In the staccato, nervous, vivid and even resonant language of the flea markets that Oriol Vilanova frequents, Le prix des choses discusses economics as a flow—that is, the exchange of goods for monetary value.
Two Thousand Years of Non-Urban History revisits the founding principles of architectural and landscape discourse in the Arabian Peninsula. The publication explores instances of pre-oil planning, ranging from desert kites to fish traps and water channels, upending the toolset for thinking through architecture's relationship to its context.
A raw yet tender book of visual poetry that speaks of desire, reinvention, Brussels nights, creatures, wounds, laughter that comes from far away, celebration, the communion of bodies and spirits, friends.
What counts as reality when images can be generated, manipulated, and circulated with unprecedented ease? The Future of Reality asks filmmakers and scholars to respond to a contemporary reality framed and filtered by algorithms and synthetic media.
The edition offers a new approach to what Ines Weizman names "documentary architecture," meaning that to write about the history of a building is also to map the world in which it is located.
Of Interest to the General Public is a narration by the Ethiopian writer and photographer Maaza Mengiste inspired by the history of the 1868 Napier expedition and the burning of the palace fortress at Magdala.
An exploration of the relationship between art and science through a cross-disciplinary journey featuring some 100 works of art and scientific artifacts by approximately 30 artists, from the Renaissance to the present day.
The search for identity by Stefan Oberbrünner, a German Jewish lawyer who fled to France in 1934, was interned under the Vichy regime, and was then deported on Convoy No. 51 to Sobibor in 1943. A narrative woven from archival materials, evocative drawings, and reflections on memory.
ENSAB (Brittany National College of Architecture) - Books
A broad exploration of precariousness—whose contours and realities are constantly evolving—examined through the lenses of architecture, the city, and the landscape.
Erik Verhagen brings together seven artists from both sides of the Atlantic, who offer their perspectives on François Morellet's work, bearing witness to the enduring vitality of his legacy.
Museums of Tears extends Francesco Vezzoli's 2024 exhibition at Museo Correr, Venice, combining historical works and new commissions to explore antiquity, emotion and illusion. Conceived as an artist's book rather than a catalogue, it transforms the museum guide into a hybrid archive and portable museum of memory, beauty and mourning.
Kate Carr's new album explores a vertical trajectory through the UK capital, re-imagined from top to bottom in a suite of elegant and mysterious field recordings.
Brunhild Ferrari's new work L'oreille voleuse (The Thieving Ear) and an extraordinary live reinterpretation by Eiko Ishibashi and Jim O'Rourke, recorded in October 2025 in Paris.
Brunhild Ferrari's new work L'oreille voleuse (The Thieving Ear) and an extraordinary live reinterpretation by Eiko Ishibashi and Jim O'Rourke, recorded in October 2025 in Paris.
An original publication bringing together Esther Ferrer's performance scores and a previously unpublished long-form conversation on creation, language, freedom and action.
The fourth volume of a new series of publications by the collective Wages For Wages Against, acting for better work conditions in the visual arts and against all forms of discrimination, on the topics of accessibility in the arts and ableism.
The fourth volume of a new series of publications by the collective Wages For Wages Against, acting for better work conditions in the visual arts and against all forms of discrimination, on the topics of accessibility in the arts and ableism.
Annotation and contextualisation of works by founding members of the Finnish leftist anti-fascist writers' group "Kiila", that has been active since 1936.
A comprehensive overview of the artistic and conceptual work of Henrike Naumann, one of the most influential voices of her generation, who died at the age of 41 shortly before the opening of her project for the German Pavilion at the 61st Venice Biennale.
A portrait gallery of creators on the margins of folk art and art brut gardens, houses and environments, of which Francis David has compiled a monumental photographic inventory since the late 1970s.
What is the relationship between mathematics and philosophy? How does the project of "mathematical ontology" redefine the link between multiplicities and being? M=O? brings together leading scholars exploring and questioning Alain Badiou's thesis that "mathematics is ontology" and its evolution.
Poetry and Revolution brings together three previously untranslated essays by the Czechoslovak avant-garde theorist Karel Teige (1900-1951), accompanied by a polemical introduction by Peter Zusi placing Teige's thinking in the context of debates on "Western" and "Eastern" Marxism.
The selected texts from Les Bas-bleus (1877) by Jules Barbey d'Aurevilly allow us to gauge the violence of the misogynistic prejudices that 19th-century women writers had to face in their daring quest to carve out a place for themselves in the literary world, while also rediscovering the sharp style—as delightful as it is venomous—of an important and resolutely "anti-modern" writer of his time.
All 693 images in a series created by Luc Delahaye over several years using details from photographs cut out of newspapers, marking a turning point in the evolution of this great photographer's work, which bridges documentary and artistic practices.
