematerialization. Combining found and repurposed materials, the works attest to notions of desire, circulation, and flux, from protective spaces of retreat to global economies of exchange.

Interdisciplinary and cross-border collaboration between Belgian architect Inessa Hansch and German artist Susanne Kühn: a work that combines architecture and painting, around space and its representation, which questions the idea of the inside and the outside.

Published on the occasion of the 58th Venice Biennale and edited by curator Hesperia Iliadou de Subplajo-Suppiej, Maleth / Haven / Port is inspired by the Odissey and provides a contemporary reinterpretation of our timeless need of seeking Haven, most strongly experienced in times of crisis.

Commissioned by the Ruya Foundation for Contemporary Culture in Iraq and published on the occasion of the 58th Venice Biennale, Fatherland presents the work of Kurdish Iraqi artist Serwan Baran and his investigation of the concept of “fatherland” as opposed to what we traditionally understand as “motherland.”

First monograph dedicated to the American artist, offering an in-depth investigation of his work. The book assembles more than 65 artworks and three essays, by Kenneth Goldsmith, Jo Melvin and Balthazar Lovay, as well as an interview with Gene Beery by Gregor Quack.