This intimate publication documents an iconic art space of the 20th century, the Warsaw apartment and studio of Polish artists Henryk Stazewski (1894–1988) and Edward Krasinski (1925–2004)—a lively artistic and social space shared by multiple artists.

Three texts by the Marxist theorist from the Czechoslovak avant-garde of the interwar period, Karel Teige, translated into English for the first time.

Catalogue.

A call-to-arms for creatives to make their work widely accessible as a political and communal act.

Eyal and Ines Weizman explore the history of the before-and-after image, from its origins in 19th-century Paris to today's satellite surveillance.

In this essay, Thierry de Duve leaves the aesthetics and history of the art to approach, under the religious prism, two anthropological questions that the mutation of the symbolic order in progress makes pressing: the difference of the sexes and the future of the politics of emancipation.

The Heideggerien deconstruction of metaphysics by Reiner Schürmann.

Three essays in which philosopher Étienne Balibar questions the concept of war, drawing on the thinking of Simone Weil, Carl von Clausewitz, and Karl Marx, as well as the current geopolitical situation.

This volume revisits Alain Badiou's renunciation of his postulate that mathematics is ontology, and questions the legacy of French epistemology.

Published several years after the fact, "Exposure" is a catalogue for Patricia L. Boyd's solo exhibition "Hold" at Kunstverein München in 2021.