Revised and expanded edition of the playful fanzine-manifesto for a rebellious art, presenting 66 more or less subversive artistic movements, to become a rebellious artist in less than a year...

Four compositions by the electronic musician from Quebec, conceived during his studies at the Conservatoire de Musique de Montréal, from 2017 to 2019.

An in-depth history of the landmark situationist international periodical edited by artist Jacqueline de Jong from 1962–67. This lavishly illustrated publication features many previously unseen archival material, historical texts and new commissioned contributions.

This catalogue presents the artist's recent works, tackling issues related to the plasticity of space and the creation of gaze. It brings together exhibition views and photographs, an essay by Florian Gaité and an interview with Marion Guilmot.

Vinyl record unique for each edition, accompanied with a 36 page booklet with 16 drawings by Stéphane Thidet.

The Canadian artist's second album features two immersive pieces that explore ideas of compositional drift: The Nonsuch is inspired by nocturnal hallucinations while In Praise of Blandness builds on sinologist François Jullien's concept of “blandness”.

A book of photographs and texts showing young people in their precarious work uniforms, drawing up a sensitive social chronicle of the precariousness of work among this generation.

First duo album with Quentin Rollet (saxophones, synthesizer, electronics) and Romain Perrot (keyboards, electronics, voice).

A legendary Parisian collection of minimalist and conceptual art, and its evocative installation in the home of collector Ghislain Mollet-Viéville.

A new publication spotlights Gordon Matta-Clark's only extant architectural piece.

A detailed analysis of Franz Erhard Walther's pioneering Werksatz series of wearable fabric sculptures by Erik Verhargen, accompanied by a history of the piece by Thierry Davila.

A political view of international contemporary creation seen from the Gulf region, where wars and diplomatic tensions have constantly determined the history of the early 21st century (exhibition catalogue).

First monograph.

The first of a two-volume publication dedicated to the artist's novel, this theoretical essay aims to elucidate the pressing questions posed by the emergence of this new artistic medium with a number of key case studies and interviews.

The two volumes of the publication dedicated to the artist's novel (two-books set special offer).

LP plus DVD with full-length movie (125 minutes) of Balafon music of the Lobi people, recorded in and around Gaoua, Burkina Faso, on a two-week journey in June 2014, by Dirk Dresselhaus (alias Schneider TM), Julian Kamphausen and Arved Schultze. Packaged in a full-colour gatefold sleeve with DVD tray, with numerous photos and an extensive interview with Dresselhaus.

An accordion and two turntables for an abstract musette.

Presented as a work-in-progress, this text on American artist Rindon Johnson's video practice offers a reflection on the widening creative possibilities in the multimodal digital landscape, while discussing the political and personal aspirations of a new generation of artists and critics.

A selection of erotic paintings by the American artist, produced between 1969 and 1971: an ecstatic and mystical celebration of the sexual act.

A selection of drawings by the New Zealand outsider artist: her work, recognized belatedly, provides a journey into a grotesque, sometimes somber universe, filled with animals, distorted human bodies, and cartoon characters.

A transdisciplinary discussion on the influence of computer-based technologies on the conditions of biological research.

A manifesto for artistic research and in defense of its autonomy.

This artist's book is the book-form of a work by Matt Mullican, "The Meaning of Things (who feels the most pain?)" (2014), con sisting of 676 collages and texts on sheets of standard printing paper.

The crucible of creation: portraits of New York artists in the intimate seclusion of their work spaces.

A clothbound collection of Alexandre de Mortemart’s richly textural black-and-white cityscapes.

Jeremiah Dine's illuminated vision of New York street life.

Stemming from the Master Fine Arts at the Zurich University of the Arts, this publication promotes the art school as a place for pedagogical, civic and political implications.

The relationships of art and pop music from the 1960s to the present.

Catalogue of the artist's exhibition in the Portuguese pavilion at the 58th Venice Biennale: a sculpture project engaging the heritage of post-war Italy's architecture and Italian vernacular craftsmanship.

This catalogue presents the artist's Sail Paintings series—32 hybrid compositions reminiscent of a boat's sail. This monumental publication (30 x 40 cm) is designed as a graphic extension to the project.

Artistic views on forestry and its actors (catalogue).

This catalogue stems from two eponymous exhibitions examining Hungary's art scene's drive toward abstraction to reflect on the complex social conditions of the country, from the 1960s to the present-day.

In a refreshing and playful way this visual poem investigates freedom and circles around Freud's flight from Vienna to London in 1939.

In a refreshing and playful way this visual poem investigates freedom and circles around Freud's flight from Vienna to London in 1939.

First monograph devoted to the work of the French designer / scenographer, with a text by design historian Tony Côme, interviews, and an important iconography.

The first vinyl edition of Shea's classic album, celebrating the 25th year of its release: a crafty piece of complex narrative audiocollage, combining samples and acoustic instruments, inspired by Chinese philosophy, easy listening, and experimental music.

Anthology of essays written alongside the exhibitions at the Wattis Institute between 2014 and 2019. Celebrating the wide range of voices and forms of curatorial writing, this volume is a unique contribution to the study of art criticism, curation, and the history of exhibitions.