Artist's book presenting a hundred fictional texts based on works from the Fonds cantonal d'art contemporain (FCAC) of the Republic and Canton of Geneva.

This box gathers the three volumes of the publication the Serralves Museum of Contemporary Art began in 2008, in the framework of the major exhibition dedicated to the director, on the occasion of his 100th birthday.

The aim of the volume Exhibited Cinema is to reconstruct the history of cinema in exhibition contexts and to trace its archeology, through original essays by researchers, curators, artists and filmmakers.

The first detailed study of the artist's book within the Fluxus movement.

First monograph.

A literary text by Guillaume Belhomme combining metafiction and cut-up, with a CD on which Daunik Lazro performs Vieux Carré, a composition by Joe McPhee evoking the old French Quarter of New Orleans.

Using Jérôme Bel's Disabled Theater as the basis for a broad, interdisciplinary discussion of performance and disability, this series of essays explores the intersections of politics and aesthetics, inclusion and exclusion, and identity and empowerment. Including interviews with Jérôme Bel and with the actors of Zurich's Theater HORA.

First monograph / artist's book.

Showcasing 60 artists and more than 100 works from major Italian private collections, the exhibition “Too Early, Too Late: Middle East and Modernity” examines the relationship between the East and Western modernity.

This catalogue investigates the multi-faceted work of one of Italy's greatest artists of the interwar and postwar periods. The book is illustrated by a large selection of archival documents, some of which never seen before.

During a period of three years, Taiyo Onorato & Nico Krebs traveled several months through the United States, working “on the road” on The Great Unreal, a photographic work dealing with reality and the fabrication of reality.

A pioneering study in which professor of media theory Dieter Mersch paves the way for a methodology of aesthetics that would move beyond the “linguistic turn” to create a new scientific discourse that would create a better conceptual understanding of art-based research.

The subject of Vertiginous Parallels is landscape, and more precisely, the relationships between its mapping and visual or artistic (especially cinematographic and pictorial) adventures.

Headless, an exhilarating murder-mystery by the elusive K. D., probes the sordid secrets and sinister deeds of powerful financiers who use Caribbean firms to conceal their fortunes.

Artist's book.

Artist's book (drawings).

A reader.

In the Holocene is based on a 2012 group exhibition of the same name at the MIT List Visual Arts Center that explored art as a speculative science, investigating principles more commonly associated with scientific or mathematical thought.

A manifesto-as-culinary-innovation.

An unpublished manuscript, La Ferme radieuse et le centre coopératif (“The Radiant Farm and cooperative center”) describes the country planning project conceived by Le Corbusier and Norbert Bézard in the 1930's.

The first recorded collaboration between Charlemagne Palestine (piano Bösendorfer, orgue Yamaha and voice) and Rhys Chatham (trumpet, loop pedal, electric guitar).

For this artist's book, Izet Sheshivari used three different photographic technologies to produce this selection of landscape images which play with the codes of classic road movies.

A corpus of contemporary Roman inscriptions, which testifies the importance of language—institutional as well as popular—in the collective space of the streets (artist's book).

With Grotesque female creatures, atomic lightbeams, skulls, Pop monsters and ukiyo-e decoration... These polychromic hallucinations of a Master of Psychedelic art were inspired by a near-death experience.

Collection of poems by the great Russian poetess Anna Akhmatova.

This vinyl edition collects several field-recordings of Matteo Nasini's aeolian instruments, executed by the artist in different places and conditions. Together with the vinyl, the edition presents eight large-format artist's prints related to the same practice.

First vinyl release of a classic from Sub Rosa's catalogue.

During the 1950s and 1960s, Roberto Gerhard gathered a significant magnetic tape collection in his home studio, creating a major repository of early electronic sound recordings of his own works. The pieces on this record present a complex set of challenges for audio restoration, giving at the end a complete understanding of his compositional process and allowing the spirit and vitality of his electronicwork to speak clearly to the listener.

During the 1950s and 1960s, Roberto Gerhard gathered a significant magnetic tape collection in his home studio, creating a major repository of early electronic sound recordings of his own works. The pieces on this record present a complex set of challenges for audio restoration, giving at the end a complete understanding of his compositional process and allowing the spirit and vitality of his electronicwork to speak clearly to the listener.

Red Bird was composed between 1973 and 1977, using the studio of the University of York Music in UK. Wishart's compositional interests deal mainly with the interpolation by technological means between the human voice and natural sounds.

First monograph.

The first monograph and visual survey to explore the singular odyssey of John Severson, who revolutionized pop culture's vision of surfing and surf culture through his prolific artistic output that transverses decades and disciplines, through ephemera, painting, photography, film, and publishing.

This publication results from Braegger's “The Grateful Dead” paintings series, ink jet prints of colorful psychedelic marching bears on canvas. These bears were used as a logo by San Francisco Sixties rock band The Grateful Dead.

This LP inaugurates a new series of vinyl-only releases based on the extraordinary Logos archives. Here, never released before recordings from live sessions at Logos Foundation, in 1974, 1979 & 1981, featuring Max Eastley, Feminist Improvising Group, COUM, Derek Bailey, and the Logos Ensemble.

The long awaited documentation of the score of Paris based choreographer Gisèle Vienne's eponymous artistic ice skating choreographic piece.

A series of photographs by Izet Sheshivari made on the island of Fårö, where Bergman shot numerous films (newspaper).

A photographic documentation, with some critical essays, of the artist's exhibition at Galleria Borghese where three multimedia works are displayed on freestanding structures inspired by the paintings of Caravaggio: a meditation on our fondness for contemplating images of mortality or death, and the different ways of manipulating viewer experience.

An anthology surveying the relationship between artistic practices and documents.

Gong!'s second issue is devoted to stylist and occasional photographer Rosa Codina. Rosa decided to devote the issue to her daughter and everything around her, in a project she entitled Autour de Alia and which she decided to base on monographic content rather than time or technique.

A collection of sentences from Wikipedia articles including "trench". The words are engraved by notches in photographs. A kind of eroded field that becomes a graphic novel.

Firenze 77 tells the story of a number of artists who passed through Florence, and Villa Romana, between the second half of the 1970s and the early 1980s. This publication is a collection of heterogeneous, autonomous material—a series of notes, comments, book summaries and various kinds of devices.