A photographic documentation from a field research on folk athletic contests in male rural Finland in the beginning of the 20th century.

The colorful and impertinent hijacking of a luxurious big size Taschen book celebrating Queen Elizabeth's jubilee.

A photographic portrait of Kampala's bustling nightlife.

The genesis and documentation of a video and mapping project on the detrimental effects of foreign authorities' actions in past and present Mexico.

The starting point of this publication and of the work it accompanies is travel, and more specifically, the wave of new perceptions that travel brings and the transformation that it causes. Artist Guan Xiao compares the volatility of this process with the fluctuation of the weather.

Transcript of a lecture given at the Musée de la Civilisation, Québec, in 1993, in which the scientist Ilya Prigogine suggests an understanding of time that isn't just a measuring variable but a real dimension whose most fertile property would be its irreversibility.

French artist Jean Dubuffet and French art historian Hubert Damisch shared a long friendship between 1961—the year Damisch published his first essay on Dubuffet—and 1985—when the latter died. Entrée en matière gathers together all the texts written by Damisch on Dubuffet as well as a selection of their correspondence.

The groundbreaking work of Masaki Fujihata presented as an immersive intermedia experience through augmented reality technology (retrospective monograph under the form of a ring binder, with a dedicated AR application).

This catalogue compiles individual collections from artists and considers the act of collecting as a portrait of its collector and also as an artistic method—as a process rather than an end result.

This catalogue documents the encounter between Eliasson's sensorial artworks and the baroquean atmosphere of Prince Eugene's Winter Palace in Vienna.

With this volume, Shahryar Nashat recalls the life and death of an iconic art object—a green dodecahedron called La Shape—operating in many of the artist's works since 2011.

Barthélémy Toguo's address to the African Ministers of Culture for a better recognition of art and African artists on the Continent.

This first monograph on French-Algerian artist and performer Carole Douillard spans her entire work from the end of the 1990s and invites us to reflect on her performative and non-material practice, interrogating the forms and issues of contemporary performance.

This publication is a continuation of Gabriel Sierra's site-specific installation project at the Renaissance Society in 2015. The book expands on and further examines the topics and ideas of the exhibition, that of the relation between the body and its spatio-temporal framework.

A series of paintings reproduced on different scales as if to emphasize the random dynamics and impenetrability at the core of the artist's pictorial practice.

This monographic catalogue collects the visuals of works focusing on the relationship between the activities of the intelligence agencies and magic practices during the Cold War era.

Location Scout is an artist's book by Emanuel Röhss conceived as part of a 2015 project that addresses the interrelation between the Ennis House built by architect Frank Lloyd Wright in Los Angeles in 1924 and the Hollywood film industry in particular and the production of pop culture at large.

This publication showcases a selection of photographs taken by the artist, over a year-long period, in second-hand shops, flea markets, antique stores and auction houses in Berlin.

Ziad Antar experiments forms, colors and light with his lensless camera, during a long journey searching for the cities where mythology was born. At the core of his work is the questioning of the foundations of photography, through the destructuration of this art (monograph edited in collaboration with Hans Ulrich Obrist).

The new impact of corporations on both the state and the market as the new paradigm of neoliberalism.

Elisabeth Bronfen gives a clever analysis on one of the most influential show of the 21th century, arguing that, beyond the retro-revival, Mad Men builds a comment on the state of the US nation and on the mirage of the American Dream.

The role of infrastructure and logistics in today's art scene

Eva Kot'átková's most ambitious publication to date, divided in two volumes, reflects her obsession with reshaping and hijacking pre-existing photographic images.

The eponymous duo's monograph explore desire in the context of our post industrial, post human society, between globalisation and sustainable development, in this “glocalisation” that produces new objects, new temptations and new perversions.

Paris céramique is the result of a four-day ceramic workshop that took place in Paris in 2013 with Bastien Aubry, Dimitri Broquard, and Adrien Horni, following an invitation by Thomas Mailaender.

This publication chronicles the aspirations, methods, and projects of the first four years of Public Design Support—a joint venture between Goethe Institute's Urban Incubator and Hamburg University of Fine Arts established to offer free practical support to urban residents. It includes key project materials, scholarly essays, and significant historical texts.

This volume is a collection of dynamic and engaged writings by art historian John C. Welchman on a range of contemporary European artists that emerged in the late 1960s and 1970s. Welchman poses thoughtful and provocative questions about how artists receive and negotiate the social and aesthetic histories through which they live and work.

Eva Grubinger's catatogue Black Diamond Bay explores the idea of psychological landscapes—a physical or mental journey—that evokes ideas of escapism and the search for the self.

Benjamin H. Bratton's kaleidoscopic theory-fiction links the utopian fantasies of political violence with the equally utopian programs of security and control. Equal parts Borges, Burroughs, Baudrillard, and Black Ops, Dispute Plan to Prevent Future Luxury Constitution charts a treacherous landscape filled with paranoid master plans, failed schemes, and dubious histories.

Felicity D. Scott reconsiders the learnings of Bernard Rudofsky on vernacular architecture in the light of his relation with Japan.

Barthélémy Toguo's address to the African Ministers of Culture for a better recognition of art and African artists on the Continent, with an original artwork signed by the artist.

L'écho / ce qui sépare documents a personal and collective exhibition commissioned by Bruno Peinado where young artists were invited by Peinado to display their works with his own, thus reflecting the notions of space and network within the art field.

Since the set up of Xavier Veilhan's The Monster in the center of Tours in 2004, the statue has been subject to various cultural appropriation by the locals. This book aims to document both the development of the project as part of the New Patrons program as well as the life of the statue within the city.

Zbigniew Karkowski's last recording, in Sweden, November 2013—a few weeks before his death—accompanied by musicians Jean-Louis Huhta and Lars Akerlund.

This book is an overview of the exhibition program of Bart van der Heide from 2010-2015, which he realised as the director of Kunstverein München. Each exhibition is presented by a corresponding booklet, containing all texts and images (with Silke Otto-Knapp, Tobias Madison, Keren Cytter, Willem de Rooij, Richard Tuttle, Simon Denny, Rebecca Warren...).

A visual journey through ten years of Denis Savary's exhibitions (first-ever retrospective catalogue).

Carlo Mollino's photographs of a Japan in between tradition and modernity during the 1970 Universal Exposition.

A composition by Yannick Dauby built upon the eletroacoustic modulation of Japanese bats' ultrasonic voices.

A sound collage of night time ambiances from Guiana (France), focusing on the calls of amphibians.

Filmmaker and writer Alexander Kluge combines fiction and reality to deliver one of the most striking testimonies that have been written about the bombing of German cities by the Allies.

In more than two hundred artworks, the American artist's reference monograph focuses on the fundamentals of her painting, strongly impregnated by notions of time, profusion, systemising and commitment.

A reflection on paper as a creative space (exhibition catalogue based on Frac Réunion's collection).

A portrait of painter Max Schoendorff through a long-lenght interview, a collection of writings and paintings, and a sketchbook.

This publication is based on the albums the artist conceived during his tenure at the Bauhaus, and presents, for the first time, photographs and documents, personal as much as artistic, on this key moment of the modern period. It is also the first opportunity to discover this primary material, in a format reproducing the original albums.

John Stezaker's artist's book: a series of collages with found images—resorting stylistically to Hollywood's golden era—which find a new life on these pages, as much as a new meaning, if not aura.