A series of drawings that retrace a trip to California, where the multiplied and labyrinthine architecture invites the visitor to wander between reality and fiction.

A free reflection on the influence of Bertolt Brecht in the work of Nina Hagen, this hybrid text approaches two great popular figures of German culture through an unusual prism, through the margins, and paints a portrait of Nina Hagen as we have never seen her before.

A portrait of Claude Ollier (1922-2014), writer of the Nouveau Roman, where memories, reflections, hypotheses and descriptions are intertwined, with a notebook of photographs composed by Camille Rosset.

First monograph dedicated to the work of French visual artist Manon Harrois, built around two interviews conducted by François Quintin.

A piece of industrial musique concrète composed in the studios of GRM, created from field recordings of a vinyl record pressing plant: a mise en abyme of the record as an object.

A timeless collection of 9 evocative minimalist soundscapes, available on vinyl again (remastered by Giuseppe Ielasi) after 10 years.

In October 2013, Charlemagne Palestine, Mika Vainio and Eric Thielemans got together for the first time, meeting each other at Les Ateliers Claus in Brussels, for a 4 day residency and 2 live performances. The music of the residency takes, edited by Thielemans, mixed and mastered by Frederic Allstadt, is now released on Matière Mémoire and Godbear, Charlemagne Palestine's archival music label.

The new Tom James Scott record, the first document of his solo work since 2017.

An anthology of Pettibon's drawings.

This Zine contains a selection of Dash Snow's critical Dada-esque collages, which range from cum-glittered tabloid covers starring Saddam Hussein to straight text pieces to sculptural works composed of items like books and skeletal fragments; and a smattering of the photographs and Polaroids that originally made Snow famous outside of street art culture, where he began writing graffiti.

This publication explores the legacy of Renzo Martens' landmark film Enjoy Poverty: a provocative work establishing how poverty became Congo's most lucrative export.

This publication is the outcome of a touring assembly platform bringing together writers, curators, and art practitioners to reflect on exhibition practices and histories in China and Southeast Asia.

Art as a tool to reinvent our daily reality: textual and visual outcomes of the temporary master Reinventing Daily Life at the Sandberg Instituut in Amsterdam.

Gathering found visual material, this publication retraces the story of an artistic failure: that of a joint project by Federico Pepe and his father Antonio, a cabinet of curiosities featuring latex sculptures of fetuses looking like Mickey Mouse.

A limited-edition box set documenting the seventh and penultimate episode of COCO, the project that brings together video art and music by artist and designer Federico Pepe and artist and photographer Jacopo Benassi.

Retrospective catalogue spanning more than fifteen years of work by the conceptual textile artist known to explore the idiom of minimalist painting.

This artist's book / leporello gathers reproductions of artworks from the permanent collection of the Museum Ludwig, drawing out re­s­o­nances be­tween the dis­parate works.

This diary traces the artist's journey in search of a permanent job, combining notes and visual documents. The publication is the second in a series of autobiographical narratives by Sell.

Catalogue.

A book of interviews with the curator and pedagogue Laurence Rassel, who develops in thought and action ways to remedy what ruins relationships and hinders emancipation.

Monograph bringing together some fifty works by Judy Chicago and unpublished documents, accompanied by three critical texts by Géraldine Gourbe.

Monograph bringing together some fifty works by Judy Chicago and unpublished documents, accompanied by three critical texts by Géraldine Gourbe.

Springing from a decades deep body of work, defined by a rigorously singular and adventurous approach to sound, cellist, composer, and improvisor Okkyung Lee returns with Yeo-Neun, her first outing with Shelter Press, and arguably her most groundbreaking and unexpected album to date.

Publication based on the eponymous exhibitions organized at CAN, Neuchâtel, and Post Territory Ujeongguk, Seoul, bringing together the works of six Swiss and Korean artists, as well as new texts by Korean curators and theoreticians.

A post-colonial pamphlet on the ethnological museums of Europe, primarily the upcoming Humboldt Forum in Berlin.

First monograph.

Art & vinyl: an analytic anthology of artist's records in Switzerland.

Four texts about the sky by Margaret Cavendish (1623-1673), English aristocrat, writer, philosopher and scientist whose salon was home to Descartes, Hobbes and Gassendi, precursor of feminism and author of one of the first works of science fiction.

A reflection on an escape from the public sphere starting from a visit of Derek Jarman's house.

First French translation of Shulamith Firestone's first novel.

Six pieces exploring multi-phonic spaces on the clarinet and alto saxophone, spaces linked to breath and the sonic landscapes developed by the amplification.

Delirious comic strip by Costes about coronavirus and containment. Two original color drawings pasted in the book, signed and numbered by the author.

Dominique Grimaud makes you listen to the The Beatles, The Rolling Stones, Pink Floyd, and many more artists from the 1960s, like you never hear before.

A highly psychedelic electroacoustic piece from 1981 built on fractal patterns in the studios of the Groupe Musiques Vivantes de Lyon, and another one composed almost four decades later, based on birdsong and forest sounds.

The fifth volume in Jack Pierson's famed Tomorrow's Man series associates archival material and works by contemporary artists in a collage-like design to produce an exploded vision of the current visual landscape, draped in vintage homoeroticism and glamour.

A picaresque tale of Clara Schulmann's often collective experiences.

An essay on dancing corporality as a complex system of interacting elements.

Analyzing his own work but also the emblematic works of Brazilian artists Luiz de Abreu, Micheline Torres and Marcelo Evelin, the dancer and choreographer Volmir Cordeiro invents here, through writing, a sensitive form where creation is inextricably linked to his position as a researcher and to his view as a spectator

Teruyuki Kurihara's full-length album on Mille Plateaux is inspired by nature, particularly the cycles of "destruction and creation", characterised by industrial and experimental music cast in minimalist fashion.

The Conclusive Scene - Mao Zedong's Last Meeting with the Red Guards, 28 June 1968 includes the first complete English translation of the Chinese Cultural Revolution document "Conversation in a Meeting with the Responsible Persons of the Capital Red Guards."